<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-27377859</id><updated>2012-01-23T19:56:49.187-08:00</updated><title type='text'>The Compost Heap</title><subtitle type='html'>Assorted Odd Ends with Occasional Stuff on the Side</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default?start-index=101&amp;max-results=100'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>328</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-27377859.post-5630648198281179102</id><published>2012-01-01T14:10:00.000-08:00</published><updated>2012-01-23T19:56:49.205-08:00</updated><title type='text'>Reading Log 2012</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;I have decided to continue the reading log I began in 2010 and continued into 2011, listing all the books I complete in 2012. I will list by title, author, type of work, writer's country of origin, original date of publication with date of translation if not originally in English, and date read. An entry preceded by an (&lt;b&gt;R&lt;/b&gt;) is a book that I am rereading, usually after many years. An asterisk indicates a book I particularly enjoyed. "SF/F" following "novel" means "Science Fiction/Fantasy"; "M" means "Mystery."&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;January:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*1. &lt;i&gt;At the Point&lt;/i&gt; by Joseph Massey (poetry, U. S., 2011; January 1)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*2.  &lt;i&gt;Scar Night&lt;/i&gt; by Alan Campbell (novel SF/F -- &lt;b&gt;Deepgate Codex&lt;/b&gt; Volume I, Scotland, 2006;&lt;i&gt; &lt;/i&gt;January 1 - 4)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*3. &lt;i&gt;Elegy For Kosovo&lt;/i&gt; by Ismail Kadare (connected short stories, Albania/France, 1998 in Albania and France, English translation of the Albanian 2000; January 5)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*4. &lt;i&gt;The Sound of the Mountain&lt;/i&gt; by Yasunari Kawabata (novel, Japan, published 1954 in Japan, English translation 1970; January 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*5. &lt;i&gt;The Country of the Pointed Firs&lt;/i&gt; by Sarah Orne Jewett (novel, U. S., 1896; January 6 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*6. &lt;i&gt;The Ipcress File&lt;/i&gt; by Len Deighton (novel M -- Secret File #1, England, 1962; January 7 - 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*7. &lt;i&gt;The Wedding Wallah&lt;/i&gt; by Farahad Zama (novel -- Marriage Bureau #3, India/England, 2011; January 9 - 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*8. &lt;i&gt;Madness of Flowers:  A Novel of the City Imperishable&lt;/i&gt; by Jay Lake (novel SF/F -- City Imperishable #2, U. S., 2008; January 12 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*9. &lt;i&gt;The Memory Chalet&lt;/i&gt; by Tony Judt (nonfiction essays -- memoir/cultural studies, England/U. S., 2010; January 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*10. &lt;i&gt;Death Without Company&lt;/i&gt; by Craig Johnson (novel M -- Walt Longmire #2, U. S., 2007; January 16 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;11. &lt;i&gt;Secrets &lt;/i&gt;by Nuruddin Farah (novel -- &lt;b&gt;Blood in the Sun&lt;/b&gt; trilogy Vol. 3, Somalia, 1998; January 18 - 20)&lt;/span&gt;&lt;span class="Apple-style-span"   style="  color: rgb(51, 51, 51); line-height: 16px; font-family:arial, serif;font-size:small;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*12. &lt;i&gt;The Other&lt;/i&gt; by Matthew Hughes (novel SF/F, England/Canada, 2011; January 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*13. &lt;i&gt;Comedy in a Minor Key&lt;/i&gt; by Hans Keilson (novel, Germany/Netherlands, published Netherlands 1947, English translation 2010; January 22) &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*14. &lt;i&gt;Boneyards&lt;/i&gt; by Kristine Kathryn Rusch (novel SF/F -- Boss/stealth tech #3, U. S., 2012; January 22 - 23)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-5630648198281179102?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/5630648198281179102/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=5630648198281179102' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5630648198281179102'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5630648198281179102'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2012/01/reading-log-2012.html' title='Reading Log 2012'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3170028259486489674</id><published>2011-05-01T13:28:00.000-07:00</published><updated>2011-12-31T14:22:28.409-08:00</updated><title type='text'>Read Log 2011</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;I have decided to continue the reading log I began in 2010, listing all the books I complete in 2011. I will list by title, author, type of work, writer's country of origin, original date of publication with date of translation if not originally in English, and date read. An entry preceded by an (&lt;b&gt;R&lt;/b&gt;) is a book that I am rereading, usually after many years. An asterisk indicates a book I particularly enjoyed. "SF/F" following "novel" means "Science Fiction/Fantasy"; "M" means "Mystery." &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;January:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*1. &lt;i&gt;The Locked Room &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color: rgb(51, 51, 51); line-height: 16px; font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;by Maj Sjöwall and Per Wahlöö (novel M -- Martin Beck #8, Sweden, 1972 in Sweden, English translation 1973; January 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;2. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;A Transatlantic Tunnel, Hurrah!&lt;/i&gt; by Harry Harrison (novel SF/F, U. S., 1972; January 2 - 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;3. &lt;i&gt;For A Few Demons More&lt;/i&gt; by Kim Harrison (novel -- Hollows #5, U. S., 2007; January 4 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;4. &lt;i&gt;The Year of the Hare&lt;/i&gt; by Arto Paasilinna (novel, Finland, 1976 in Finland, English translation 1995; January 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*5. &lt;i&gt;The Financial Lives of the Poets&lt;/i&gt; by Jess Walter (novel, U. S., 2009; January 8 - 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;6. &lt;i&gt;The Gray Prince&lt;/i&gt; by Jack Vance (novel SF/F, U. S., 1974; January 10 - 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*7. &lt;i&gt;Evening Clouds&lt;/i&gt; by Junzo Shono (novel, Japan, 1964 - 1965 in Japan, translation 2000; January 12 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*8. &lt;i&gt;The Remarkable Exploits of Lancelot Biggs: Spaceman&lt;/i&gt; by Nelson Bond (novel SF/F, U. S., 1950; January 14 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*9. &lt;i&gt;The Tenants of Moonbloom&lt;/i&gt; by Edward Lewis Wallant (novel, U. S., 1963; January 15 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*10. &lt;i&gt;Conquered City&lt;/i&gt; by Victor Serge (novel, Belgium/Russia, 1932 in France in French, English translation 1976; January 17 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;11. &lt;i&gt;A Talent for War&lt;/i&gt; by Jack McDevitt (novel SF/F-- Alex Benedict #1, U. S., 1989; January 20 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;12. &lt;i&gt;Serving Crazy With Curry&lt;/i&gt; by Amulya Malladi (novel, India, 2004; January 23 - 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;13. &lt;i&gt;The Witch Doctor's Wife&lt;/i&gt; by Tamar Myers (novel M -- Amanda Brown #1, Belgian Congo/U. S., 2009; January 26 - 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;14. &lt;i&gt;Human Nature&lt;/i&gt; by Jonathan Green (novel SF/F -- Ulysses Quicksilver #3, England, 2009; January 27 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*15. &lt;i&gt;The Blood-Dimmed Tide&lt;/i&gt; by Rennie Airth (novel  M-- John Madden #2, South Africa, 2004; January 28 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;16. &lt;i&gt;The Mating Season&lt;/i&gt; by P. G. Wodehouse (novel -- Jeeves #9, England, 1949; January 30 - 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;February&lt;/b&gt;:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;17. &lt;i&gt;The Industrial Revolutionists: The Making of the Modern World, 1776 - 1914&lt;/i&gt; by Gavin Weightman (nonfiction -- technological history/biography, England, 2007: February 1 - 4)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;18. &lt;i&gt;Polaris&lt;/i&gt; by Jack McDevitt (novel SF/F-- Alex Benedict #2, U. S., 2004; February 4 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*19. &lt;i&gt;Free Air&lt;/i&gt; by Sinclair Lewis (novel, U. S., 1919; February 6 - 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*20. &lt;i&gt;The Mammy&lt;/i&gt; by Brendan O'Carroll (novel -- Agnes Browne Trilogy Book I, Ireland, 1994; February 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*21 &lt;i&gt;Gifts&lt;/i&gt; by Nuruddin Farah (novel -- &lt;b&gt;&lt;i&gt;&lt;/i&gt;Blood in the Sun&lt;/b&gt; trilogy, Vol. 2, Somalia, 1993; February 9 - 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*22. &lt;i&gt;Stations of the Tide&lt;/i&gt; by Michael Swanwick (novel SF/F, U. S., 1991; February 10 - 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*23. &lt;i&gt;Closely Watched Trains&lt;/i&gt; by Bohumil Hrabal (novella, Czechoslovakia, 1965 in Czechoslovakia, English translation 1968; February 11 - 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*24. &lt;i&gt;The Alchemy of Stone&lt;/i&gt; by Ekaterina Sedia (novel SF/F, Russia/U. S., 2008; February 12 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;25. &lt;i&gt;The Headhunter's Daughter&lt;/i&gt; by Tamar Myers (novel M-- Amanda Brown #2, Belgian Congo/U. S., 2011; February 13 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*26. &lt;i&gt;Cellophane&lt;/i&gt; by Marie Arana (novel, Peru, 2006; February 15 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*27. &lt;i&gt;Sun of Suns&lt;/i&gt; by Karl Schroeder (novel SF/F-- &lt;b&gt;Virga &lt;/b&gt;Book I, Canada, 2006; February 18 - 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*28. &lt;i&gt;The Tempest Tales: A Novel-in-Stories&lt;/i&gt; by Walter Mosley (fiction, U. S., 2008; February 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;29. &lt;i&gt;Orphans of the Sky&lt;/i&gt; by Robert A. Heinlein (novel SF/F, U. S., 1941; February 21 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;30. &lt;i&gt;Planets for Sale&lt;/i&gt; by A. E. van Vogt and E. Mayne Hull (novel SF/F, Canada &amp;amp; U. S., 1954; February 22 - 23)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;31. &lt;i&gt;Killdozer!&lt;/i&gt; by Theodore Sturgeon (novella SF/F, U. S., 1944; February 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;32. &lt;i&gt;The Disappearance at Pere-Lachaise&lt;/i&gt; by Claude Izver (novel  M -- Victor Legris #2, France, 2003 in France, English translation 2007; February 25 - 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;33. &lt;i&gt;The Road to the Rim&lt;/i&gt; by A. Bertram Chandler (novel SF/F -- John Grimes #1, Australia, 1967; February 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;34. &lt;i&gt;Spawn of the Gun Pack&lt;/i&gt; by T. T. Flynn (novella, U. S., 1941; February 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;March:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*35. &lt;i&gt;Fighter Boys: The Battle of Britain, 1940&lt;/i&gt; by Patrick Bishop (nonfiction -- history, England, 2004; March 1 - 4)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*36. &lt;i&gt;Eye of the Red Tsar&lt;/i&gt; by Sam Eastland (novel  M -- Inspector Pekkala #1, England, 2010; March 4 - 5)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*37. &lt;i&gt;Sin Killer&lt;/i&gt; by Larry McMurtry (novel -- &lt;b&gt;The Berrybender Narratives&lt;/b&gt;, Vol. I, U. S., 2002; March 5 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;38. &lt;i&gt;Dragon's Egg&lt;/i&gt; by Robert L. Forward (novel SF/F -- Cheela #1, U. S., 1980; March 7 - 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*39. &lt;i&gt;Unforgiving Years&lt;/i&gt; by&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt; Victor Serge (novel, Belgium/Russia, 1971 in France in French, English translation 2008; March 9 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*40. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Late Eclipses&lt;/i&gt; by Seanan McGuire (novel SF/F-- October Day #4, U. S., 2011; March 13 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;41. &lt;i&gt;When Titans Clashed: How The Red Army Stopped Hitler&lt;/i&gt; by David M. Glantz and Jonathan House (nonfiction -- history, U. S., 1995; March 16 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*42, &lt;i&gt;Hay Day Canticle&lt;/i&gt; by David Zieroth (poetry -- chapbook, Canada, 2010; March 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*43. &lt;i&gt;Fair Play&lt;/i&gt; by Tove Jansson (novel, Finland, 1982 in Finland, English translation 2007; March 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;44. &lt;i&gt;Emissaries from the Dead&lt;/i&gt; by Adam - Troy Castro (novel SF/F -- Andrea Cort #1, U. S., 2008; March 20 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;*&lt;/i&gt;45, &lt;i&gt;Ocean&lt;/i&gt; by Joseph Millar (poetry -- chapbook, U. S., 2010; March 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*46. &lt;i&gt;The Double Comfort Safari Club&lt;/i&gt; by Alexander McCall Smith (novel  M-- Precious Ramotswe #11, Botswana, 2010; March 23 - 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*47. &lt;i&gt;Cedar Cottage Suite&lt;/i&gt; by Sandy Shreve (poetry -- chapbook, Canada, 2010; March 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;48. &lt;i&gt;The Weapon Shops of Isher&lt;/i&gt; by A. E. Van Vogt (novel SF/F-- Isher #1, Canada, 1951; March 24 - 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;49. &lt;i&gt;The Weapon Makers&lt;/i&gt; by A. E. Van Vogt (novel SF/F-- Isher #2, Canada, 1952; March 25 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;50. &lt;i&gt;Morality Play&lt;/i&gt; by Barry Unsworth (novel, England, 1995; March 26 - 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*51. &lt;i&gt;Day of the Oprichnik&lt;/i&gt; by Vladimir Sorokin (novel, Russia, 2006, English translation 2011; March 28 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;52. &lt;i&gt;A Choice of Gods&lt;/i&gt; by Clifford D. Simak (novel SF/F, U. S., 1972; March 29 - 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;53. &lt;i&gt;Duel to the Death&lt;/i&gt; by Christopher Anvil (novella SF/F, U. S., 1965; March 30 - 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;54. &lt;i&gt;A Question of Identity&lt;/i&gt; by Christopher Anvil (novella SF/F, U. S., 1995; March 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*55. &lt;i&gt;Obituary of Light: The Sangan River Meditations&lt;/i&gt; by Susan Musgrave (poetry, Canada, 2009; March 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;April:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*56. &lt;i&gt;Train to Pakistan&lt;/i&gt; by Khushwant Singh (novel, India, 1956; April 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;57. &lt;i&gt;The Mixed Men&lt;/i&gt; by A. E. Van Vogt (novel SF/F, Canada, 1952; April 2 - 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*58. &lt;i&gt;The Tiger's Wife&lt;/i&gt; by Téa Obreht (novel, Yugoslavia, 2011; April 4 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;59. &lt;i&gt;The City and The Stars&lt;/i&gt; by Arthur C. Clarke (novel SF/F, England, 1956; April 7 - 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*60. &lt;i&gt;Beautiful &amp;amp; Pointless: A Guide to Modern Poetry&lt;/i&gt; by David Orr (non-fiction, U. S., 2011; April 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*61. &lt;i&gt;Cop Killer&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;by Maj Sjöwall and Per Wahlöö (novel M -- Martin Beck #9, Sweden, 1974 in Sweden, translation 1975; April 11 - 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*62. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;The Miracle of Mindfulness: An Introduction to the Practice of Meditation&lt;/i&gt; by Thich Nhat Hanh (nonfiction -- Buddhism/meditation, Vietnam, 1975 in Vietnamese, 1975 in English translation; April 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*63. &lt;i&gt;The Cavalier in the Yellow Doublet&lt;/i&gt; by Arturo Pérez - Reverte (novel -- Captain Alatriste #5, Spain, Spain in 2003, English translation 2003; April 14 - 16)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;64. &lt;i&gt;The Beginning of Spring&lt;/i&gt; by Penelope Fitzgerald (novel, England, 1988; April 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;65. &lt;i&gt;Hunters Out of Time&lt;/i&gt; by Joseph E. Kelleam (novel SF/F -- Jack Odin #1, U. S., 1959; April 18)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;66. &lt;i&gt;Hunters Out of Space&lt;/i&gt; by Joseph E. Kelleam (novel SF/F-- Jack Odin #2. U. S., 1960; April 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*67. &lt;i&gt;The Long Road Turns To Joy: A Guide to Walking Meditation&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;by Thich Nhat Hanh (nonfiction -- Buddhism/meditation, Vietnam, 1996; April 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*68. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Timothy; or, Notes of an Abject Reptile&lt;/i&gt; by Verlyn Klinkenborg (novel, U. S., 2006; April 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;69. &lt;i&gt;The Fairy Chessmen&lt;/i&gt; by Henry Kuttner &amp;amp; C. L. Moore (novel SF/F, U. S., 1946; April 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;70. &lt;i&gt;The Winter's Tale&lt;/i&gt; by William Shakespeare (drama -- romance, England, 1610/1611; April 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;71. &lt;i&gt;Cutting It Short&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;by Bohumil Hrabal (novella, Czechoslovakia, 1976 in Czechoslovakia, English translation 1993; April 23&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;72. &lt;i&gt;Sucker Bait&lt;/i&gt; by Isaac Asimov (novella SF/F, U. S., 1954; April 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*73. &lt;i&gt;The Terrorists&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;by Maj Sjöwall and Per Wahlöö (novel M -- Martin Beck #10, Sweden, 1975 in Sweden, English translation 1976; April 24 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;74. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Everything Arises, Everything Falls Away: Teachings on Impermanence and the End of Suffering&lt;/i&gt; by Ajahn Chah (nonfiction --Buddhism/meditation, Thailand, 2005; April 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*75. &lt;i&gt;My Gun Is Quick&lt;/i&gt; by Mickey Spillane (novel M -- Mike Hammer #2, U. S., 1950; April 27 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*76. &lt;i&gt;The Art of Description: World into Word&lt;/i&gt; by Mark Doty (nonfiction -- poetry, U. S., 2010; April 28 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*77. &lt;i&gt;The Word For World Is Forest&lt;/i&gt; by Ursula K. Le Guin (novel SF/F, U. S., 1976; April 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;78. &lt;i&gt;The Green Queen&lt;/i&gt; by Margaret St. Clair (novel SF/F, U. S., 1956; April 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;May:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*79. &lt;i&gt;Norwood&lt;/i&gt; by Charles Portis (novel, U. S., 1966; May 1)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;80. &lt;i&gt;The Caves of Steel&lt;/i&gt; by Isaac Asimov (novel SF/F/M-- Lije Baley/R. Daneel Olivaw #1, U. S., 1953; May 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;81. &lt;i&gt;The Naked Sun &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Isaac Asimov (novel SF/F/M-- Lije Baley/R. Daneel Olivaw #2, U. S., 1956; May 2 - 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*82. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;The Sound of a Wild Snail Eating&lt;/i&gt; by Elisabeth Tova Bailey (nonfiction -- nature/autobiography, U. S., 2010; May 4)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*83. &lt;i&gt;The Autobiography of My Mother&lt;/i&gt; by Jamaica Kincaid (novel, Antigua, 1996; May 5)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;84. &lt;i&gt;Camera Obscura&lt;/i&gt; by Lavie Tidhar (novel SF/F-- The Bookman Histories #2, Israel, 2011; May 6 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*85. &lt;i&gt;Bangkok 8&lt;/i&gt; by John Burdett (novel M -- Sonchai Jitpleecheep #1, England/Hong Kong, 2003; May 8 - 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*86. &lt;i&gt;The Cold Dish&lt;/i&gt; by Craig Johnson (novel M -- Walt Longmire #1, U. S., 2005; May 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;87. &lt;i&gt;The Secret History of the Lord of Musashi&lt;/i&gt; by Junichiro Tanizaki (novel, Japan, 1935 in Japan, English translation 1982; May 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*88. &lt;i&gt;Absolution Gap&lt;/i&gt; by Alastair Reynolds (novel SF/F-- &lt;b&gt;Revelation Space&lt;/b&gt; trilogy #3, Wales, 2003; May 11 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*89. &lt;i&gt;The Waterworks&lt;/i&gt; by E. L. Doctorow (novel, U. S., 1994; May 14 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;90. &lt;i&gt;Too Many Curses&lt;/i&gt; by A. Lee Martinez (novel SF/F, U. S., 2008; May 15 - 16)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;91. &lt;i&gt;The Appointment&lt;/i&gt; by Herta Muller (novel, Romania, 1997, English translation 2001; May 16 - 17) &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*92. &lt;i&gt;Mindfulness in Plain English&lt;/i&gt;, Updated and Expanded Edition, by Bante Henepola Gunaratana (nonfiction -- Buddhism/meditation, Sri Lanka, 2002; May 18 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;93. &lt;i&gt;Zoo Station&lt;/i&gt; by David Downing (novel M -- John Russell #1,  England, 2007; May 19 - 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;94. &lt;i&gt;Dancers in Mourning&lt;/i&gt; by Margery Allingham (novel M -- Albert Campion #8, England, 1937; May 21 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*95. &lt;i&gt;Moby-Duck:  The True Story of 28,800 Bath Toys Lost at Sea and of the Beachcombers, Oceanographes, Environmentalists, and Fools, Including the Author, Who Went in Search of Them&lt;/i&gt; by Donovan Hohn (nonfiction -- travel/sociology/environmental studies/oceanography, U. S., 2011; May 22 - 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;96. &lt;i&gt;View from the Imperium&lt;/i&gt; by Jody Lynn Nye (novel SF/F, U. S., 2011; May 25 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;97. &lt;i&gt;What Distant Deeps&lt;/i&gt; by David Drake (novel SF/F -- RCN #8, U. S., 2010; May 29 - 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;98. &lt;i&gt;To Prime The Pump&lt;/i&gt; by A. Bertram Chandler (novelSF/F -- John Grimes #2, Australia, 1971; May 30 - 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*99. &lt;i&gt;Our Appointment with Life:  Sutra on Knowing the Better Way to Live Alone&lt;/i&gt; by Thich Nhat Hanh (nonfiction -- Buddhism/meditation, Vietnam, 1990; May 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;June:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*100. &lt;i&gt;1776&lt;/i&gt; by David McCullough (nonfiction -- U. S. history, U. S., 2005; June 1 - 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*101. &lt;i&gt;Midnight Riot&lt;/i&gt; by Ben Aaronovitch (novel SF/F -- Peter Grant #1, England, 2011; June 4 - 5)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;102. &lt;i&gt;The Wandering Hill&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Larry McMurtry (novel -- &lt;b&gt;The Berrybender Narratives&lt;/b&gt;, Vol. 2, U. S., 2003; June 6 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;103. &lt;i&gt;Nerves&lt;/i&gt; by Lester Del Rey (novella SF/F, U. S., 1942; June 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;104. &lt;i&gt;The Book of Murder&lt;/i&gt; by Guillermo Martinez (novel, Argentina, 2007, English translation 2008; June 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*105. &lt;i&gt;Thames:  The Biography&lt;/i&gt; by Peter Ackroyd (nonfiction -- history/geography, England, 2007; June 10 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*106. &lt;i&gt;The Hairy Ones Shall Dance&lt;/i&gt; by Manly Wade Wellman (novella SF/F, U. S., 1938; June 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*107. &lt;i&gt;Spies of the Balkans&lt;/i&gt; by Alan Furst (novel, U. S., 2010; June 15 - 16)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*108. &lt;i&gt;The Secret Garden&lt;/i&gt; by Francs Hodgson Burnett (novel, England, 1911; June 16 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*109. &lt;i&gt;Majestrum&lt;/i&gt; by Matthew Hughes (novel SF/F-- Henghis Hapthorn #1, England/Canada, 2006; June 18)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*110. &lt;i&gt;Calm Things: Essays&lt;/i&gt; by Shawna Lemay (nonfiction -- Still life, Canada, 2008; June 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*111. &lt;i&gt;Cascade Point&lt;/i&gt; by Timothy Zahn (novella SF/F, U. S., 1983; June 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*112. &lt;i&gt;Faceless Killers&lt;/i&gt; by Henning Mankell (novel M -- Kurt Wallander #1, Sweden, 1991 in Sweden, English translation 1997;  June 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*113. &lt;i&gt;HMS Ulysses&lt;/i&gt; by Alistair Maclean (novel, England, 1955; June 22 - 23)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*114. &lt;i&gt;Neuromancer&lt;/i&gt; by William Gibson (novel SF/F, U. S./Canada, 1984; June 24 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*115. &lt;i&gt;Defect&lt;/i&gt; by Kristine Kathryn Rusch (novella SF/F, U. S., 2009; June 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*116. &lt;i&gt;The Gates&lt;/i&gt; by John Connolly (novel, Ireland, 2009; June 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*117. &lt;i&gt;You Are Here:  Discovering the Magic of the Present Moment&lt;/i&gt; by Thich Nhat Hanh (nonfiction -- Buddhism/meditation, Viet Nam,  2001 in France, 2009 in English translation; June 29 - 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;July:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;118. &lt;i&gt;City of Ruins&lt;/i&gt; by Kristine Kathryn Rusch (novel SF/F-- Boss/stealth tech #2, U. S., 2011; July 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;119. &lt;i&gt;The Wind in the Willows&lt;/i&gt; by Kenneth Grahame (novel, Scotland, 1908; July 2 - 4)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*120. &lt;i&gt;The Death of Achilles&lt;/i&gt; by Boris Akunin (novel M -- Erast Fandorin #4, Republic of Georgia, 1998 in Russia, English translation 2006; July 5 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*121. &lt;i&gt;My Korean Deli:  Risking It All for a Convenience Store&lt;/i&gt; by Ben Ryder Howe (nonfiction -- autobiography/cultural studies, U. S., 2010; July 6 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;122. &lt;i&gt;Ghosts of War&lt;/i&gt; by George Mann (novel SF/F -- The Ghost #2, England, 2011; July 7- 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;123. &lt;i&gt;South of the Border, West of the Sun&lt;/i&gt; by Haruki Murakami (novel, Japan, 1992 in Japan, English translation 1999; July 8 - 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*124. &lt;i&gt;Infernal Devices&lt;/i&gt; by K. W. Jeter (novel SF/F, U. S., 1979; July 9 - 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*125. &lt;i&gt;Silesian Station&lt;/i&gt; by David Downing (novel M -- John Russell #2, England, 2008; July 11 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*126. &lt;i&gt;The Gist Hunter &amp;amp; Other Stories&lt;/i&gt; by Matthew Hughes (short stories SF/F-- Henghis Hapthorn and others, England/Canada, 2005; July 13 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*127. &lt;i&gt;All-Star Zeppelin Adventure Stories&lt;/i&gt; edited by David Moles &amp;amp; Jay Lake (Short stories, U. S., 2004; July 14 - 16)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;128. &lt;i&gt;The Time Machine:  An Invention&lt;/i&gt; by H. G. Wells (novel SF/F, England, 1895; July 16)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*129. &lt;i&gt;Morlock Night&lt;/i&gt; by K. W. Jeter (novel SF/F, U. S., 1979; July 16 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*130. &lt;i&gt;Untouchable&lt;/i&gt; by Mulk Raj Anand (novel, India, 1935; July 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;131. &lt;i&gt;Nefertiti:  The Book of  the Dead&lt;/i&gt; by Nick Drake (novel M -- Rahotep #1, England, 2006; July 18 - 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*132. &lt;i&gt;Independence:  The Struggle to Set America Free&lt;/i&gt; by John Ferling (nonfiction -- U. S. history, U. S., 2011; July 20 - 23)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;133. &lt;i&gt;Heart of Iron&lt;/i&gt; by Ekaterina Sedia (novel SF/F, Russia, 2011; July 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*134. &lt;i&gt;Death of a Nationalist&lt;/i&gt; by Rebecca Pawel (novel M -- Sergeant Carlos Tejada #1, U. S., 2003; July 24 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;135. &lt;i&gt;Divine Misfortune&lt;/i&gt; by A. Lee Martinez (novel SF/F, U. S., 2010; July 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*136. &lt;i&gt;The Dogs of Riga&lt;/i&gt; by Henning Mankell (novel M -- Kurt Wallander #2, Sweden, 1992 in Sweden, English translation 2001; July 27 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;137. &lt;i&gt;Murder in Space&lt;/i&gt; by David V. Reed (novel SF/F, U. S., 1944; July 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*138. &lt;i&gt;Retribution Falls&lt;/i&gt; by Chris Wooding (novel SF/F -- Darian Frey #1, England, 2009; July 28 - 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*139. &lt;i&gt;The Spiral Labyrinth&lt;/i&gt; by Matthew Hughes (novel SF/F-- Henghis Hapthorn #2, England/Canada, 2007; July 30 - 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;140. &lt;i&gt;The Moon Moth&lt;/i&gt; by Jack Vance (novella SF/F, U. S., 1961; July 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;August:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;141. &lt;i&gt;Samuel Adams:  A Life&lt;/i&gt; by Ira Stoll (nonfiction -- biography, U. S., 2008; August 1 - 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*142. &lt;i&gt;The Wee Free Men&lt;/i&gt; by Terry Pratchett (novel SF/F -- Tiffany Aching #1, England, 2003; August 3 - 4)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;143. &lt;i&gt;Marune:  Alastor 933&lt;/i&gt; by Jack Vance (novel SF/F , U. S., 1975; August 4)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*144. &lt;i&gt;The Case of the Man Who Died Laughing&lt;/i&gt; by Tarquin Hall (novel M -- Vish Puri #2, England/India, 2010; August 5 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*145. &lt;i&gt;The Dead of Winter&lt;/i&gt; by Rennie Airth (novel M -- John Madden #3, South Africa/Italy, 2009; August 6 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*146. &lt;i&gt;Invisible Cities&lt;/i&gt; by Italo Calvino (novel, Cuba/Italy, 1972 in Italian, English translation 1974; August 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*147. &lt;i&gt;The Era 1947 - 1957:  When the Yankees, the Giants, and the Dodgers Ruled the World &lt;/i&gt;by Roger Kahn (nonfiction -- baseball history, U. S., 1993; August 7 - 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;148. &lt;i&gt;Sweet Silver Blues&lt;/i&gt; by Glen Cook (novel SF/F/M-- Garrett, P. I. #1, U. S., 1987; August 10 - 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*149. &lt;i&gt;An Incomplete Revenge&lt;/i&gt; by Jacqueline Winspear (novel M -- Maisie Dobbs #5, England/U. S., 2008; August 11 - 13) &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;150. &lt;i&gt;The Third Claw of God&lt;/i&gt; by Adam - Troy Castro (novel SF/F -- Andrea Cort #2, U. S., 2009;  August 13 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*151. &lt;i&gt;Hespira&lt;/i&gt; by Matthew Hughes (novel SF/F -- Henghis Hapthorn #3, England/Canada, 2009; August 15 - 16)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*152. &lt;i&gt;Heartless&lt;/i&gt; by Gail Carriger (novel SF/F -- The Parasol Protectorate #4, U. S., 2011; August 16 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*153. &lt;i&gt;Paul Revere's Ride&lt;/i&gt; by David Hackett Fischer (nonfiction -- U. S. history, U. S., 1994; August 18 - 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*154. &lt;i&gt;Moon Over Soho &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Ben Aaronovitch (novel SF/F -- Peter Grant #2, England, 2011; August 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*155. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;You Know Me Al:  A Busher's Letters&lt;/i&gt; by Ring Lardner (novel, U. S., 1914; August 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*156. &lt;i&gt;The Man in the White Sharkskin Suit:  A Jewish Family's Exodus from Old Cairo to the New World&lt;/i&gt; by Lucette Lagnado (nonfiction -- family memoir/cultural study, Egypt/U. S., 2007; August 23 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;157. &lt;i&gt;Protector&lt;/i&gt; by Larry Niven (novel SF/F -- Known Space series, U. S., 1973; August 26 - 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*158. &lt;i&gt;The Woman Lit by Fireflies&lt;/i&gt; by Jim Harrison (novella, U. S., 1990; August 27 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;159. &lt;i&gt;The Montmartre Investigation&lt;/i&gt; by  Claude Izner (novel M -- Victor Legris #3, France, 2003 in France, English translation 2008; August 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*160. &lt;i&gt;Love Songs from a Shallow Grave&lt;/i&gt; by Colin Cotterill (novel M -- Dr. Siri Paiboun #7, England/Thailand, 2010; August 29 - 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*161. &lt;i&gt;Giant Killer&lt;/i&gt; by A. Bertram Chandler (novella SF/F, Australia, 1945; August 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*162. &lt;i&gt;What Dreams May Come&lt;/i&gt; by Manly Wade Wellman (novel SF/F -- John Thunstone #1, U. S., 1983; August 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;September:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;*&lt;/b&gt;(&lt;b&gt;R&lt;/b&gt;)163. &lt;i&gt;Ports of Call&lt;/i&gt; by Jack Vance (novel SF/F -- Myron Tany #1, U. S., 1998; September 1 - 4)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*164. &lt;i&gt;Wife of the Gods&lt;/i&gt; by Kwei Quartey (novel M -- Darko Dawson #1, Ghana/U. S., 2009; September 5)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;165. &lt;i&gt;Robur the Conqueror, or The Clipper of the Clouds&lt;/i&gt; by Jules Verne (novel SF/F -- Robur #1, France, 1886 in France, English translation 1887; September 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;166. &lt;i&gt;Master of the World&lt;/i&gt; by Jules Verne (novel SF/F -- Robur #2, France, 1904 in France, English translation 1911; September 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*167. &lt;i&gt;The Trail to Peach Meadow Canyon&lt;/i&gt; by Louis L'Amour (novella, U. S., 1949; September 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*168. &lt;i&gt;The Chisellers &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Brendan O'Carroll (novel -- Agnes Browne Trilogy Book II, Ireland, 1995; September 7 - 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*169. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Cod:  A Biography of the Fish That Changed the World&lt;/i&gt; by Mark Kurlansky (nonfiction -- history/socioeconomic studies/ecology, U. S., 1997; September 8 - 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;170. &lt;i&gt;The Little Town Where Time Stood Still &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Bohumil Hrabal (novella, Czechoslovakia, written 1973, first published 1978 in Austria, English translation 1993; September 9 - 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;171. &lt;i&gt;Crashlander&lt;/i&gt; by Larry Niven (short stories SF/F  -- Beowulf Shaeffer/Known Space, U. S., 1994; September 10 - 11) &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*172. &lt;i&gt;Lurulu&lt;/i&gt; by Jack Vance (novel SF/F -- Myron Tany #2, U. S., 2004; September 11 - 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;173. &lt;i&gt;By Sorrow's River&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Larry McMurtry (novel -- &lt;b&gt;The Berrybender Narratives&lt;/b&gt;, Vol. 3, U. S., 2003; September 12 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*174. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Travels with My Aunt&lt;/i&gt; by Graham Greene (novel, England, 1969; September 13 - 14) &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*175. &lt;i&gt;First Family:  Abigail and John Adams&lt;/i&gt; by Joseph H. Ellis (nonfiction -- biography/U. S. history, U. S., 2010; September 14 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*176. &lt;i&gt;Conjure Wife&lt;/i&gt; by Fritz Leiber (novel SF/F, U. S., 1943; September 17 - 18)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*177. &lt;i&gt;Botchan&lt;/i&gt; by Natsume Soseki (novel, Japan, 1906 in Japan, English translation 2005; September 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*178. &lt;i&gt;Banana:  The Fate of the Fruit That Changed the World&lt;/i&gt; by Dan Koeppel (nonfiction -- history/botany/socioeconomic studies, U. S., 2008; September 20 - 23)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*179.  &lt;i&gt;Z Is For Zombie&lt;/i&gt; by Theodore Roscoe (novel M, U. S., 1937; September 24 - 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;180. &lt;i&gt;Haroun and the Sea of Stories&lt;/i&gt; by Salman Rushdie (novel, India, 1990; September 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*181. &lt;i&gt;Pied Piper&lt;/i&gt; by Nevil Shute (novel, England/Australia, 1942; September 27 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;182. &lt;i&gt;Time Wants a Skeleton&lt;/i&gt; by Ross Rocklynne (novella SF/F, U. S., 1941; September 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;183. &lt;i&gt;The Silkie&lt;/i&gt; by A. E. van Vogt (novel SF/F, Canada, 1969; September 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;October:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*184. &lt;i&gt;When The Emperor Was Divine&lt;/i&gt; by Julie Otsuka (novel, U. S., 2002; October 1)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*185. &lt;i&gt;Home to Harlem&lt;/i&gt; by Claude McKay (novel, Jamaica, 1928; October 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*186. &lt;i&gt;The Basque History of the World&lt;/i&gt; by Mark Kurlansky (non-fiction -- history/cultural studies, U. S., 1999; October 3 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;187. &lt;i&gt;Evolution Expects&lt;/i&gt; by Jonathan Green (novel SF/F -- Ulysses Quicksilver #4, England, 2009; October 8 - 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*188. &lt;i&gt;The Beautiful Things That Heaven Bears&lt;/i&gt; by Dinaw Mengestu (novel, Ethiopia/U. S., 2007; October 9 - 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;189. &lt;i&gt;Airborn&lt;/i&gt; by Kenneth Oppel (novel SF/F -- Matt Cruse #1, Canada, 2004; October 10 - 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*190. &lt;i&gt;The Strange Case of Dr. Jekyll and Mr. Hyde&lt;/i&gt; by Robert Louis Stevenson (novel, Scotland, 1886; October 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*191. &lt;i&gt;The Potter's Field&lt;/i&gt; by Andrea Camilleri (novel M -- Inspector Montalbano #13, Italy, 2008 in Italy, English translation 2011; October 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*192. &lt;i&gt;Riders of the Dawn&lt;/i&gt; by Louis L'Amour (novella, U. S., 1951; October 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*193. &lt;i&gt;Somewhere a Band Is Playing&lt;/i&gt; by Ray Bradbury (novella, U. S., 2007; October 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*194. &lt;i&gt;The Kingdom Beyond the Waves&lt;/i&gt; by Stephen Hunt (novel SF/F, Canada/England, 2008; October 16 - 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;195. &lt;i&gt;The Case of the Late Pig &lt;/i&gt;by Margery Allingham (novel M -- Albert Campion #9, England, 1937; October 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*196. &lt;i&gt;The Granny&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Brendan O'Carroll (novel -- Agnes Browne Trilogy Book III, Ireland, 1996; October 21 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*197. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;The Hare with Amber Eyes:  A Hidden Inheritance&lt;/i&gt; by Edmund de Waal (nonfiction -- biography/history/cultural studies/art, England, 2010; October 22 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*198. &lt;i&gt;The Further Adventures of Sherlock Holmes:  The Giant Rat of Sumatra&lt;/i&gt; by Richard L. Boyer (novel M, U. S., 1976; October 26 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*199. &lt;i&gt;From The Dust Returned&lt;/i&gt; by Ray Bradbury (novel SF/F, U. S., 2001; October 29 - 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;200. &lt;i&gt;Carnacki The Ghost Finder&lt;/i&gt; by William Hope Hodgson (Fiction SF/F -- short stories, England, 1914, complete edition 1947; October 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;November:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*201. &lt;i&gt;Crescent &amp;amp; Star:  Turkey Between Two Worlds&lt;/i&gt; (Revised Edition) by Stephen Kinzer (nonfiction -- history/politics/culture, U. S., 2001, revised edition 2008; November 1 - 3) &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;202. &lt;i&gt;What's For Dinner?&lt;/i&gt; by James Schuyler (novel, U. S., 1978; November 3 - 4)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;203. &lt;i&gt;Skybreaker&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt; by Kenneth Oppel (novel SF/F -- Matt Cruse #2, Canada, 2006; November 5)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;204. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;The Ballad of Peckham Rye&lt;/i&gt; by Muriel Spark (novel, Scotland, 1960; November 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*205. &lt;i&gt;Death Most Definite&lt;/i&gt; by Trent Jamieson (novel SF/F -- &lt;b&gt;The Business of Death&lt;/b&gt; trilogy #1, Australia, 2010; November 6 - 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;206. &lt;i&gt;Miss Dimple Disappears&lt;/i&gt; by Mignon F. Ballard (novel M, Dimple Kilpatrick #1, U. S., 2010;  9 - 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*207. &lt;i&gt;The Affinity Bridge&lt;/i&gt; by George Mann (novel SF/F &amp;amp; M -- Newbury &amp;amp; Hobbes Investigations #1, England, 2009; November 11 - 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*208. &lt;i&gt;The Bastard of Istanbul&lt;/i&gt; by Elif Shafak (novel, France/Turkey, 2007; November 13 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*209. &lt;i&gt;Istanbul:  Memories and the City&lt;/i&gt; by Orhan Pamuk (non-fiction -- memoir/cultural studies/history, Turkey, 2003 in Turkey, English translation 2004; November 15 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*210. &lt;i&gt;Law of Return&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Rebecca Pawel (novel M -- Sergeant Carlos Tejada #2, U. S., 2004; November 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;211. &lt;i&gt;Jack of Eagles&lt;/i&gt; by James Blish (novel SF/F, U. S., 1952; November 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*212. &lt;i&gt;The Siege&lt;/i&gt; by Ismail Kadare (novel, Albania, published in Albanian in 1970 in Albania, revised French edition in France 1994, English translation of revised French edition 2008; November 23 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;213. &lt;i&gt;Folly and Glory&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Larry McMurtry (novel -- &lt;b&gt;The Berrybender Narratives&lt;/b&gt;, Vol. IV, U. S., 2004; November 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;214. &lt;i&gt;The Robots of Dawn&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Isaac Asimov (novel SF/F/M-- Lije Baley/R. Daneel Olivaw #3, U. S., 1983; November 28 - 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*215. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Judgment Engine&lt;/i&gt; by Greg Bear (novella -- SF/F, U. S., 1995; November 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;December:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*216.  &lt;i&gt;Passing Strange:  A Gilded Age Tale of Love and Deception Across the Color Line&lt;/i&gt; by Martha A. &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;Sandweiss (nonfiction -- biography/cultural studies, U. S., 2009; December 1 - 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*217. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;One Salt Sea&lt;/i&gt; by Seanan McGuire (novel SF/F -- October Daye #5, U. S., 2011; December 4 - 5) &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*218. &lt;i&gt;The Three-Arched Bridge&lt;/i&gt; by Ismail Kadare (novel, Albania, 1978 in Albania, English translation 1997; December 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*219. &lt;i&gt;The Hard Way Up&lt;/i&gt; by A. Bertram Chandler (fiction -- short stories --  SF/F John Grimes #3, Australia, 1972; December 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*220. &lt;i&gt;Breathe, You Are Alive!  The Sutra on the Full Awareness of Breathing&lt;/i&gt; by Thich Nhat Hanh (nonfiction -- meditation/Buddhism, Viet Nam, 1990; December 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*221. &lt;i&gt;Bangkok Tattoo&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by John Burdett (novel M -- Sonchai Jitpleecheep #2, England/Hong Kong, 2005; December 9 - 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*222. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Chike and the River&lt;/i&gt; by Chinua Achebe (novel, Nigeria, 1966; December 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*223. &lt;i&gt;The Further Adventures of Sherlock Holmes:  The Star of India&lt;/i&gt; by Carole Buggé (novel M, U. S., 1997; December 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*224. &lt;i&gt;The Outlaw Demon Wails&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt; by Kim Harrison (novel SF/F -- Hollows #6, U. S., 2008; December 11 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*225. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Kraken&lt;/i&gt; by China Miéville (novel SF/F, England, 2010; December 14 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*226. &lt;i&gt;The File on H.&lt;/i&gt; by Ismail Kadare (novel, Albania, originally published in Albanian 1981, revised edition in French 1989, English translation from French revision 1996; December 18)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*227. &lt;i&gt;The Last Fish Tale:  The Fate of the Atlantic and Survival in Gloucester, America's Oldest Fishing Port and Most Original Town&lt;/i&gt; by Mark Kurlansky (nonfiction -- history/ecology/economics/culinary studies, U. S., 2008; December 19 - 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*228. &lt;i&gt;Stettin Station&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt; by David Downing (novel M -- John Russell #3, England, 2009; December 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*229. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Trial of Flowers:  A Novel of the City Imperishable&lt;/i&gt; by Jay Lake (novel SF/F -- City Imperishable #1, U. S., 2006; December 22 - 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;230. &lt;i&gt;The Scarlet Pimpernel&lt;/i&gt; by Baroness Orczy (novel, Hungary/England, published in play form 1903 and as a novel 1905; December 25 - 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*231. &lt;i&gt;The Many Conditions of Love&lt;/i&gt; by Farahad Zama (novel -- Marriage Bureau #2, India/England, 2009; December 28 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;232. &lt;i&gt;The Further Adventures of Sherlock Holmes:  The Veiled Detective&lt;/i&gt; by David Stuart Davies (novel M, England, 2004; December 29 - 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*233. &lt;i&gt;Ten Nights' Dreams&lt;/i&gt; by Natsume Soseki (short stories, Japan, 1908 in Japan, English translation 2000: December 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;234. &lt;i&gt;Elementals&lt;/i&gt; by Ian R. MacLeod (novella SF/F, England, 2008; December 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*235. &lt;i&gt;Areas of Fog&lt;/i&gt; by Joseph Massey (poetry, U. S., 2009; December 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3170028259486489674?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3170028259486489674/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3170028259486489674' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3170028259486489674'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3170028259486489674'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/05/read-log-2011-reposted-for-convenience.html' title='Read Log 2011'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-4313630422931298293</id><published>2011-04-21T18:18:00.001-07:00</published><updated>2011-04-21T18:18:32.610-07:00</updated><title type='text'>NaPo 4/22</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman'; font-size: 13px; color: rgb(51, 51, 51); line-height: 20px; -webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; "&gt;&lt;b&gt;"Etiquette"&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;The crow flaps down&lt;br /&gt;     beside the car-struck squirrel.&lt;br /&gt;He pauses,&lt;br /&gt;          then seems almost to bow,&lt;br /&gt;as if a formal introduction is obligatory&lt;br /&gt;     before making off&lt;br /&gt;                    with someone's eyeball.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-4313630422931298293?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/4313630422931298293/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=4313630422931298293' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4313630422931298293'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4313630422931298293'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-422.html' title='NaPo 4/22'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3455297370981805623</id><published>2011-04-20T18:20:00.000-07:00</published><updated>2011-04-20T18:22:50.804-07:00</updated><title type='text'>NaPo 4/21</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;&lt;b&gt;"Spark"&lt;/b&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; min-height: 14.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;After the rain,&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;     there's only hush;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;residual trickle&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;     from leafedge and twig&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;          sussurates in the grass.&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;The night is mute&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;          until&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;               one cricket twinkles.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3455297370981805623?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3455297370981805623/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3455297370981805623' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3455297370981805623'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3455297370981805623'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-421.html' title='NaPo 4/21'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-514614169038137580</id><published>2011-04-19T18:32:00.000-07:00</published><updated>2011-04-19T18:33:07.122-07:00</updated><title type='text'>NaPo 4/20</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;&lt;b&gt;"Reveille"&lt;/b&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;A rattle of pops,&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     fusillade of joint cracks,&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;          tendon clicks and creaks:&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;sleep-taut flesh folds, bends, twists,&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;          yelps, yields --&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;                    sunrise yoga.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-514614169038137580?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/514614169038137580/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=514614169038137580' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/514614169038137580'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/514614169038137580'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-420.html' title='NaPo 4/20'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-2679505526962030169</id><published>2011-04-19T10:10:00.001-07:00</published><updated>2011-04-19T10:10:57.082-07:00</updated><title type='text'>NaPo 4/19</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;&lt;b&gt;"Nectar"&lt;/b&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;The honeysuckle stretches its tendrils&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     into the sun,&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;          blossoms unfolded for the bee;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;you reach out for me,&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     blouse open&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;                    with your need.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-2679505526962030169?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/2679505526962030169/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=2679505526962030169' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2679505526962030169'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2679505526962030169'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-419.html' title='NaPo 4/19'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-7682315046632427734</id><published>2011-04-19T10:09:00.000-07:00</published><updated>2011-04-19T10:10:12.896-07:00</updated><title type='text'>NaPo 4/18</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;&lt;b&gt;"Recessional"&lt;/b&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Wet brown leaves&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     paper the path,&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;          flatten underfoot&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     missing fall's usual rustle.&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Sometimes the end comes&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;                     with a hushed step.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-7682315046632427734?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/7682315046632427734/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=7682315046632427734' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7682315046632427734'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7682315046632427734'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-418.html' title='NaPo 4/18'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-2989232358720158761</id><published>2011-04-19T10:08:00.002-07:00</published><updated>2011-04-19T10:09:25.678-07:00</updated><title type='text'>NaPo 4/17</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;&lt;b&gt;"Remnants"&lt;/b&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;&lt;i&gt;"Fiat lux."&lt;/i&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Creation is always messy;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     no one gets it right the first time.&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Looking carefully, one will find what's left behind -- &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     fractured attempts, twisted discards,&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;          abortive bits.&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;See? The night sky is littered&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;                     with the detritus of light.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-2989232358720158761?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/2989232358720158761/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=2989232358720158761' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2989232358720158761'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2989232358720158761'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-417.html' title='NaPo 4/17'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-1621032124441494515</id><published>2011-04-19T10:08:00.001-07:00</published><updated>2011-04-19T10:13:12.601-07:00</updated><title type='text'>NaPo 4/16</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;&lt;b&gt;"Noon"&lt;/b&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;The glittering, intricate mechanism&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;          of the yellowjacket&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;dawdles along in the sun,&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     sauntering back to the nest&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;                    for a short siesta.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-1621032124441494515?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/1621032124441494515/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=1621032124441494515' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/1621032124441494515'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/1621032124441494515'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-16.html' title='NaPo 4/16'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-5423851014386746273</id><published>2011-04-19T10:07:00.000-07:00</published><updated>2011-04-19T10:08:09.067-07:00</updated><title type='text'>NaPo 4/15</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;&lt;b&gt;"Weeds"&lt;/b&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Sometimes I just want to forget&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     the names of things&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;for the wonder of rolling them on the tongue again&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;                    for the first time:&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;&lt;span style="color: #ffffff"&gt;. . . .&lt;/span&gt;&lt;i&gt;spatterdock&lt;/i&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #ffffff"&gt;. . . . . . . . . . . . . . . &lt;span style="color: #333333"&gt;&lt;i&gt;teasel&lt;/i&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #ffffff"&gt;. . . . . . . . . . . . . . . . . . . . . .&lt;span style="color: #333333"&gt;&lt;i&gt;vetch&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-5423851014386746273?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/5423851014386746273/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=5423851014386746273' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5423851014386746273'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5423851014386746273'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-415.html' title='NaPo 4/15'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-9049393368942932610</id><published>2011-04-19T10:06:00.000-07:00</published><updated>2011-04-19T10:07:15.663-07:00</updated><title type='text'>NaPo 4/14</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;&lt;b&gt;"Fluffage"&lt;/b&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;"When I Ate Lucinda's Liver" shows disturbingly remarkable insight &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     into the role of erotic cannabalism in contemporary society.&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;* * *&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;I haven't been so deeply moved by a poetic discussion &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     of how to field dress a deer &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;          since reading &lt;i&gt;Sir Gawain and the Green Knight&lt;/i&gt; as an undergraduate.&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;* * *&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Who could have imagined that replacing the head gasket on a Honda SOHC4 &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     could be such an intense emotional rollercoaster?&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;* * *&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;I was truly enchanted by your profoundly poetic rendering &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     of the classic "Sam and Janet Evening" &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;                    knock-knock joke.&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;* * *&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;It would never have crossed my mind that so many different ways &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     of preparing frog legs as a gourmet delicacy &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;could have been so exhaustively rendered in rhyming dactylic hexameter triplets. &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;                    Seriously.&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;* * *&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;The notion of recasting &lt;i&gt;The Iliad&lt;/i&gt; as a feud between rival Mafia families &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;                    is truly staggering,&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;as is the choice of the limerick &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     as the basic stanza pattern for the whole piece. &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;I simply cannot give adequate expression to my feelings &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;          at the thought there are 23 books still to go.&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;* * *&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-9049393368942932610?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/9049393368942932610/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=9049393368942932610' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/9049393368942932610'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/9049393368942932610'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-414.html' title='NaPo 4/14'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-9132626762352148523</id><published>2011-04-13T09:03:00.000-07:00</published><updated>2011-04-13T09:04:15.349-07:00</updated><title type='text'>NaPo 4/13</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;&lt;b&gt;"Film"&lt;/b&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Moisture shrouds the rounded river pebble&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;          by the path;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     bare molecules deep, that sheath harbors the sun&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;                    within itself&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;          and veils the stone with light.&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Remarkable how the fragile&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;                    can contain such radiance.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-9132626762352148523?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/9132626762352148523/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=9132626762352148523' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/9132626762352148523'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/9132626762352148523'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-413.html' title='NaPo 4/13'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-7960250199265921798</id><published>2011-04-12T11:37:00.000-07:00</published><updated>2011-04-12T11:38:41.344-07:00</updated><title type='text'>NaPo 4/12</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman'; font-size: 13px; color: rgb(51, 51, 51); line-height: 20px; -webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; "&gt;&lt;b&gt;"Straw"&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;What dire Offence from am'rous Causes springs, &lt;br /&gt;What mighty Contests rise from trivial Things . . . .&lt;/i&gt;&lt;br /&gt;          -- Alexander Pope, &lt;i&gt;The Rape of the Lock&lt;/i&gt;, I, ll. 1- 2.&lt;br /&gt;&lt;br /&gt;I didn't throw all your clothes out the apartment window&lt;br /&gt;     just because you've been carrying on with that skank Darisha;&lt;br /&gt;I didn't back the truck over your DVD collection&lt;br /&gt;     just because you were out screwing her&lt;br /&gt;          while I was in the hospital giving birth to your son;&lt;br /&gt;I didn't wrap your cellphone in three of his crappy diapers&lt;br /&gt;     just because you gave me the clap you got from her;&lt;br /&gt;no, I'm finally and totally throwing your fat, lazy, sad ass out&lt;br /&gt;     because you gave her the same&lt;br /&gt;          diamondette necklace and plastic roses you gave me&lt;br /&gt;                    for Valentine's Day.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-7960250199265921798?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/7960250199265921798/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=7960250199265921798' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7960250199265921798'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7960250199265921798'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-412.html' title='NaPo 4/12'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3832728292501562466</id><published>2011-04-10T12:22:00.000-07:00</published><updated>2011-04-10T12:23:23.933-07:00</updated><title type='text'>NaPo 4/11</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;&lt;b&gt;"Syllabus"&lt;/b&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 18.0px Georgia; color: #333333"&gt;&lt;b&gt;X - Treme Yoga&lt;/b&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;This course is for those who have&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;nothing left to lose.&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Please sign the Liability Release Form&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;and the Medical Power of Attorney&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;before beginning the first session. &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Warm-up: The Look-I've-Found-A-Sweatbee-Nest Salutation&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Pose I: The Spoiled Child's Tantrum&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Pose II: The Feeding Anaconda Twist&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Pose III: The Two-Humped Camel&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Pose IV: The Buttered Crescent Roll&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Pose V: The Contorted Flowering Quince &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Pose VI: The Plummeting Mountaintop Bend&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Pose VII: The Rotating Paddlewheel&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Pose VIII: The Bewildered Squid&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Pose IX: The I-Never-Thought-I'd-Get-To-See-That-Part-Of-My-Body Fold&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Pose X: The Forward-Stretched Hexagonal Unfurling Lotus Blossom&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333; min-height: 15.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Cool-down: The Defunct Jellyfish Flop&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; min-height: 14.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; min-height: 14.0px"&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3832728292501562466?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3832728292501562466/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3832728292501562466' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3832728292501562466'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3832728292501562466'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-411.html' title='NaPo 4/11'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-2882937128424038292</id><published>2011-04-09T18:41:00.000-07:00</published><updated>2011-04-09T20:46:52.810-07:00</updated><title type='text'>NaPo 4/10</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;&lt;b&gt;"Karma"&lt;/b&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; min-height: 14.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;&lt;i&gt;"Imagine yourself as a pebble . . . ."&lt;/i&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;-- Thich Nhat Hanh&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; min-height: 14.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;Ah, if only I were,&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;     then I'd tell my enemies&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;with literal precision:&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;          "Bite me!"&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-2882937128424038292?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/2882937128424038292/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=2882937128424038292' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2882937128424038292'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2882937128424038292'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-410.html' title='NaPo 4/10'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-679100528533131704</id><published>2011-04-08T18:17:00.000-07:00</published><updated>2011-04-09T11:25:26.688-07:00</updated><title type='text'>NaPo 4/9</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;&lt;b&gt;"Driftwood"&lt;/b&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; min-height: 14.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;&lt;i&gt;"Soon you, too, will lose&lt;/i&gt;&lt;/p&gt;&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;&lt;i&gt;all interest in your past."&lt;/i&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;-- Susan Musgrave&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; min-height: 14.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;All knots and scars assuaged &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;     by the surge of the sea,&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;I lie at the tide's furthest reach,&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;          unassailed and at rest.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-679100528533131704?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/679100528533131704/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=679100528533131704' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/679100528533131704'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/679100528533131704'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-49.html' title='NaPo 4/9'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-7896321222413164644</id><published>2011-04-08T09:50:00.000-07:00</published><updated>2011-04-08T09:55:15.298-07:00</updated><title type='text'>NaPo 4/8</title><content type='html'>&lt;b&gt;NOTE:&lt;/b&gt;  Today's attempt is a concrete piece which&lt;div&gt;wouldn't format properly here, so instead here's a&lt;/div&gt;&lt;div&gt;link which should take you to the piece (although&lt;/div&gt;&lt;div&gt;there have been occasional board glitches, so at&lt;/div&gt;&lt;div&gt;points the link might not work for a few minutes):&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.everypoet.org/pffa/showpost.php?p=541170&amp;amp;postcount=67"&gt;"Snuggle"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-7896321222413164644?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/7896321222413164644/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=7896321222413164644' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7896321222413164644'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7896321222413164644'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-48.html' title='NaPo 4/8'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-6690597757616158851</id><published>2011-04-06T17:37:00.000-07:00</published><updated>2011-04-06T17:38:26.686-07:00</updated><title type='text'>NaPo 4/7</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;b&gt;"Legacy"&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman'; font-weight: normal; font-size: 13px; color: rgb(51, 51, 51); line-height: 20px; -webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; "&gt;&lt;div id="post_message_540774"&gt;Let's get this straight right now:&lt;br /&gt;      I have no intention of going quietly.&lt;br /&gt;Dignity be damned, I fully intend to raise one hell of a ruckus;&lt;br /&gt;      it's going to take more than one team of horses&lt;br /&gt;          to drag me off, and even then they'd better be Percherons.&lt;br /&gt;&lt;br /&gt;And make no mistake about it: &lt;i&gt;I'm not going alone.&lt;/i&gt;&lt;br /&gt;     What's worse than being hauled off&lt;br /&gt;           is everything else going on just the same&lt;br /&gt;                    without me.&lt;br /&gt;Well, screw that! When I'm gone,&lt;br /&gt;     you're going to know it,&lt;br /&gt;          and you're never going to forget it.&lt;br /&gt;                    Or me.&lt;br /&gt;&lt;br /&gt;Because when I go, I'm taking out of the world with me&lt;br /&gt;     every last shred of wisteria --&lt;br /&gt;          root, vine, leaf, blossom, scent,&lt;br /&gt;          even any bees who happen to be mining nectar at the decisive moment.&lt;br /&gt;There'll only be this great big blank wisteria-shaped hole&lt;br /&gt;          left behind in spring&lt;br /&gt;&lt;br /&gt;We'll see who forgets who then.&lt;br /&gt;&lt;br /&gt;So you better get your ass moving&lt;br /&gt;     and &lt;i&gt;carpe&lt;/i&gt; your &lt;i&gt;diem&lt;/i&gt; right now&lt;br /&gt;     if you want to enjoy it at least once more,&lt;br /&gt;because I don't know just how long I've got left&lt;br /&gt;     and already this morning I'm feeling&lt;br /&gt;                     a mite faint.&lt;/div&gt;&lt;div&gt;__________&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-6690597757616158851?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/6690597757616158851/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=6690597757616158851' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/6690597757616158851'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/6690597757616158851'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-47.html' title='NaPo 4/7'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-6050405628024373161</id><published>2011-04-05T20:23:00.000-07:00</published><updated>2011-04-05T20:24:42.724-07:00</updated><title type='text'>NaPo 4/6</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;&lt;b&gt;"Pizzicato"&lt;/b&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; min-height: 14.0px"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;The dragonfly flickers&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;     above the shimmering stream  --&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt; staccato run in pitch and silver.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-6050405628024373161?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/6050405628024373161/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=6050405628024373161' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/6050405628024373161'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/6050405628024373161'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-46.html' title='NaPo 4/6'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-69264569516182386</id><published>2011-04-04T18:00:00.000-07:00</published><updated>2011-04-04T18:02:14.011-07:00</updated><title type='text'>NaPo 4/5</title><content type='html'>&lt;span class="Apple-style-span"   style="  color: rgb(51, 51, 51); line-height: 20px; -webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; font-family:Georgia, 'Times New Roman';font-size:13px;"&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="  color: rgb(51, 51, 51); line-height: 20px; -webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; font-family:Georgia, 'Times New Roman';font-size:13px;"&gt;&lt;b&gt;"Debutante"&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="  color: rgb(51, 51, 51); line-height: 20px; -webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; font-family:Georgia, 'Times New Roman';font-size:13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;She descends the spiral staircase&lt;br /&gt;    of the lavender blossoms,&lt;br /&gt;         poises on the last to bow,&lt;br /&gt;then rises to join the hive's cotillion&lt;br /&gt;                   swirling in the sun.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-69264569516182386?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/69264569516182386/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=69264569516182386' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/69264569516182386'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/69264569516182386'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/debutante.html' title='NaPo 4/5'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-576948037189058807</id><published>2011-04-03T19:38:00.001-07:00</published><updated>2011-04-03T19:38:58.531-07:00</updated><title type='text'>NaPo 4/4</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;b&gt;"In . . . "&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman'; font-weight: normal; font-size: 13px; color: rgb(51, 51, 51); line-height: 20px; -webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; "&gt;&lt;b&gt;"In . . ."&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;  1959, this poem, with its perfect DA&lt;br /&gt;     and its Chesterfields rolled up in its t-shirt sleeve,&lt;br /&gt;would have pulled its Chevy up in front of your house&lt;br /&gt;      and honked its horn for you to come out,&lt;br /&gt;and opened the door for you and your poodle skirt from inside,&lt;br /&gt;          making your parents more than a little nervous&lt;br /&gt;          as it gunned the engine and the worn-out glasspacks&lt;br /&gt;     growled away down the street&lt;br /&gt;          like a troubled rumble of distant thunder.&lt;br /&gt;This poem would have rushed you out past the city limits&lt;br /&gt;     to the drive-in over the river and helped you into the back seat&lt;br /&gt;           and out of your poodle skirt and joined you&lt;br /&gt;     in fogging up the windows while teenaged werewolves&lt;br /&gt;          silently pursued their own passions unregarded&lt;br /&gt;     outside those windows in the damp darkness.&lt;br /&gt;In other words, this poem would have poured out&lt;br /&gt;     all those passions for you that I would have&lt;br /&gt;           if it hadn't been 1959 and we hadn't only been 14&lt;br /&gt;                    and I hadn't been scared to death of your father&lt;br /&gt;                    and, to come right down to it, you.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-576948037189058807?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/576948037189058807/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=576948037189058807' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/576948037189058807'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/576948037189058807'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-44.html' title='NaPo 4/4'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-5680431526199772132</id><published>2011-04-02T19:17:00.000-07:00</published><updated>2011-04-02T19:18:02.048-07:00</updated><title type='text'>NaPo 4/3</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;b&gt;"Enduring"&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman'; font-weight: normal; font-size: 13px; color: rgb(51, 51, 51); line-height: 20px; -webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; "&gt;Even after the storm&lt;br /&gt;     has stripped the beech's leaves&lt;br /&gt;          and littered the ground with twigs,&lt;br /&gt;the poison ivy vine still&lt;br /&gt;     cleaves to the trunk&lt;br /&gt;                    like a guilty conscience.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-5680431526199772132?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/5680431526199772132/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=5680431526199772132' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5680431526199772132'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5680431526199772132'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-43.html' title='NaPo 4/3'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-6878906868470880305</id><published>2011-04-01T21:23:00.000-07:00</published><updated>2011-04-01T21:24:53.774-07:00</updated><title type='text'>NaPo Entry 4/2</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;"Canticle"&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;Tattered tufts of cattails &lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;          lift above the rain-filled ditch,&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;     prayer flags winterworn to threads&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;          answered by wet green points thrust up&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 13.0px Georgia; color: #333333"&gt;                    into light.&lt;/p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-6878906868470880305?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/6878906868470880305/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=6878906868470880305' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/6878906868470880305'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/6878906868470880305'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napo-entry-42.html' title='NaPo Entry 4/2'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3384606436380346980</id><published>2011-04-01T18:43:00.000-07:00</published><updated>2011-04-01T18:53:27.945-07:00</updated><title type='text'>NaPoWriMo '11</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Here beginneth &lt;a href="http://www.napowrimo.net/"&gt;National Poetry Writing Month 2011&lt;/a&gt;:&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;"Prime"&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Some mornings no sun&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;salutation can unknot&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;night's clenched jaw.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;4/1&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3384606436380346980?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3384606436380346980/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3384606436380346980' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3384606436380346980'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3384606436380346980'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/04/napowrimo-11.html' title='NaPoWriMo &apos;11'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-2722394369457126883</id><published>2011-01-02T12:10:00.000-08:00</published><updated>2011-05-01T13:27:52.278-07:00</updated><title type='text'>Reading Log 2011</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial;"&gt;I have decided to continue  the reading log I began in 2010, listing all the books I complete in 2011.  I will list by title, author, type of work, writer's country of origin, original date of publication with date of translation if not originally in English, and date read. An entry preceded by an (&lt;b&gt;R&lt;/b&gt;) is a book that I am rereading, usually after many years. An asterisk indicates a book I particularly enjoyed. I may also from time to time post short reviews of some of the works listed here; the titles of those works will be linked to the reviews.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;January:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*1. &lt;i&gt;The Locked Room &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style=" color: rgb(51, 51, 51); line-height: 16px; font-size:small;"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Maj Sjöwall and Per Wahlöö (novel -- Martin Beck #8, Sweden, 1972 in Sweden, English translation 1973; January 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;2. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;A Transatlantic Tunnel, Hurrah!&lt;/i&gt; by Harry Harrison (novel, U. S., 1972; January 2 - 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;3. &lt;i&gt;For A Few Demons More&lt;/i&gt; by Kim Harrison (novel -- Hollows #5, U. S., 2007; January 4 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;4. &lt;i&gt;The Year of the Hare&lt;/i&gt; by Arto Paasilinna (novel, Finland, 1976 in Finland, English translation 1995; January 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*5. &lt;i&gt;The Financial Lives of the Poets&lt;/i&gt; by Jess Walter (novel, U. S., 2009; January 8 - 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;6. &lt;i&gt;The Gray Prince&lt;/i&gt; by Jack Vance (novel, U. S., 1974; January 10 - 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*7. &lt;i&gt;Evening Clouds&lt;/i&gt; by Junzo Shono (novel, Japan, 1964 - 1965 in Japan, translation 2000; January 12 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*8. &lt;i&gt;The Remarkable Exploits of Lancelot Biggs:  Spaceman&lt;/i&gt; by Nelson Bond (novel, U. S., 1950; January 14 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*9. &lt;i&gt;The Tenants of Moonbloom&lt;/i&gt; by Edward Lewis Wallant (novel, U. S., 1963; January 15 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*10. &lt;i&gt;Conquered City&lt;/i&gt; by Victor Serge (novel, Belgium/Russia, 1932 in France in French, English translation 1976; January 17 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;11. &lt;i&gt;A Talent for War&lt;/i&gt; by Jack McDevitt (novel -- Alex Benedict #1, U. S., 1989; January 20 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;12. &lt;i&gt;Serving Crazy With Curry&lt;/i&gt; by Amulya Malladi (novel, India, 2004; January 23 - 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;13. &lt;i&gt;The Witch Doctor's Wife&lt;/i&gt; by Tamar Myers (novel -- Amanda Brown #1, Belgian Congo/U. S., 2009; January 26 - 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;14. &lt;i&gt;Human Nature&lt;/i&gt; by Jonathan Green (novel -- Ulysses Quicksilver #3, England, 2009; January 27 - 28) &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*15. &lt;i&gt;The Blood-Dimmed Tide&lt;/i&gt; by Rennie Airth (novel -- John Madden #2, South Africa, 2004; January 28 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;16. &lt;i&gt;The Mating Season&lt;/i&gt; by P. G. Wodehouse (novel -- Jeeves #9, England, 1949; January 30 - 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;February&lt;/b&gt;:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;17. &lt;i&gt;The Industrial Revolutionists:  The Making of the Modern World, 1776 - 1914&lt;/i&gt; by Gavin Weightman (nonfiction -- technological history/biography, England, 2007: February 1 - 4)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;18. &lt;i&gt;Polaris&lt;/i&gt; by Jack McDevitt (novel -- Alex Benedict #2, U. S., 2004; February 4 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*19. &lt;i&gt;Free Air&lt;/i&gt; by Sinclair Lewis (novel, U. S., 1919; February 6 - 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*20. &lt;i&gt;The Mammy&lt;/i&gt; by Brendan O'Carroll (novel -- Agnes Browne Trilogy Book I, Ireland, 1994; February 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*21  &lt;i&gt;Gifts&lt;/i&gt; by Nuruddin Farah (novel -- &lt;b&gt;&lt;i&gt; &lt;/i&gt;Blood in the Sun&lt;/b&gt; trilogy, Vol. 2, Somalia, 1993; February 9 - 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*22. &lt;i&gt;Stations of the Tide&lt;/i&gt; by Michael Swanwick (novel, U. S., 1991; February 10 - 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*23. &lt;i&gt;Closely Watched Trains&lt;/i&gt; by Bohumil Hrabal (novella,  Czechoslovakia, 1965 in Czechoslovakia, English translation 1968; February 11 - 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*24. &lt;i&gt;The Alchemy of Stone&lt;/i&gt; by Ekaterina Sedia (novel, Russia, 2008; February 12 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;25. &lt;i&gt;The Headhunter's Daughter&lt;/i&gt; by Tamar Myers (novel -- Amanda Brown #2, Belgian Congo/U. S., 2011; February 13 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*26. &lt;i&gt;Cellophane&lt;/i&gt; by Marie Arana (novel, Peru, 2006; February 15 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*27. &lt;i&gt;Sun of Suns&lt;/i&gt; by Karl Schroeder (novel -- &lt;b&gt;Virga &lt;/b&gt;Book I, Canada, 2006; February 18 - 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*28. &lt;i&gt;The Tempest Tales:  A Novel-in-Stories&lt;/i&gt; by Walter Mosley (fiction, U. S., 2008; February 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;29. &lt;i&gt;Orphans of the Sky&lt;/i&gt; by Robert A. Heinlein (novel, U. S., 1941; February 21 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;30. &lt;i&gt;Planets for Sale&lt;/i&gt; by A. E. van Vogt and E. Mayne Hull (novel, Canada &amp;amp; U. S., 1954; February 22 - 23) &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;31. &lt;i&gt;Killdozer!&lt;/i&gt; by Theodore Sturgeon (novella, U. S., 1944; February 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;32. &lt;i&gt;The Disappearance at Pere-Lachaise&lt;/i&gt; by Claude Izver (novel -- Victor Legris #2, France, 2003 in France, English translation 2007; February 25 - 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;33. &lt;i&gt;The Road to the Rim&lt;/i&gt; by A. Bertram Chandler (novel -- John Grimes #1, Australia, 1967; February 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;34. &lt;i&gt;Spawn of the Gun Pack&lt;/i&gt; by T. T. Flynn (novella, U. S., 1941; February 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;March:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*35. &lt;i&gt;Fighter Boys:  The Battle of Britain, 1940&lt;/i&gt; by Patrick Bishop (nonfiction -- history, England, 2004; March 1 - 4)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*36. &lt;i&gt;Eye of the Red Tsar&lt;/i&gt; by Sam Eastland (novel -- Inspector Pekkala #1, England, 2010; March 4 - 5)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*37. &lt;i&gt;Sin Killer&lt;/i&gt; by Larry McMurtry (novel -- &lt;b&gt;The Berrybender Narratives&lt;/b&gt;, Vol. I, U. S., 2002; March 5 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;38. &lt;i&gt;Dragon's Egg&lt;/i&gt; by Robert L. Forward (novel -- Cheela #1, U. S., 1980; March 7 - 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*39. &lt;i&gt;Unforgiving Years&lt;/i&gt; by&lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt; Victor Serge (novel, Belgium/Russia, 1971 in France in French, English translation 2008; March 9 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*40. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Late Eclipses&lt;/i&gt; by Seanan McGuire (novel -- October Day #4, U. S., 2011; March 13 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;41. &lt;i&gt;When Titans Clashed:  How The Red Army Stopped Hitler&lt;/i&gt; by David M. Glantz and Jonathan House (nonfiction -- history, U. S., 1995; March 16 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*42, &lt;i&gt;Hay Day Canticle&lt;/i&gt; by David Zieroth (poetry -- chapbook, Canada, 2010; March 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*43. &lt;i&gt;Fair Play&lt;/i&gt; by Tove Jansson (novel, Finland, 1982 in Finland, English translation 2007; March 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;44. &lt;i&gt;Emissaries from the Dead&lt;/i&gt; by Adam - Troy Castro (novel -- Andrea Cort #1, U. S., 2008; March 20 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;*&lt;/i&gt;45, &lt;i&gt;Ocean&lt;/i&gt; by Joseph Millar (poetry -- chapbook, U. S., 2010; March 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*46. &lt;i&gt;The Double Comfort Safari Club&lt;/i&gt; by Alexander McCall Smith (novel -- Precious Ramotswe #11, Botswana, 2010; March 23 - 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*47. &lt;i&gt;Cedar Cottage Suite&lt;/i&gt; by Sandy Shreve (poetry -- chapbook, Canada, 2010; March 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;48.  &lt;i&gt;The Weapon Shops of Isher&lt;/i&gt; by A. E. Van Vogt (novel -- Isher #1, Canada, 1951; March 24 - 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;49. &lt;i&gt;The Weapon Makers&lt;/i&gt; by A. E. Van Vogt (novel -- Isher #2, Canada, 1952; March 25 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;50. &lt;i&gt;Morality Play&lt;/i&gt; by Barry Unsworth (novel, England, 1995; March 26 - 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*51. &lt;i&gt;Day of the Oprichnik&lt;/i&gt; by Vladimir Sorokin (novel, Russia, 2006, English translation 2011; March 28 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;52. &lt;i&gt;A Choice of Gods&lt;/i&gt; by Clifford D. Simak (novel, U. S., 1972; March 29 - 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;53. &lt;i&gt;Duel to the Death&lt;/i&gt; by Christopher Anvil (novella, U. S., 1965; March 30 - 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;54. &lt;i&gt;A Question of Identity&lt;/i&gt; by Christopher Anvil (novella, U. S., 1995; March 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*55. &lt;i&gt;Obituary of Light:  The Sangan River Meditations&lt;/i&gt; by Susan Musgrave (poetry, Canada, 2009; March 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;April:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*56. &lt;i&gt;Train to Pakistan&lt;/i&gt; by Khushwant Singh (novel, India, 1956; April 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;57. &lt;i&gt;The Mixed Men&lt;/i&gt; by A. E. Van Vogt (novel, Canada, 1952; April 2 - 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*58. &lt;i&gt;The Tiger's Wife&lt;/i&gt; by Téa Obreht (novel, Yugoslavia, 2011; April 4 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;59. &lt;i&gt;The City and The Stars&lt;/i&gt; by Arthur C. Clarke (novel, England, 1956; April 7 - 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*60. &lt;i&gt;Beautiful &amp;amp; Pointless:  A Guide to Modern Poetry&lt;/i&gt; by David Orr (non-fiction, U. S., 2011; April 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*61. &lt;i&gt;Cop Killer&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Maj Sjöwall and Per Wahlöö (novel -- Martin Beck #9, Sweden, 1974 in Sweden, translation 1975; April 11 - 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*62. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;The Miracle of Mindfulness:  An Introduction to the Practice of Meditation&lt;/i&gt; by Thich Nhat Hanh (nonfiction -- Buddhism/meditation, Vietnam, 1975 in Vietnamese, 1975 in English translation; April 13) &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*63. &lt;i&gt;The Cavalier in the Yellow Doublet&lt;/i&gt; by Arturo Pérez - Reverte (novel -- Captain Alatriste #5, Spain, Spain in 2003, English translation 2003; April 14 - 16)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;64. &lt;i&gt;The Beginning of Spring&lt;/i&gt; by Penelope Fitzgerald (novel, England, 1988; April 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;65. &lt;i&gt;Hunters Out of Time&lt;/i&gt; by Joseph E. Kelleam (novel -- Jack Odin #1, U. S., 1959; April 18)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;66. &lt;i&gt;Hunters Out of Space&lt;/i&gt; by Joseph E. Kelleam (novel -- Jack Odin #2. U. S., 1960; April 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*67. &lt;i&gt;The Long Road Turns To Joy:  A Guide to Walking Meditation&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Thich Nhat Hanh (nonfiction -- Buddhism/meditation, Vietnam, 1996; April 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*68. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Timothy; or, Notes of an Abject Reptile&lt;/i&gt; by Verlyn Klinkenborg (novel, U. S., 2006; April 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;69. &lt;i&gt;The Fairy Chessmen&lt;/i&gt; by Henry Kuttner &amp;amp; C. L. Moore (novel, U. S., 1946; April 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;70. &lt;i&gt;The Winter's Tale&lt;/i&gt; by William Shakespeare (drama -- romance, England, 1610/1611; April 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;71. &lt;i&gt;Cutting It Short&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Bohumil Hrabal (novella, Czechoslovakia, 1973 in Czechoslovakia, English translation 1993; April 23&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;72. &lt;i&gt;Sucker Bait&lt;/i&gt; by Isaac Asimov (novella, U. S., 1954; April 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*73. &lt;i&gt;The Terrorists&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Maj Sjöwall and Per Wahlöö (novel -- Martin Beck #10, Sweden, 1975 in Sweden, English translation 1976; April 24 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;74. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Everything Arises, Everything Falls Away:  Teachings on Impermanence and the End of Suffering&lt;/i&gt; by Ajahn Chah (nonfiction --Buddhism/meditation, Thailand, 2005; April 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*75. &lt;i&gt;My Gun Is Quick&lt;/i&gt; by Mickey Spillane (novel -- Mike Hammer #2, U. S., 1950; April 27 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*76. &lt;i&gt;The Art of Description:  World into Word&lt;/i&gt; by Mark Doty (nonfiction -- poetry, U. S., 2010; April 28 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*77. &lt;i&gt;The Word For World Is Forest&lt;/i&gt; by Ursula K. Le Guin (novel, U. S., 1976; April 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;78. &lt;i&gt;The Green Queen&lt;/i&gt; by Margaret St. Clair (novel, U. S., 1956; April 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;May:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*79. &lt;i&gt;Norwood&lt;/i&gt; by Charles Portis (novel, U. S., 1966; May 1)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-2722394369457126883?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/2722394369457126883/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=2722394369457126883' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2722394369457126883'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2722394369457126883'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2011/01/reading-log-2011.html' title='Reading Log 2011'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-9153946735840426087</id><published>2010-06-23T11:29:00.000-07:00</published><updated>2010-06-23T11:31:35.840-07:00</updated><title type='text'>With the Passing of the Summer Solstice,</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;there's a new collection of &lt;a href="http://hedgeguard.blogspot.com/2010/06/some-summer-poems.html"&gt;Some Summer Poems&lt;/a&gt; over in The Jackdaw's Nest.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-9153946735840426087?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/9153946735840426087/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=9153946735840426087' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/9153946735840426087'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/9153946735840426087'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/06/with-passing-of-summer-solstice.html' title='With the Passing of the Summer Solstice,'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-9127025633285994164</id><published>2010-06-12T20:08:00.000-07:00</published><updated>2011-08-06T08:58:13.936-07:00</updated><title type='text'>Reading Log 2010</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;I have decided to attempt to keep a reading log of all the books I complete in 2010, just as an experiment. I will list by title, author, type of work, writer's country of origin, original date of publication with date of translation if not originally in English, and date read. An entry preceded by an (&lt;b&gt;R&lt;/b&gt;) is a book that I am rereading, usually after many years. An asterisk indicates a book I particularly enjoyed. I will also from time to time post short reviews of some of the works listed here; the titles of those works will be linked to the reviews.)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;January:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;(&lt;b&gt;R&lt;/b&gt;)1. &lt;i&gt;The Last of the Mohicans &lt;/i&gt;by James Fenimore Cooper (novel, U. S., 1826; Jan. 1 - 4)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;2. &lt;i&gt;Euclid's Window: The Story of Geometry from Parallel Lines to Hyperspace &lt;/i&gt;by Leonard Mlodinow (nonfiction -- mathematics/physics, U. S., 2001; Jan. 4 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;3. &lt;i&gt;The Red Carpet: Bangalore Stories&lt;/i&gt; by Lavanya Sankaran (short stories, India, 2005; Jan. 7-8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*4. &lt;i&gt;The Wings of the Sphinx&lt;/i&gt; by Andrea Camilleri (novel -- Inspector Montalbano mystery series #11, Italy, 2006 in Sicily, translation 2009; Jan. 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;5. &lt;i&gt;A Madman Dreams of Turing Machines&lt;/i&gt; by Janna Levin (novel, U. S., 2006; Jan. 9 - 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;6. &lt;i&gt;Slip&lt;/i&gt; by Sina Queyras (poetry, Canada, 2001; Jan. 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;7. &lt;i&gt;Small Things Considered: Why There Is No Perfect Design&lt;/i&gt; by Henry Petroski (nonfiction -- engineering/design, U. S., 2003; Jan. 11 - 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;8. &lt;i&gt;A Personal Matter&lt;/i&gt; by Kenzaburo Oe (novel, Japan, 1964 in Japan, translation 1969; Jan. 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;(&lt;b&gt;R&lt;/b&gt;)9. &lt;i&gt;Dilvish, The Damned&lt;/i&gt; by Roger Zelazny (short stories -- Dilvish #1, U. S., 1982; Jan. 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;(&lt;b&gt;R&lt;/b&gt;)10. &lt;i&gt;The Changing Land&lt;/i&gt; by Roger Zelazny (novel -- Dilvish #2, U. S., 1981; Jan. 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*11. &lt;a href="http://compost-hedgie.blogspot.com/2010/01/brief-review-river-sutra-by-gita-mehta.html"&gt;&lt;i&gt;A River Sutra&lt;/i&gt; by Gita Mehta&lt;/a&gt; (novel, India, 1993; Jan. 16)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;12. &lt;i&gt;Benjamin Franklin&lt;/i&gt; by Edmund S. Morgan (nonfiction -- biography, U. S., 2002; Jan. 17 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*13. &lt;a href="http://compost-hedgie.blogspot.com/2010/01/brief-review-everything-flows-by-vasily.html"&gt;&lt;i&gt;Everything Flows&lt;/i&gt; by Vasily Grossman&lt;/a&gt; (novel, Russia, 1989 in Russia, translation 2009; Jan. 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;14. &lt;i&gt;School for Love&lt;/i&gt; by Olivia Manning (novel, England, 1951; Jan. 21 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;(&lt;b&gt;R&lt;/b&gt;)15. &lt;i&gt;Bad Blood at Black Range&lt;/i&gt; by John Callahan (novel, U. S., 1956; Jan. 23)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;16. &lt;i&gt;The Great Chain of Life&lt;/i&gt; by Joseph Wood Krutch (nonfiction -- biology/nature, U. S., 1956; Jan. 23 - 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;17. &lt;i&gt;Dew in the Morning&lt;/i&gt; by Shimmer Chinodya (novel, Zimbabwe, 1982; Jan. 24 - 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;18. &lt;i&gt;The Summer Book&lt;/i&gt; by Tove Jansson (novel, Finland, 1972 in Finland, translation 1974; Jan. 25 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*19. &lt;a href="http://compost-hedgie.blogspot.com/2010/01/brief-review-pen-sword-camisole-by.html"&gt;&lt;i&gt;Pen, Sword, Camisole: A Fable to Kindle a Hope&lt;/i&gt; by Jorge Amado&lt;/a&gt; (novel, Brazil, 1980 in Brazil, translation 1985; Jan. 26 - 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;20. &lt;i&gt;The Zero Stone&lt;/i&gt; by Andre Norton (novel -- Murdoc Jern #1, U. S., 1968; Jan. 28 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*21. &lt;i&gt;Karma Cola: Marketing The Mystic East&lt;/i&gt; by Gita Mehta (nonfiction -- travel/cultural studies, India, 1979; Jan. 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*22. &lt;i&gt;Kim&lt;/i&gt; by Rudyard Kipling (novel, India/England, 1901; Jan. 30 - 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;February:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;23&lt;b&gt;. &lt;/b&gt;&lt;i&gt;Uncharted Stars&lt;/i&gt; by Andre Norton (novel -- Murdoc Jern #2, U. S., 1969; Feb. 1)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;24. &lt;i&gt;The Folded Leaf&lt;/i&gt; by William Maxwell (novel, U. S., 1945; Feb. 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*(&lt;b&gt;R&lt;/b&gt;)25. &lt;i&gt;As You Like It&lt;/i&gt; by William Shakespeare (drama -- comedy, England, 1599 or 1600; Feb. 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*26. &lt;a href="http://compost-hedgie.blogspot.com/2010/02/brief-review-bombay-time-by-thrity.html"&gt;&lt;i&gt;Bombay Time&lt;/i&gt; by Thrity Umrigar &lt;/a&gt;(novel, India, 2001; Feb. 3 - 5)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;27. &lt;i&gt;The Bean Trees&lt;/i&gt; by Barbara Kingsolver (novel, U. S., 1988; Feb. 5 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*28. &lt;a href="http://compost-hedgie.blogspot.com/2010/02/brief-review-maps-by-nuruddin-farah.html"&gt;&lt;i&gt;Maps&lt;/i&gt; by Nuruddin Farah&lt;/a&gt; (novel -- &lt;b&gt;Blood in the Sun&lt;/b&gt; trilogy, Vol. I, Somalia, 1986; Feb. 7 - 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*(&lt;b&gt;R)&lt;/b&gt;29. &lt;i&gt;The Faerie Queene: Book VI&lt;/i&gt; by Sir Edmund Spenser (Epic poem, England, 1596; Feb. 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;30. &lt;i&gt;Buddhism Without Beliefs: A Contemporary Guide to Awakening&lt;/i&gt; by Stephen Batchelor (nonfiction -- religion/meditation, Scotland, 1997; Feb. 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;31. &lt;i&gt;Desolation Road&lt;/i&gt; by Ian McDonald (novel, England, 1988; Feb. 12 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;32. &lt;i&gt;The Unbearable Lightness of Being&lt;/i&gt; by Milan Kundera (novel, Czechoslovakia, 1984 in English translation, first publication in Czech 1985 in Canada; Feb. 14 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;33. &lt;i&gt;The Yacoubian Building&lt;/i&gt; by Alaa Al Aswany (novel, Egypt, 2002 in Egypt, 2004 in English translation; Feb. 16)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*34. &lt;a href="http://compost-hedgie.blogspot.com/2010/02/brief-review-auntie-mame.html"&gt;&lt;i&gt;Auntie Mame ( An Irreverent Escapade)&lt;/i&gt; by Patrick Dennis&lt;/a&gt; (novel, U. S., 1955; Feb. 17 - 18)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;35. &lt;i&gt;In Other Rooms, Other Wonders&lt;/i&gt; by Daniyal Mueenuddin (short stories, Pakistan, 2009; Feb. 19 - 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*36. &lt;i&gt;Sonnets&lt;/i&gt; by Camille Martin (poetry, Canada, 2010; Feb. 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;37. &lt;i&gt;Rosemary And Rue&lt;/i&gt; by Seanan McGuire (novel -- October Daye #1, U. S., 2009; Feb. 21 - 23)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;38. &lt;i&gt;A Local Habitation&lt;/i&gt; by Seanan McGuire (novel -- October Daye #2, U. S. , 2010; Feb. 23)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*39. &lt;i&gt;The Manual of Detection&lt;/i&gt; by Jedediah Berry (novel, U. S., 2009; Feb. 24 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;40. &lt;i&gt;The Foundation Pit&lt;/i&gt; by Andrey Platonov (novel, Soviet Union, 2000 in Russia, translation 2009; Feb. 27 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;March&lt;/b&gt;:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;41. &lt;i&gt;Diving into the Wreck&lt;/i&gt; by Kristine Kathryn Rusch (novel -- Boss/stealth tech #1, U. S. , 2009; March 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*42. &lt;i&gt;Of Mice and Men&lt;/i&gt; by John Steinbeck (novel, U. S., 1937; March 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;43. &lt;i&gt;Redcoats and Rebels: The American Revolution Through British Eyes&lt;/i&gt; by Christopher Hibbert (nonfiction -- U. S. history, Great Britain, 1990; March 4 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;44. &lt;i&gt;One Day on Mars&lt;/i&gt; by Travis S. Taylor (novel, U. S., 2007; March 8 - 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*45. &lt;i&gt;Esther's Inheritance&lt;/i&gt; by Sandor Marai (novel, Hungary, 1939 in Hungary, translation 2008; March 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;46. &lt;i&gt;Wedding Song&lt;/i&gt; by Naguib Mahfouz (novel, Egypt, 1981 in Egypt, translation 1984; March 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;47. &lt;i&gt;The Crime at Black Dudley&lt;/i&gt; by Margery Allingham (novel -- Albert Campion #1, England, 1929; March 12 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*48. &lt;i&gt;Ordinary Genius: A Guide for the Poet Within&lt;/i&gt; by Kim Addonizio (nonfiction -- creativity/poetrywriting, U. S., 2009; March 13 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;49. &lt;i&gt;The Implacable Order of Things&lt;/i&gt; by Jose Luis Peixoto (novel, Portugal, 2000 in Portugal, translation 2007 in England, 2008 in the U. S.; March 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*50. &lt;i&gt;As They See 'Em: A Fan's Travels in the Land of Umpires&lt;/i&gt; by Bruce Weber (nonfiction -- baseball, U. S., 2009; March 16 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;51. &lt;i&gt;Mutineers' Moon&lt;/i&gt; by David Weber (novel -- &lt;i&gt;Dahak&lt;/i&gt; #1, U. S. , 1991; March 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*52. &lt;i&gt;The Infinities&lt;/i&gt; by John Banville (novel, Ireland, 2009; March 21 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;53. &lt;i&gt;The High Crusade&lt;/i&gt; by Poul Anderson (novel, U. S., 1960; March 23)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*54. &lt;i&gt;Tea Time for the Traditionally Built&lt;/i&gt; by Alexander McCall Smith (novel -- Precious Ramotswe #10, Zimbabwe, 2009; March 23 - 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;55. &lt;i&gt;Mystery Mile&lt;/i&gt; by Margery Allingham (novel -- Albert Campion #2, England, 1930; March 24 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;56. &lt;i&gt;So Long A Letter&lt;/i&gt; by Mariama Ba (novel, Senegal, 1980 in Senegal, 1981 in English translation; March 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;57. &lt;i&gt;Shadow of the Silk Road&lt;/i&gt; by Colin Thubron (nonfiction -- travel/cultural studies, Scotland, 2006; March 27 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;58. &lt;i&gt;The Baron in the Trees&lt;/i&gt; by Italo Calvino (fiction, Italy, 1957 in Italy, English translation 1959; March 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*59. &lt;i&gt;What We Carry&lt;/i&gt; by Dorianne Laux (poetry, U. S., 1994; March 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*60. &lt;i&gt;Smoke&lt;/i&gt; by Dorianne Laux (poetry, U. S., 2000; March 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*61. &lt;i&gt;Facts About The Moon&lt;/i&gt; by Dorianne Laux (poetry, U. S., 2006; March 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;April:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;62. &lt;i&gt;Look for the Lady&lt;/i&gt; by Margery Allingham (novel -- Albert Campion #3, England, 1931; April 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*63. &lt;i&gt;The Matisse Stories&lt;/i&gt; by A. S. Byatt (short stories, England, 1993; April 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;64. &lt;i&gt;Island of the Sequined Love Nun&lt;/i&gt; by Christopher Moore (novel, U. S., 1997; April 4 - 5)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;65. &lt;i&gt;Siege of the Unseen&lt;/i&gt; by A. E. van Vogt (novel, Canada, 1959; April 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;66. &lt;i&gt;But Didn't We Have Fun? An Informal History of Baseball's Pioneer Era, 1843 -1870&lt;/i&gt; by Peter Morris (nonfiction -- baseball history, U. S., 2008; April 6 - 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*67. &lt;i&gt;Slowness&lt;/i&gt; by Milan Kundera (novel, Czechoslovakia, 1995 in France, English translation 1996; April 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;68. &lt;i&gt;Darker Than Amber&lt;/i&gt; by John D. MacDonald (novel -- Travis McGee #7, U. S., 1966; April 10 - 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;69. &lt;i&gt;Redemption Ark&lt;/i&gt; by Alastair Reynolds (novel -- &lt;b&gt;Revelation Space&lt;/b&gt; trilogy Vol. 2, Wales, 2002; April 12 - 18)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*70.&lt;b&gt;&lt;i&gt; &lt;span class="Apple-style-span" style="font-weight: normal; "&gt;For Love of the Game&lt;span class="Apple-style-span" style="font-style: normal; "&gt; by Michael Shaara (novel, U. S., 1991; April 19)&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;71, &lt;i&gt;Police at the Funeral&lt;/i&gt; by Margery Allingham (novel -- Albert Campion #4, England, 1931; April 20 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*72. &lt;i&gt;The Case of the Missing Servant&lt;/i&gt; by Tarquin Hall (novel -- Vish Puri #1, England/India, 2009; April 23 - 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;73. &lt;i&gt;Monster&lt;/i&gt; by A. Lee Martinez (novel, U. S., 2009; April 24 - 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*74. &lt;i&gt;Lucy&lt;/i&gt; by Jamaica Kincaid (novel, Antigua, 1990; April 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*75. &lt;i&gt;All-Night Lingo Tango&lt;/i&gt; by Barbara Hamby (poetry, U. S., 2009; April 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;76. &lt;i&gt;Do Androids Dream Of Electric Sheep?&lt;/i&gt; by Philip K. Dick (novel, U. S., 1968; April 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;77. &lt;i&gt;From Doon With Death&lt;/i&gt; by Ruth Rendell (novel -- Inspector Wexford #1, England, 1964: April 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*78. &lt;i&gt;Devil in a Blue Dress&lt;/i&gt; by Walter Mosley (novel -- Easy Rawlins #1, U. S., 1990; April 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;79. &lt;i&gt;Jack of Shadows&lt;/i&gt; by Roger Zelazny (novel, U. S., 1971; April 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;May:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*80. &lt;i&gt;Saturday Night and Sunday Morning&lt;/i&gt; by Alan Sillitoe (novel, England, 1958; May 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*81. &lt;i&gt;American Creation: Triumphs and Tragedies at the Founding of the Republic&lt;/i&gt; by Joseph J. Ellis (nonfiction -- U. S. history, U. S., 2007; May 3 - 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;82. &lt;i&gt;Sweet Danger&lt;/i&gt; by Margery Allingham (novel -- Albert Campion #5, England, 1933; May 10 - 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*83. &lt;i&gt;Ignorance&lt;/i&gt; by Milan Kundera (novel, Czechoslovakia, 2000 in France, English translation 2002; May 12 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*84. &lt;i&gt;Hotel Iris&lt;/i&gt; by Yoko Ogawa (novel, Japan, 1996 in Japan, English translation 2010; May 13 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*85. &lt;i&gt;Cry, The Beloved Country&lt;/i&gt; by Alan Paton (novel, South Africa, 1948; May 14 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;86. &lt;i&gt;The Armageddon Inheritance&lt;/i&gt; by David Weber (novel -- Dahak #2, U. S., 1994; May 16 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;87. &lt;i&gt;Damnation Alley&lt;/i&gt; by Roger Zelazny ( novel, U. S., 1969; May 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;88. &lt;i&gt;Revolutionary Characters: What Made The Founders Different&lt;/i&gt; by Gordon S. Wood (nonfiction -- history/biography, U. S., 2006; May 18 - 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;89. &lt;i&gt;The Battle of Forever&lt;/i&gt; by A. E. van Vogt (novel, Canada, 1971; May 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;90. &lt;i&gt;The True Deceiver&lt;/i&gt; by Tove Jansson (novel, Finland, 1972 in Finland, translation 2009; May 27 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;91. &lt;i&gt;Death at La Fenice&lt;/i&gt; by Donna Leon (novel -- Commissario Brunetti #1, U. S., 1992; May 29 - 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;92. &lt;i&gt;Identity&lt;/i&gt; by Milan Kundera (novel, Czechoslovakia, 1997 in France, English translation 1998; May 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;93. &lt;i&gt;The Nemesis from Terra&lt;/i&gt; by Leigh Brackett (novel, U. S., 1961; May 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;June:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;94. &lt;i&gt;Bruno, Chief of Police&lt;/i&gt; by Martin Walker (novel -- Bruno #1, England, 2008; June 1 - 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;95. &lt;i&gt;Three Farmers on Their Way to a Dance&lt;/i&gt; by Richard Powers (novel, U. S., 1985; June 3 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*96. &lt;i&gt;The Coroner's Lunch&lt;/i&gt; by Colin Cotterill (novel -- Dr. Siri Paiboun #1, England/U. S., 2004; June 6 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*97. &lt;i&gt;Thirty - Three Teeth&lt;/i&gt; by Colin Cotterill (novel -- Dr. Siri Paiboun #2, England/U. S., 2005; June 7 - 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;98. &lt;i&gt;The Ornament of the World: How Muslims, Jews, and Christians Created a Culture of Tolerance in Medieval Spain&lt;/i&gt; by Maria Rosa Menocal (nonfiction -- history, Cuba, 2002; June 9 - 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;99. &lt;i&gt;The Tragedy of Coriolanus&lt;/i&gt; by William Shakespeare (drama -- tragedy, England, between 1607 and 1609; June 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;100. &lt;i&gt;Nemesis&lt;/i&gt; by Isaac Asimov (novel, U. S., 1989; June 13 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*101. &lt;i&gt;Year of the Snake&lt;/i&gt; by Lee Ann Roripaugh (poetry, U. S., 2004; June 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*102.  &lt;i&gt;On the Cusp of a Dangerous Year&lt;/i&gt; by Lee Ann Roripaugh (poetry, U. S., 2009; June 16)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*103. &lt;i&gt;Cannery Row&lt;/i&gt; by John Steinbeck (novel, U. S., 1945; June 15 - 16) &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*104. &lt;i&gt;The Death of Vishnu&lt;/i&gt; by Manil Suri (novel, India, 2001; June 17 - 18)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*105.  &lt;i&gt;Balkan Ghosts:  A Journey Through History&lt;/i&gt; by Robert Kaplan (nonfiction -- history/cultural studies, U. S., 1993 with revised edition 2005; June 19 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*106. &lt;i&gt;Arrowroot&lt;/i&gt; by Junichiro Tanizaki (short novel, Japan, 1931, translation 1982; June 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;107. &lt;i&gt;Judgment on Deltchev&lt;/i&gt; by Eric Ambler (novel, England, 1951; June 21 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*108. &lt;i&gt;Disco for the Departed&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Colin Cotterill (novel -- Dr. Siri Paiboun #3, England/U. S., 2006; June 22 - 23) &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;109. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;The Equation That Couldn't Be Solved:  How Mathematical Genius Discovered the Language of Symmetry&lt;/i&gt; by Mario Livio (nonfiction -- mathematics, U. S., 2005; June 23 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*110. &lt;i&gt;The Shawl&lt;/i&gt; by Cynthia Ozick (short stories, U. S., 1989; June 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;111. &lt;i&gt;The Sword of Rhiannon&lt;/i&gt; by Leigh Brackett (novel, U. S., 1953; June 26 - 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;112. &lt;i&gt;The Run&lt;/i&gt; by John Hay (nonfiction -- biology/nature studies, U. S., 1959; June 27 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;113. &lt;i&gt;Corpse Pose&lt;/i&gt; by Diana Killian (novel -- Mantra for Murder #1, U. S., 2008; June 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;114. &lt;i&gt;Murder on the Eightfold Path&lt;/i&gt; by Diana Killian (novel -- Mantra for Murder #3, U. S., 2010; June 28 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*115. &lt;i&gt;Anarchy and Old Dogs&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;by Colin Cotterill (novel -- Dr. Siri Paiboun #4, England/U. S., 2007; June 29 -30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;July:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*116. &lt;i&gt;Curse of the Pogo Stick&lt;/i&gt;  &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Colin Cotterill (novel -- Dr. Siri Paiboun #5, England/U. S., 2008; July 1)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*117.  &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Sweet Thursday&lt;/i&gt; by John Steinbeck (novel, U. S., 1954; July 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;118.  &lt;i&gt;Death in the Andes&lt;/i&gt; by Mario Vargas Llosa (novel, Peru, 1993 in Spanish, English translation 1996; July 2 - 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*119. &lt;i&gt;Revolutionaries:  A New History of the Invention of America&lt;/i&gt; by Jack Rakove (nonfiction -- history/biographical studies, U. S., 2010; July 4 - 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;120. &lt;i&gt;Changeless&lt;/i&gt; by Gail Carriger (novel -- &lt;i&gt;The Parasol Protectorate&lt;/i&gt; #2, U. S., 2010; July 9 - 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;121. &lt;i&gt;Frida Kahlo:  Beneath the Mirror&lt;/i&gt; by Gerry Souter (nonfiction -- biography, U. S., 2005; July 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*122. &lt;i&gt;The Reluctant Fundamentalist&lt;/i&gt; by Mohsin Hamid (novel, Pakistan, 2007; July 12 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;123. &lt;i&gt;The Marriage Bureau for Rich People&lt;/i&gt; by Farahad Zama (novel, India, 2009; July 14 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*124. &lt;i&gt;Death in the Garden&lt;/i&gt; by Elizabeth Ironside (novel, England, 1995; July 15 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;125.  &lt;i&gt;Sentinels from Space&lt;/i&gt; by Eric Frank Russell (novel, England, 1953; July 17 - 18)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;126. &lt;i&gt;One Against Herculum&lt;/i&gt; by Jerry Sohl (novel, U. S., 1959; July 18)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;127. &lt;i&gt;River of Darkness&lt;/i&gt; by Rennie Airth (novel -- John Madden #1, South Africa, 1999; July 18 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;128. &lt;i&gt;An Edible History of Humanity&lt;/i&gt; by Tom Standage (non-fiction -- history/agricultural science, England, 2009; July 20 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*129. &lt;i&gt;The Merry Misogynist&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;by Colin Cotterill (novel -- Dr. Siri Paiboun #6, England/U. S., 2009; July 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*130. &lt;i&gt;City of Thieves&lt;/i&gt; by David Benioff (novel, U. S., 2008; July 23 - 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;131. &lt;i&gt;Midnight's Daughter&lt;/i&gt; by Karen Chance (novel -- Dorrie Basarab #1, U. S., 2008; July 25 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;132.&lt;i&gt; Summer of '49&lt;/i&gt; by David Halberstam (nonfiction -- baseball history, U. S., 1989; July 27 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;133. &lt;i&gt;Death of a Ghost&lt;/i&gt; by Margery Allingham (novel -- Albert Campion #6, England, 1934; July 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;134. &lt;i&gt;Death's Mistress &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Karen Chance (novel -- Dorrie Basarab #2, U. S., 2010; July 30 -  31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;135. &lt;i&gt;And Then The Town Took Off&lt;/i&gt; by Richard Wilson (novel, U. S., 1960; July 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;August:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*136. &lt;i&gt;The 900 Days:  The Siege of Leningrad&lt;/i&gt; by Harrison E. Salisbury (nonfiction -- history. U. S., 1969; August 1 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;137.  &lt;i&gt;Roseanna&lt;/i&gt; by Maj Sjöwall and Per Wahlöö (novel -- Martin Beck #1, Sweden, 1965 in Sweden, translation 1967; August 8 - 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*138. &lt;i&gt;Population:  485:  Meeting Your Neighbors One Siren at a Time&lt;/i&gt; by Michael Perry (nonfiction -- autobiography/social-cultural commentary, U. S., 2002; August 10 - 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;139.  &lt;i&gt;The Earth Gods Are Coming&lt;/i&gt; by Kenneth Bulmer (novel, England, 1960; August 11- 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*140. &lt;i&gt;The Oxford Murders&lt;/i&gt; by Guillermo Martínez (novel, Argentina, 2003 in Argentina, translation 2005; August 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;141. &lt;i&gt;When Winter Returns&lt;/i&gt; by Kathryn Miller Haines (novel -- Rosie Winter #4, U. S., 2010; August 13 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*142. &lt;i&gt;I Curse the River of Time&lt;/i&gt; by Per Petterson (novel, Norway, 2008  in Norway,  translation 2010;  August 14 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*143. &lt;i&gt;Flickering Shadows&lt;/i&gt; by Kwadwo Agymah Kamau (novel, Barbados, 1996; August 15 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*144. &lt;i&gt;The Hundred-Foot Journey&lt;/i&gt; by Richard C. Morais ( novel, U. S., 2010; August 17 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;145. &lt;i&gt;Joy in the Morning &lt;/i&gt;by P. G. Wodehouse (novel -- Jeeves #8, England, 1946; August 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*146. &lt;i&gt;Hope and Other Dangerous Pursuits&lt;/i&gt; by Laila Lalami (novel, Morocco, 2005; August 21 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;147. &lt;i&gt;The Secret Martians&lt;/i&gt; by Jack Sharkey (novel, U. S., 1960; August 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*148. &lt;i&gt;The Three Cornered World&lt;/i&gt; (&lt;i&gt;Kusa Makura&lt;/i&gt;) by Natsume Soseki (novel, Japan, 1906 in Japanese, English translation 1965; August 23 - 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;149. &lt;i&gt;Meeting at Infinity&lt;/i&gt; by John Brunner (novel, England, 1961; August 26 - 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;150. &lt;i&gt;James Madison and the Creation of the American Republic, &lt;/i&gt;Third Edition by Jack N. Rakove (nonfiction -- history/biography, U. S., 2007; August 27 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;151. &lt;i&gt;Miramar&lt;/i&gt; by Naguib Mahfouz (novel, Egypt, 1967 in Arabic, English translation 1978; August 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;152. &lt;i&gt;The Skynappers&lt;/i&gt; by John Brunner (novel, England, 1960; August 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;September:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*153. &lt;i&gt;Last Orders&lt;/i&gt; by Graham Swift (novel, England, 1996; September 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;154. &lt;i&gt;In The Stormy Red Sky&lt;/i&gt; by David Drake (novel -- RCN #7, U. S., 2009; September 2 - 4)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*155. &lt;i&gt;The Elephant's Journey&lt;/i&gt; by Jose Saramago (novel, Portugal, 2008 in Portuguese, 2010 in English translation; September 5 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;156. &lt;i&gt;The City &amp;amp; The City&lt;/i&gt; by China Miéville (novel, England, 2009; September 7 - 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;157. &lt;i&gt;Summer World: A Season of Bounty&lt;/i&gt; by Bernd Heinrich (nonfiction -- biology/nature studies, U. S., 2009; September 9 - 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;158. &lt;i&gt;Address:  Centauri&lt;/i&gt; by F. L. Wallace (novel, U. S., 1955; September 11 - 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*159. &lt;i&gt;Skylark&lt;/i&gt; by Dezso Kosztolányi (novel, Hungary, 1924 in Hungary, English translation 1993; September 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*160. &lt;i&gt;The Man Who Went Up In Smoke &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Maj Sjöwall and Per Wahlöö (novel -- Martin Beck #2, Sweden, 1966 in Sweden, translation 1969; September 13 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;161. &lt;i&gt;The World Swappers&lt;/i&gt; by John Brunner (novel, England, 1959; September 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;162. &lt;i&gt;Murder on the Eiffel Tower&lt;/i&gt; by Claude Izner (novel -- Victor Legris #1, France, 2003 in France, English translation 2007;  September 15 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*163. &lt;i&gt;Shimmering in a Transformed Light:  Writing the Still Life&lt;/i&gt; by Rosemary Lloyd (nonfiction -- literature/painting, U. S., 2005; September 17 - 18)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;164. &lt;i&gt;A Lost Lady&lt;/i&gt; by Willa Cather (novel, U. S., 1923; September 18)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;165. &lt;i&gt;An Artificial Night&lt;/i&gt; by Seanan McGuire (novel -- October Daye #3, U. S., 2010; September 18 - 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*166. &lt;i&gt;Too Late the Phalarope&lt;/i&gt; by Alan Paton (novel, 1953, South Africa; September 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*167. &lt;i&gt;This Side of Brightness&lt;/i&gt; by Colum McCann (novel, Ireland, 1998; September 21 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;168. &lt;i&gt;The Secret History of Moscow&lt;/i&gt; by Ekaterina Sedia (novel, Russia, 2007; September 23 - 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*169. &lt;i&gt;Eastward to Tartary:  Travels in the Balkans, the Middle East, and the Caucasus&lt;/i&gt; by Robert D. Kaplan (nonfiction -- travel/history, U. S., 2000; September 25 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;170. &lt;i&gt;Empire Star&lt;/i&gt; by Samuel R. Delany (novel, U. S., 1966; September 26 - 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;171. &lt;i&gt;The Ballad of Beta-2&lt;/i&gt; by Samuel R. Delany (novel, U. S., 1965; September 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*172. &lt;i&gt;The Great Fortune&lt;/i&gt; by Olivia Manning (novel --&lt;b&gt; Fortunes of War:  The Balkan Trilogy, Volume I&lt;/b&gt;; England, 1960;  September 28 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;173. &lt;i&gt;The Great Explosion&lt;/i&gt; by Eric Frank Russell (novel, England, 1962; September 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;October:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;174. &lt;i&gt;The Winter War:  Russia's Invasion of Finland, 1939 - 40&lt;/i&gt; by Robert Edwards (nonfiction -- history, England, 2008; October 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;175. &lt;i&gt;Seven from the Stars&lt;/i&gt; by Marion Zimmer Bradley (novel, U. S., 1962; October 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;176. &lt;i&gt;Unseen Academicals&lt;/i&gt; by Terry Pratchatt (novel -- Discworld #32, England, 2009; October 4 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*177. &lt;i&gt;Q &amp;amp; A&lt;/i&gt; by Vikas Swarup (novel, India, 2005; October 7 - 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;178. &lt;i&gt;Spade &amp;amp; Archer:  The Prequel to Dashiell Hammett's &lt;b&gt;The Maltese Falcon&lt;/b&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt; by Joe Gores (novel, U. S., 2009; October 8 - 9)&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;*&lt;b&gt;(R)&lt;/b&gt;179. &lt;/span&gt;&lt;span class="Apple-style-span"&gt;The Maltese Falcon&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt; by Dashiell Hammett (novel**, U. S., 1929 - 1930; October 9)  [**This is actually the original magazine version, serialized in &lt;/span&gt;Black Mask Magazine&lt;/i&gt; in 5 parts between September 1929 and January 1930 and reprinted in &lt;i&gt;The Black Lizard Big Book of &lt;b&gt;Black Mask&lt;/b&gt; Stories&lt;/i&gt;, edited by Otto Penzler and published September 2010]&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*180. &lt;i&gt;Morte D'Urban&lt;/i&gt; by J. F. Powers (novel, U. S., 1962; October 10 - 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;181. &lt;i&gt;Meditation Now Or Never&lt;/i&gt; by Steve Hagen (non-fiction, U. S., 2007; October 12 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*182. &lt;i&gt;Blameless&lt;/i&gt; by Gail Carriger (novel -- The Parasol Protectorate #3, U. S., 2010; October 13 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;183. &lt;i&gt;Stalin's Folly:  The Tragic First Ten Days of World War II on the Eastern Front&lt;/i&gt; by Constantine Pleshakov (nonfiction -- history, Russia, 2006; October 15 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;184. &lt;i&gt;The Currents of Space&lt;/i&gt; by Isaac Asimov (novel, U. S., 1952; October 19 - 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*185. &lt;i&gt;City of Glass&lt;/i&gt; by Paul Auster (novel -- &lt;b&gt;The New York Trilogy&lt;/b&gt; Vol. 1,  U. S., 1985; October 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*186. &lt;i&gt;The Man on the Balcony&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;by Maj Sjöwall and Per Wahlöö (novel -- Martin Beck #3, Sweden, 1967 in Sweden, translation 1968; October 21 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;187.  &lt;i&gt;Talents, Incorporated&lt;/i&gt; by Murray Leinster (novel, U. S., 1962; October 23)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*188. &lt;i&gt;The Name of the Flower&lt;/i&gt; by Kuniko Mukoda (short stories, Japan, published in Japan between 1981 and 1985, English translation 1994;  October 23 - 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;189. &lt;i&gt;Threshold of Eternity&lt;/i&gt; by John Brunner (novel, England, 1959; October 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*190. &lt;i&gt;The Stalin Epigram&lt;/i&gt; by Robert Littell (novel, U. S., 2009; October 26 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*191. &lt;i&gt;Trick of the Light&lt;/i&gt; by Rob Thurman (novel -- Trickster #1, U. S., 2009; October 29 - 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;November:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;192. &lt;i&gt;Claimed&lt;/i&gt; by Francis Stevens (novel, U. S., 1920; November 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*193. &lt;i&gt;The Case of Comrade Tulayev&lt;/i&gt; by Victor Serge (novel, Belgium/Russia, published in France 1949, English translation 1950; November 3 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*194. &lt;i&gt;The Track of Sand&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Andrea Camilleri (novel -- Inspector Montalbano mystery series #12, Italy, 2007 in Sicily, translation 2010; November 7 - 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;195. &lt;i&gt;The Long Ships&lt;/i&gt; by Frans G. Bengtsson (novel, Sweden, originally published in Sweden in two parts 1941 &amp;amp; 1945, English translation 1955; November 9 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;196. &lt;i&gt;Wicked River:  The Mississippi When It Last Ran Wild&lt;/i&gt; by Lee Sandlin (nonfiction -- history, U. S., 2010; November 14 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*197. &lt;i&gt;The Grimrose Path&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Rob Thurman (novel -- Trickster #2, U. S., 2010; November 18 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*198. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;The Third Man&lt;/i&gt; by Graham Greene  (novel, England, 1950; November 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;199. &lt;i&gt;Cosmic Engineers&lt;/i&gt; by Clifford D. Simak (novel, U. S., 1950; November 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;200.  &lt;i&gt;Tun - Huang&lt;/i&gt; by Yasushi Inoue (novel, Japan, 1959, English translation 1978; November 22 - 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*201. &lt;i&gt;Messenger of Truth&lt;/i&gt; by Jacqueline Winspear (novel -- Maisie Dobbs #4, England, 2006; November 24 - 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*202. &lt;i&gt;The Laughing Policeman &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Maj Sjöwall and Per Wahlöö (novel -- Martin Beck #4, Sweden, 1968 in Sweden, translation 1970; November 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*203. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Flowers for the Judge&lt;/i&gt; by Margery Allingham (novel -- Albert Campion #7, England, 1936; November 27 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;204. &lt;i&gt;The Case of the Peerless Peer&lt;/i&gt; by Philip José Farmer (novel, U. S., 1974; November 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;205. &lt;i&gt;Double Star&lt;/i&gt;  by Robert Heinlein (novel, U. S., 1956; November 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;206.  &lt;i&gt;Magic, Inc. &lt;/i&gt;by Robert Heinlein (short novel, U. S., 1940; November 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;December&lt;/b&gt;:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;207. &lt;i&gt;American Scripture:  Making the Declaration of Independence&lt;/i&gt; by Pauline Maier (nonfiction -- history, U. S., 1997; December 1 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;208. &lt;i&gt;The Bookman&lt;/i&gt; by Lavie Tidhar (novel -- The Bookman Histories #1, Israel, 2010; December 6 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;209. &lt;i&gt;The Fire Engine That Disappeared &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Maj Sjöwall and Per Wahlöö (novel -- Martin Beck #5, Sweden, 1969 in Sweden, translation 1969; December 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;210. &lt;i&gt;True Grit&lt;/i&gt; by Charles Portis (novel, U. S., 1968; December 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*211. &lt;i&gt;The Stones Cry Out&lt;/i&gt; by Hikaru Okuizumi (novel, Japan, 1993 in Japan, translation in 1999; December 9 - 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;212. &lt;i&gt;Unnatural History&lt;/i&gt; by Jonathan Green (novel -- Ulysses Quicksilver #1, England, 2007; December 11 - 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;213. &lt;i&gt;The Man in the Queue&lt;/i&gt; by Josephine Tey (novel -- Inspector Grant #1, England, 1929; December 13 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;214. &lt;i&gt;The Horns of Ruin&lt;/i&gt; by Tim Akers (novel, U. S., 2010; December 14 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*215. &lt;i&gt;Sputnik Sweetheart&lt;/i&gt; by Haruki Murakami (novel, Japan, 1999, English translation 2001; December 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;216. &lt;i&gt;Ghosts of Manhattan&lt;/i&gt; by George Mann (novel -- The Ghost #1, England, 2010; December 15 - 16)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*217. &lt;i&gt;The Dog of the South&lt;/i&gt; by Charles Portis (novel, U. S., 1979; December 16 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;218. &lt;i&gt;Leviathan Rising &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Jonathan Green (novel -- Ulysses Quicksilver #2, England, 2008; December 18 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;219. &lt;i&gt;Henry IV, Part I&lt;/i&gt; by William Shakespeare (drama -- history, England, 1597; December 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*220. &lt;i&gt;Murder at the Savoy&lt;/i&gt;  &lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Maj Sjöwall and Per Wahlöö (novel -- Martin Beck #6, Sweden, 1970 in Sweden, translation 1971; December 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;221. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Heirs of Empire&lt;/i&gt;  by David Weber (novel -- Dahak #3, U. S., 1996; December 21 - 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*222. &lt;i&gt;The Court of the Air&lt;/i&gt; by Stephen Hunt (novel, England, 2007; December 25 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*223.  &lt;i&gt;The Abominable Man &lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;by Maj Sjöwall and Per Wahlöö (novel -- Martin Beck #7, Sweden, 1971 in Sweden, translation 1972; December 29 - 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;*&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;224. &lt;i&gt;The Dying Earth&lt;/i&gt; by Jack Vance (fiction -- interconnected short stories, U. S., 1950; December 30 - 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-9127025633285994164?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/9127025633285994164/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=9127025633285994164' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/9127025633285994164'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/9127025633285994164'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/06/reading-log-2010-reposted-for.html' title='Reading Log 2010'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-8321678773663086253</id><published>2010-06-06T04:52:00.000-07:00</published><updated>2010-06-06T04:53:42.958-07:00</updated><title type='text'>Avatar Review #12</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://www.avatarreview.net/AV12/"&gt;is now online&lt;/a&gt;.  Enjoy.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-8321678773663086253?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/8321678773663086253/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=8321678773663086253' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8321678773663086253'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8321678773663086253'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/06/avatar-review-12.html' title='Avatar Review #12'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3809878310238451471</id><published>2010-05-27T20:10:00.000-07:00</published><updated>2010-05-27T20:12:03.381-07:00</updated><title type='text'>New in Jackdaw's Nest</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2010/05/twelve-poems-with-flowers.html"&gt;"Twelve Poems with Flowers."&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3809878310238451471?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3809878310238451471/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3809878310238451471' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3809878310238451471'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3809878310238451471'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/05/new-in-jackdaws-nest.html' title='New in Jackdaw&apos;s Nest'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-4056549706713230914</id><published>2010-04-30T21:57:00.000-07:00</published><updated>2010-04-30T22:00:43.333-07:00</updated><title type='text'>New in "The Jackdaw's Nest"</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2010/04/twelve-poems-with-three-word-titles.html"&gt;Twelve Poems With Three-Word Titles.&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-4056549706713230914?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/4056549706713230914/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=4056549706713230914' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4056549706713230914'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4056549706713230914'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/04/new-in-jackdaws-nest.html' title='New in &quot;The Jackdaw&apos;s Nest&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-4989401732165936668</id><published>2010-04-30T19:37:00.000-07:00</published><updated>2010-04-30T19:39:39.945-07:00</updated><title type='text'>For May-Day:  "Corinna's Going A-Maying" by Robert Herrick</title><content type='html'>&lt;span class="Apple-style-span"   style="  ;font-family:Arial;font-size:medium;"&gt;&lt;ul&gt;&lt;ul&gt;&lt;dl&gt;&lt;h2&gt;&lt;span class="Apple-style-span"  style="color:#004080;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h2&gt;&lt;ul&gt;&lt;dl&gt;&lt;p&gt;&lt;/p&gt;&lt;dt&gt;&lt;span style="font-size:+1;"&gt;G&lt;/span&gt;ET up, get up for shame! The blooming morn&lt;/dt&gt;&lt;dt&gt;Upon her wings presents the god unshorn.&lt;/dt&gt;&lt;dd&gt;See how Aurora throws her fair&lt;/dd&gt;&lt;dd&gt;Fresh-quilted colors through the air.&lt;/dd&gt;&lt;dd&gt;Get up, sweet slug-a-bed, and see&lt;/dd&gt;&lt;dd&gt;The dew bespangling herb and tree!&lt;/dd&gt;&lt;dt&gt;Each flower has wept and bowed toward the east&lt;/dt&gt;&lt;dt&gt;Above an hour since, yet you not drest;&lt;/dt&gt;&lt;dd&gt;Nay! not so much as out of bed?&lt;/dd&gt;&lt;dd&gt;When all the birds have matins said&lt;/dd&gt;&lt;dd&gt;And sung their thankful hymns, 'tis sin,&lt;/dd&gt;&lt;dd&gt;Nay, profanation, to keep in,&lt;/dd&gt;&lt;dt&gt;Whenas a thousand virgins on this day&lt;/dt&gt;&lt;dt&gt;Spring sooner than the lark, to fetch in May.&lt;p&gt;&lt;/p&gt;&lt;/dt&gt;&lt;dt&gt;Rise and put on your foliage, and be seen&lt;/dt&gt;&lt;dt&gt;To come forth, like the springtime, fresh and green,&lt;/dt&gt;&lt;dd&gt;And sweet as Flora. Take no care&lt;/dd&gt;&lt;dd&gt;For jewels for your gown or hair.&lt;/dd&gt;&lt;dd&gt;Fear not; the leaves will strew&lt;/dd&gt;&lt;dd&gt;Gems in abundance upon you.&lt;/dd&gt;&lt;dt&gt;Besides, the childhood of the day has kept&lt;/dt&gt;&lt;dt&gt;Against you come, some orient pearls unwept.&lt;/dt&gt;&lt;dd&gt;Come, and receive them while the light&lt;/dd&gt;&lt;dd&gt;Hangs on the dew-locks of the night;&lt;/dd&gt;&lt;dd&gt;And Titan on the eastern hill&lt;/dd&gt;&lt;dd&gt;Retires himself, or else stands still&lt;/dd&gt;&lt;dt&gt;Till you come forth! Wash, dress, be brief in praying;&lt;/dt&gt;&lt;dt&gt;Few beads are best when once we go a-Maying.&lt;p&gt;&lt;/p&gt;&lt;/dt&gt;&lt;dt&gt;Come, my Corinna, come; and coming, mark&lt;/dt&gt;&lt;dt&gt;How each field turns a street, each street a park,&lt;/dt&gt;&lt;dd&gt;Made green and trimmed with trees! see how&lt;/dd&gt;&lt;dd&gt;Devotion gives each house a bough&lt;/dd&gt;&lt;dd&gt;Or branch! each porch, each door, ere this,&lt;/dd&gt;&lt;dd&gt;An ark, a tabernacle is,&lt;/dd&gt;&lt;dt&gt;Made up of whitethorn neatly interwove,&lt;/dt&gt;&lt;dt&gt;As if here were those cooler shades of love.&lt;/dt&gt;&lt;dd&gt;Can such delights be in the street&lt;/dd&gt;&lt;dd&gt;And open fields, and we not see't?&lt;/dd&gt;&lt;dd&gt;Come, we'll abroad; and let's obey&lt;/dd&gt;&lt;dd&gt;The proclamation made for May,&lt;/dd&gt;&lt;dt&gt;And sin no more, as we have done, by staying;&lt;/dt&gt;&lt;dt&gt;But, my Corinna, come, let's go a-Maying.&lt;p&gt;&lt;/p&gt;&lt;/dt&gt;&lt;dt&gt;There's not a budding boy or girl this day&lt;/dt&gt;&lt;dt&gt;But is got up and gone to bring in May.&lt;/dt&gt;&lt;dd&gt;A deal of youth ere this is come&lt;/dd&gt;&lt;dd&gt;Back, and with white-thorn laden home.&lt;/dd&gt;&lt;dd&gt;Some have dispatched their cakes and cream,&lt;/dd&gt;&lt;dd&gt;Before that we have left to dream;&lt;/dd&gt;&lt;dt&gt;And some have wept and wooed, and plighted troth,&lt;/dt&gt;&lt;dt&gt;And chose their priest, ere we can cast off sloth.&lt;/dt&gt;&lt;dd&gt;Many a green-gown has been given,&lt;/dd&gt;&lt;dd&gt;Many a kiss, both odd and even;&lt;/dd&gt;&lt;dd&gt;Many a glance, too, has been sent&lt;/dd&gt;&lt;dd&gt;From out of the eye, love's firmament;&lt;/dd&gt;&lt;dt&gt;Many a jest told of the keys betraying&lt;/dt&gt;&lt;dt&gt;This night, and locks picked; yet we're not a-Maying!&lt;p&gt;&lt;/p&gt;&lt;/dt&gt;&lt;dt&gt;Come, let us go, while we are in our prime,&lt;/dt&gt;&lt;dt&gt;And take the harmless folly of the time!&lt;/dt&gt;&lt;dd&gt;We shall grow old apace, and die&lt;/dd&gt;&lt;dd&gt;Before we know our liberty.&lt;/dd&gt;&lt;dd&gt;Our life is short, and our days run&lt;/dd&gt;&lt;dd&gt;As fast away as does the sun.&lt;/dd&gt;&lt;dt&gt;And, as a vapor or a drop of rain,&lt;/dt&gt;&lt;dt&gt;Once lost, can ne'er be found again,&lt;/dt&gt;&lt;dd&gt;So when you or I are made&lt;/dd&gt;&lt;dd&gt;A fable, song, or fleeting shade,&lt;/dd&gt;&lt;dd&gt;All love, all liking, all delight&lt;/dd&gt;&lt;dd&gt;Lies drowned with us in endless night.&lt;/dd&gt;&lt;dt&gt;Then, while time serves, and we are but decaying,&lt;/dt&gt;&lt;dt&gt;Come, my Corinna, come, let's go a-Maying.&lt;p&gt;&lt;/p&gt;&lt;/dt&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/dl&gt;&lt;/ul&gt;&lt;/dl&gt;&lt;/ul&gt;&lt;/ul&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-4989401732165936668?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/4989401732165936668/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=4989401732165936668' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4989401732165936668'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4989401732165936668'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/04/for-may-day-corinnas-going-maying.html' title='For May-Day:  &quot;Corinna&apos;s Going A-Maying&quot; by Robert Herrick'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-7345941868117472677</id><published>2010-04-12T08:48:00.000-07:00</published><updated>2010-04-12T08:54:59.200-07:00</updated><title type='text'>For April</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Everything at &lt;b&gt;The Compost Heap&lt;/b&gt; and &lt;b&gt;The Jackdaw's Nest&lt;/b&gt; &lt;span style="font-weight:bold;"&gt;&lt;/span&gt;except the &lt;a href="http://compost-hedgie.blogspot.com/2010/01/reading-log-2010.html"&gt;Reading Log&lt;/a&gt; is on hiatus because of the insanity that is &lt;a href="http://www.everypoet.org/pffa/forumdisplay.php?f=63"&gt;National Poetry Writing Month&lt;/a&gt;.  Back in time for May Day or thereabouts.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-7345941868117472677?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/7345941868117472677/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=7345941868117472677' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7345941868117472677'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7345941868117472677'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/04/for-april.html' title='For April'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3854582267259028868</id><published>2010-03-16T15:53:00.000-07:00</published><updated>2010-03-16T15:55:50.921-07:00</updated><title type='text'>New for Mid-March in Jackdaw's Nest</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2010/03/twenty-more-poems-with-3-line-stanzas.html"&gt;"Twenty More Poems with 3-Line Stanzas."&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3854582267259028868?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3854582267259028868/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3854582267259028868' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3854582267259028868'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3854582267259028868'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/03/new-for-mid-march-in-jackdaws-nest.html' title='New for Mid-March in Jackdaw&apos;s Nest'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3856582487625135370</id><published>2010-03-13T18:50:00.000-08:00</published><updated>2010-03-13T18:54:24.663-08:00</updated><title type='text'>Three New Recipes</title><content type='html'>&lt;div&gt;in &lt;a href="http://hedgierecipebox.blogspot.com/"&gt;"The Recipe Box."&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Marinated Olive, Red Pepper, and Artichoke Heart Salad&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;Bourbon - Molasses Strip Steak&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;Roasted Rosemary Potatoes&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3856582487625135370?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3856582487625135370/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3856582487625135370' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3856582487625135370'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3856582487625135370'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/03/three-new-recipes.html' title='Three New Recipes'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-6762643499722691692</id><published>2010-03-01T20:43:00.000-08:00</published><updated>2010-03-01T20:44:51.461-08:00</updated><title type='text'>I Have Two Poems</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;in the new issue of &lt;a href="http://www.soundzine.net/index.php?option=com_content&amp;amp;view=article&amp;amp;id=96:howar-miller&amp;amp;catid=34:poetry&amp;amp;Itemid=53"&gt;&lt;i&gt;soundzine&lt;/i&gt;&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-6762643499722691692?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/6762643499722691692/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=6762643499722691692' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/6762643499722691692'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/6762643499722691692'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/03/i-have-two-poems.html' title='I Have Two Poems'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-525851969122996015</id><published>2010-02-28T19:05:00.000-08:00</published><updated>2010-02-28T19:07:28.306-08:00</updated><title type='text'>Now in "The Jackdaw's Nest"</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The 100th post:  &lt;a href="http://hedgeguard.blogspot.com/2010/02/twelve-march-poems.html"&gt;Twelve March Poems&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-525851969122996015?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/525851969122996015/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=525851969122996015' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/525851969122996015'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/525851969122996015'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/02/now-in-jackdaws-nest_28.html' title='Now in &quot;The Jackdaw&apos;s Nest&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-4460612495853248561</id><published>2010-02-26T14:09:00.000-08:00</published><updated>2010-02-28T21:06:48.965-08:00</updated><title type='text'>Brief Review:  "Auntie Mame" by Patrick Dennis</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;&lt;i&gt;Auntie Mame (An Irreverent Escapade)&lt;/i&gt; by Patrick Dennis, 1955&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;"Age cannot wither her, nor custom stale" &lt;i&gt;Auntie Mame.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;After 55 years, what is there to say that hasn't already been said?  Very little if anything, I suspect, so I won't even try; I'll just state categorically that &lt;i&gt;Auntie Mame&lt;/i&gt; may well be the funniest comic novel ever written by an American, or, if not that, still one of a very tiny handful which head any list of the funniest and best.  Mame Dennis (later Burnside), woman of exquisite modern tastes and cultural refinement, strong liberal inclinations and fierce opposition to hypocrisy in all its forms, almost boundless optimism even if not always the most profound insight into others' characters, is one of the great comic creations of the 20th century who throws herself without hesitation or restraint into experiencing life and who is essentially unflappable even when things go seriously awry, as they sometimes do.  I have the feeling that, were Mame seriously religious, she would undoubtedly choose to be Lutheran just so she could adopt as her own motto Martin Luther's dictum &lt;i&gt;pecca fortiter -- "&lt;/i&gt;sin bravely," not because she's particularly a sinner, but because she commits herself totally to whatever she undertakes, without reservation (and sometimes without forethought).&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;The novel in fact focuses on the relation that develops between Mame and her nephew -- one Patrick Dennis -- who is committed to her keeping as his legal guardian when Patrick becomes an orphan at the age of 10 in 1928 and follows them and their adventures up until 1955.  That relationship, as one might imagine, has its ups and downs, with Patrick at moments passionately idolizing his Aunt while at others driven entirely to distraction by her behavior; it's at those latter moments he is fully convinced that he is actually &lt;i&gt;her&lt;/i&gt; guardian or at least has to act as if he were.  But the very real love between the two never falters, not even when, on the eve of his high school graduation from a strict, stuffy private school, she imperils him by  showing up with a young pregnant woman she's taken under her wing, insists that he sneak off campus twice a day to shop and take the mother-to-be for long walks, and registers her in the local hotel as -- of course -- &lt;i&gt;Mrs.&lt;/i&gt; Patrick Dennis, a situation naturally discovered by the primmest and stuffiest of prim and stuffy headmasters.  &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;The humor derives not only from the plotting and the complex, problematical situations which Mame (and sometimes Patrick) create but also from the writing itself, which is lively, witty, and masterful.  When the newly-arrived Patrick informs Mame that he doesn't understand many of the words she uses, she's delighted at the opportunity of "molding a little new life!" and hands him a pencil and pad which he's to keep at all times and write down any words she uses he doesn't understand so she can explain them to him, thereby developing his vocabulary.  Of course, she hands him the pad with her usual grand sweeping gesture which knocks over the coffee pot, whereupon  "I immediately wrote down six new words which Auntie Mame said to scratch out and forget."  &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Auntie Mame&lt;/i&gt; is a work that comes the closest of any American novel I can recall having read to the work of P. G. Wodehouse; Wodehouse's intricate plotting, his ability to characterize stereotypical characters as individuals, and the wonderful humor of his prose are all attributes one also finds in Dennis's work.  But Dennis differs from Wodehouse, as well, in his forthrightness in dealing at times with what were very controversial (and generally not publicly addressed) issues at the time the book was published; Mame's relentless and remorseless taking on of the antisemitism and racial bigotry of Patrick's prospective father-in-law at one point is one instance.  Dennis, in fact, deserves recognition for his willingness to address such issues in the mid-1950s; he was one of the few writers at the time who did so.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial, serif;"&gt;But it is most as comedy that &lt;i&gt;Auntie Mame&lt;/i&gt; stands out from so much other work, and it is as a -- possibly &lt;i&gt;the&lt;/i&gt; -- superb American comic novel that it deserves to be remembered.  And read.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-4460612495853248561?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/4460612495853248561/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=4460612495853248561' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4460612495853248561'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4460612495853248561'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/02/brief-review-auntie-mame.html' title='Brief Review:  &quot;Auntie Mame&quot; by Patrick Dennis'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-5285823483941421748</id><published>2010-02-21T19:40:00.000-08:00</published><updated>2010-02-21T19:49:43.952-08:00</updated><title type='text'>The Clover, Bee, and Reverie Poetry Challenge 2010</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;I have just discovered and will be participating in the &lt;b&gt;&lt;a href="http://clover-bee.blogspot.com/2010/01/welcome-to-clover-bee-and-reverie.html"&gt;Clover, Bee, and Reverie Poetry Challenge 2010&lt;/a&gt;; &lt;/b&gt;this link includes the rules.  I will be participating at the "Sonnet" level, which means reading 14 books, with 2 groups of 2 books related to each other in some way and 1 group of 4 books related in some way.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;1.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;2.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;3.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;4.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;5.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;6.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;7.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;8.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;9.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;10.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;11.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;12.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;13.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;14.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial"&gt;&lt;/p&gt;&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 16.0px; font: 10.0px Georgia; color: #333333"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 16.0px; font: 10.0px Georgia; color: #333333"&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 16.0px; font: 10.0px Georgia; color: #333333"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 16.0px; font: 10.0px Georgia; color: #333333"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 16.0px; font: 10.0px Georgia; color: #333333"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-5285823483941421748?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/5285823483941421748/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=5285823483941421748' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5285823483941421748'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5285823483941421748'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/02/clover-bee-and-reverie-poetry-challenge.html' title='The Clover, Bee, and Reverie Poetry Challenge 2010'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-8410776463378047227</id><published>2010-02-14T10:25:00.000-08:00</published><updated>2010-02-15T20:44:10.805-08:00</updated><title type='text'>Brief Review:  "Maps" by Nuruddin Farah</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;i&gt;Maps&lt;/i&gt; by Nurrudin Farah (Volume I of the &lt;i&gt;Blood in the Sun&lt;/i&gt; trilogy), 1986&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Maps&lt;/i&gt; develops the theme of identity in its many manifestations -- personal, family, and national -- through a simple story which is narrated through stylistically complex means, and in so doing explores the various aspects of its central theme in depth while raising significant questions about the multiple nature of identity.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;The story itself focuses on the central character, Askar, who is born in the disputed African region of Ogaden of parents from that region, which is the scene of ongoing, sporadic conflict between Ethiopia, which was granted control of Ogaden  following World War II, and Somalia which claims it as Somalian territory because it's inhabited by Somali-speaking people.   Orphaned immediately at birth, Askar is taken in by Misra, herself an exile from Ethiopia and raised by her until about age 7 or 8.  He develops an incredibly close relationship with Misra and comes to see her as his birth-mother, even though he know she isn't.  Then, when full-scale war breaks out between Somalia and Ethiopia (in 1977-1978), he is sent to the family of his birth-mother's brother in Mogadishu where he is taken in and raised as his uncle and aunt's own child, they being childless; again, he comes to develop a close relationship with them, as well.  His uncle wishes for him to receive a college education and become a teacher, but other family relatives want him to join the Ogaden resistance movement (in which his father had died) and carry on where his father left off in seeking to free the Ogaden from Ethiopia.  On the eve of his decision regarding his future course of action, Misra arrives in Mogadishu and wishes to see him; this event complicates his life and his decision because she is believed to have betrayed a resistance cell to the Ethiopians and caused the deaths of 600 people.  His final meeting with her and he subsequent fate lay the groundwork for his ultimate decision as to who he is in all its senses and to what he will commit himself.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;The stylistic complexity of  &lt;i&gt;Maps&lt;/i&gt; reveals itself in a number of ways.  Most obviously, the work employs three differing points of view -- first person, second person, and third person, all focused on Askar himself and each permitting him to be seen and understood from multiple perspectives., much more so than would have been possible in seeing him from a single point of view.  (The justification for the multiple perspective is made clear in the closing paragraph of the story, and to my mind at least works.)  The multiple viewpoints allow for a variety of interior views of Askar and his meditations on various aspects of the central theme of identity, beginning with questions about the relationship that exists between mother and child both physical and emotional, and opening out into questions of personal identity and later issues of family, "tribe," and national identity, as well.  These interior meditations are really the center of the work, with the narrative serving to present occasions for Askar's attempts to understand his place in a complex world of multiple and often shifting identities.  Another important element lies in  the maps of the title, a subject which fascinates Askar and which come to embody in a number of ways the various concepts of identity.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;Having read and thoroughly enjoyed Narah's previous trilogy &lt;i&gt;Variations on the Theme of an African Dictatorship&lt;/i&gt;, I was impressed to see how much Narah had developed as a writer by the time he wrote &lt;i&gt;Maps&lt;/i&gt;, which represents a significant growth in his skill.  I was impressed even more with &lt;i&gt;Maps&lt;/i&gt; than with the previous trilogy, and look forward to reading the remaining two volumes -- &lt;i&gt;Gifts&lt;/i&gt; and &lt;i&gt;Secrets&lt;/i&gt; -- in the near future.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-8410776463378047227?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/8410776463378047227/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=8410776463378047227' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8410776463378047227'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8410776463378047227'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/02/brief-review-maps-by-nuruddin-farah.html' title='Brief Review:  &quot;Maps&quot; by Nuruddin Farah'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-2150570115115529293</id><published>2010-02-06T23:56:00.000-08:00</published><updated>2010-02-06T23:58:03.111-08:00</updated><title type='text'>Now in "The Jackdaw's Nest"</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2010/02/fifteen-poems-from-europe.html"&gt;"Fifteen Poems from Europe."&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-2150570115115529293?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/2150570115115529293/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=2150570115115529293' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2150570115115529293'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2150570115115529293'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/02/now-in-jackdaws-nest.html' title='Now in &quot;The Jackdaw&apos;s Nest&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-8695376448660497520</id><published>2010-02-05T18:24:00.000-08:00</published><updated>2010-02-05T18:54:20.496-08:00</updated><title type='text'>Brief Review:  "Bombay Time" by Thrity Umrigar</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;i&gt;Bombay Time&lt;/i&gt; by Thrity Umrigar, 2001.&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Bombay Time&lt;/i&gt; shows us a small group of closely-connected people, all members of the minority Parsi community and all life-long (or near life-long) residents of a single apartment building -- Wadi Baug --  in turn-of-the-millennium Bombay.  The novel focuses on a single important event, the wedding of a young man who has grown up in Wadi Baug, and reveals to us the life stories of almost a dozen of the residents, leading in every case up to each's participation in the wedding feast and, most important, a special gathering of this group following the feast for a gift for each prepared by the bridegroom's father.  We learn a great deal about each of these individuals, following their lives in most cases over 30 to 40 years, and come to see their desires, their hopes, their successes and failures, and what they think of themselves and each other after a lifetime together as neighbors and in a sense as members of a kind of extended family.  Reflecting on their own lives, some members of the group at least come to a better understanding of themselves and their own lives, particularly after Jimmy Kanga presents them with his gift, and some, although not all,  are changed for the better as a result.  However, at the end of the novel, the outside world of modern Bombay (now Mumbai, of course), the world of poverty, violence, hunger, and despair, breaks in upon them all in a forceful and unexpected way, and reveals that  there is still a larger world which threatens the small, familial world of Wadi Baug, with the result that the novel ends on a rather ambiguous note.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;I enjoyed the novel and the exploration of the individual characters who make up the community of Wadi Baug; it's another novel -- like &lt;i&gt;A River Sutra&lt;/i&gt; I reviewed earlier -- which presents us with a cross-section of a portion of Indian society, here on a smaller scale than in &lt;i&gt;A  River Sutra &lt;/i&gt;and confined to a single ethnic group, but still pleasurable to experience.  I recommend &lt;i&gt;Bombay Time&lt;/i&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-8695376448660497520?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/8695376448660497520/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=8695376448660497520' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8695376448660497520'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8695376448660497520'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/02/brief-review-bombay-time-by-thrity.html' title='Brief Review:  &quot;Bombay Time&quot; by Thrity Umrigar'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-553849441948721281</id><published>2010-01-28T14:31:00.000-08:00</published><updated>2010-01-28T19:49:09.134-08:00</updated><title type='text'>Brief Review:  "Pen, Sword, Camisole" by Jorge Amado</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;i&gt;Pen, Sword, Camisole:  A Fable to Kindle a Hope&lt;/i&gt; by Jorge Amado, originally published in Brazil in 1980, translation from the Portuguese by Helen R. Lane in 1985.&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;Like other of Amado's novels, &lt;i&gt;Pen, Sword, Camisole&lt;/i&gt; combines comic farce, biting satire, and life-affirming joy in one work that is a delight to read.  The novel is set in Brazil in late 1940 and early 1941, a time when the country was under the control of a rigid dictatorship with clear totalitarian leanings as well as close connections to Nazi Germany.  The Chief of National Security is one Colonel Sampaio Pereira who delights in the nickname bestowed upon him by his enemies, the "Brazilian Goebbels," and whose greatest ambition -- aside from participating in the worldwide triumph of Nazism -- is to be chosen a member of the illustrious Brazilian Academy of Letters.  The death in occupied Paris of the great Brazilian poet Antonio Bruno creates a vacancy among the 40 members, and the Colonel, through his sycophantic ally Lisandro Leite (already a member of the Academy), begins his campaign to be elected.  However, a number of Academy members can't stand the thought of the liberal, peace-loving Bruno being replaced by a self-proclaimed Nazi; two of them in particular, Afranio Portela and Evandro Nunes dos Santos, take it upon themselves to prevent his election and found a committee to launch a counteroffensive.They find a higher-ranking army officer with literary accomplishments to run against Sampaio Pereira, one General Waldomiro Moreira, and persuade him to run for the vacant position; they employ several different tactics, including convincing several of the deceased Bruno's former mistresses to help "persuade" some of the undecided Academicians to vote against the Nazi (the pen may be mightier than the sword, but the camisole quite possibly is mightier than both).  Plot and counterplot on both sides swirl, tangle, and intertwine &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:Arial, serif;"&gt;in farcical profusion, and the outcome hangs uncertainly in the balance, right up until a totally unexpected occurrence radically alters the entire situation, and the Afranio - Evandro committee suddenly finds itself having to drastically change course in midstream with little time left in which to do so.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:Arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:Arial, serif;"&gt;The novel is a excellent satire of academic and social pretension as well as of Brazil's "New State" (as it was called during the late 1930s and 40s) and a thoroughly enjoyable comic romp.  But, as always with Amado, there is also joy; here, it takes the form of several accounts by Bruno's former lovers of their relationships with him and how, through him, they came to recognize and embrace the joy that is the essence of being alive, as Bruno himself believed.  It is this combination of comedy, satire,  and joyous recognition that marks Amado's best works, and &lt;i&gt;Pen, Sword, Camisole&lt;/i&gt; belongs solidly among them.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-553849441948721281?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/553849441948721281/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=553849441948721281' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/553849441948721281'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/553849441948721281'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/01/brief-review-pen-sword-camisole-by.html' title='Brief Review:  &quot;Pen, Sword, Camisole&quot; by Jorge Amado'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-7332311201571827878</id><published>2010-01-21T21:02:00.000-08:00</published><updated>2010-01-21T21:06:16.471-08:00</updated><title type='text'>Not That It Matters Really, But</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span"  style="color:#333333;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;the site counter just hit:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color:#333333;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color:#333333;"&gt;&lt;span class="Apple-style-span" style="font-size: x-large;"&gt;66666&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-7332311201571827878?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/7332311201571827878/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=7332311201571827878' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7332311201571827878'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7332311201571827878'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/01/not-that-it-matters-really-but.html' title='Not That It Matters Really, But'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-7741273659609123614</id><published>2010-01-21T14:36:00.001-08:00</published><updated>2010-01-29T20:37:25.353-08:00</updated><title type='text'>Brief Review:  "Everything Flows" by Vasily Grossman</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;i&gt;Everything Flows&lt;/i&gt; by Vasily Grossman, written during the early 1960s but suppressed by the Soviet government; finally published in Russia in 1989; translation by Robert and Elizabeth Chandler with Anna Astanyan 2009.&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;The last novel of &lt;a href="http://en.wikipedia.org/wiki/Vasily_Grossman"&gt;Vasily Grossman&lt;/a&gt;, completed as he was dying of stomach cancer in 1964, &lt;i&gt;Everything Flows&lt;/i&gt; is a scathing indictment of Soviet Russia and its leadership, especially under Lenin and Stalin.  The novel is rather loosely structured and follows the central character Ivan Grigoryevitch once he is released after 30 years in prison and the Siberian workcamps for crimes against the state of which he was in fact falsely accused.  Lost in a world he knows virtually nothing about, he briefly encounters a few individuals,  particularly his cousin, a successful Soviet scientist, as well as Pinegin, the man who had falsely accused him; in each case, we are given insight into each of those individuals and what each has done (and has sacrificed) in order to survive and prosper in Stalin's Russia.  He finally finds a home with Anna Sergeyevna, a war widow, and  a job as a metalworker in a small machine shop.  Becoming lovers for a brief period before she dies of cancer, she reveals to him her experiences as a Soviet official in the Ukraine during the Terror, the period during 1932 - 1933 when Stalin caused the starvation of millions of Ukrainians and what the consequences were to the Ukraine as well as to herself.  He spends much of his time thinking about what he learned from his experiences in the camps, and it's these meditations that form the central focus of the novel.  His speculations take a number of forms in the work:  a short mental drama in which a series of informers reveal &lt;i&gt;why&lt;/i&gt; they became informers; a number of brief narratives seen from the point of view of various individuals suffering under Soviet rule (including a wife and mother arrested for failing to inform on her husband and a middle-aged farmer who with his wife and infant son starve during the Ukraine Terror); and a series of journal entries, essentially essays, in which he evaluates the characters of Lenin, Stalin, and Russia itself, and, after reviewing Russian history, comes to understand something of how his homeland has fallen into the state in which it exists under Stalin and his successors.  Eventually, he comes to believe:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;"The evolution of the West was fertilized by the growth of freedom; Russia's evolution was fertilized by the growth of slavery.  This is the abyss that divides Russia and the West" (p. 179).&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;Ivan Grigoryevitch doesn't know if Russia can ever escape from the cycle that has trapped it from its earliest history.  However, despite doubts as to that possibility, he does believe absolutely in what he comes to call the "sacred law of life":  "There is no end in the world for the sake of which it is permissible  to sacrifice human freedom" (p. 164).&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;As a &lt;i&gt;novel&lt;/i&gt;, &lt;i&gt;Everything Flows&lt;/i&gt; is episodic in nature with little narrative progression; however, many of the episodes which take place in the central character's memory or imagination are powerful, painful embodiments of the experiences of those who were arrested, imprisoned, interrogated, and sentenced to serve in the Siberian workcamps.  In this respect, I'd say it's easily as powerful as Solzhenitsyn's &lt;i&gt;One Day in the Life of Ivan Denisovich&lt;/i&gt;.  And its damning first-hand analysis of the Soviet State is the final legacy of of a writer who loved his country and hated what it had become in the hands of those he viewed as the most despicable of warlords and powermongers.  &lt;i&gt;Everything Flows&lt;/i&gt; is not an easy book to read; it &lt;i&gt;is&lt;/i&gt; a book I recommend without reservation.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;NOTE:  &lt;a href="http://thebookserf.blogspot.com/2010/01/everything-flows-by-vasily-grossman.html"&gt;There's an excellent interview with Robert Chandler, the translator, here&lt;/a&gt; (thanks to Frank Wilson). &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-7741273659609123614?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/7741273659609123614/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=7741273659609123614' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7741273659609123614'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7741273659609123614'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/01/brief-review-everything-flows-by-vasily.html' title='Brief Review:  &quot;Everything Flows&quot; by Vasily Grossman'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-1305337100083940424</id><published>2010-01-20T21:59:00.000-08:00</published><updated>2010-01-20T22:07:14.167-08:00</updated><title type='text'>For Those Attracted To The Word "The"</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2010/01/twelve-poems-beginning-with-word.html"&gt;Twelve Poems Beginning With The Word &lt;i&gt;The &lt;/i&gt;&lt;/a&gt;now over in The Jackdaw's Nest.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-1305337100083940424?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/1305337100083940424/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=1305337100083940424' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/1305337100083940424'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/1305337100083940424'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/01/for-those-attracted-to-word.html' title='For Those Attracted To The Word &quot;The&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3678401883632439151</id><published>2010-01-16T21:13:00.000-08:00</published><updated>2010-01-17T12:23:11.566-08:00</updated><title type='text'>Brief Review:  "A River Sutra" by Gita Mehta</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;A River Sutra&lt;/i&gt; by Gita Mehta, 1993.&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;I found this work to be a fascinating and enthralling novel that presents a cross-section of Indian society, both traditional and contemporary.  The unnamed narrator is a highly placed civil servant in later middle age, a widower without children, who has tired of the constant activity required by his position and who, wishing to live a simpler and more contemplative life, requests reassignment as a manager of a government-operated rest house located in a rural area along the Narmada River, often regarded as the most sacred of all India's sacred rivers.  Having a great deal of free time in this position, he takes long walks in the countryside and along the river and encounters many different individuals with whom he strikes up conversations and who tell him their stories. In the course of the work, we meet people of many different religions -- Hindu, Muslim, Jain -- and a broad spectrum of social and class backgrounds, from the most learned and wealthy to the least educated and poor, and gain at least a glimpse into the complex society that makes up India.  In some way or another, all are connected to the river and the beliefs and traditions which surround it, a fact which helps to provide insight into the nature of the sacred and its role in Indian culture.  At the same time, the narrator himself is coming to learn more about himself than he has ever realized previously.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;I have recently begun to read work by Indian writers, something I really had not done previously.  I found that this novel has given me a better understanding of India and its fantastically complex culture than anything I've read previously.  I also found it to be a rather breathtaking work that drew me in and along with it from the very beginning.  I enjoyed it immensely and cannot recommend it highly enough.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3678401883632439151?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3678401883632439151/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3678401883632439151' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3678401883632439151'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3678401883632439151'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/01/brief-review-river-sutra-by-gita-mehta.html' title='Brief Review:  &quot;A River Sutra&quot; by Gita Mehta'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-5156236576316165464</id><published>2010-01-15T12:03:00.000-08:00</published><updated>2010-01-15T12:07:38.782-08:00</updated><title type='text'>Charity Navigator's List of Vetted Charities for Haiti Relief</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;can be found &lt;a href="http://www.charitynavigator.org/index.cfm?bay=content.view&amp;amp;cpid=1004"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;The &lt;a href="https://re.clintonfoundation.org/SSLPage.aspx?pid=3882&amp;gclid=CKL2mcSYp58CFRHxDAodUzvZ1Q"&gt;Clinton Foundation&lt;/a&gt;. is another.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-5156236576316165464?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/5156236576316165464/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=5156236576316165464' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5156236576316165464'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5156236576316165464'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/01/charity-navigators-list-of-vetted.html' title='Charity Navigator&apos;s List of Vetted Charities for Haiti Relief'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-6548670357832108809</id><published>2010-01-15T09:35:00.000-08:00</published><updated>2010-01-15T09:36:35.121-08:00</updated><title type='text'>Yoga:  Day 1</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial, serif; font-style: italic; "&gt;ouch&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-6548670357832108809?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/6548670357832108809/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=6548670357832108809' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/6548670357832108809'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/6548670357832108809'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/01/yoga-day-1.html' title='Yoga:  Day 1'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-2225647568097533623</id><published>2010-01-10T20:09:00.000-08:00</published><updated>2010-01-10T20:11:47.657-08:00</updated><title type='text'>First Jackdaw's Nest of 2010 Is Up</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2010/01/twelve-poems-with-food-in-them.html"&gt;Twelve Poems with Food in Them&lt;/a&gt;&lt;/span&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-2225647568097533623?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/2225647568097533623/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=2225647568097533623' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2225647568097533623'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2225647568097533623'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/01/first-jackdaws-nest-of-2010-is-up.html' title='First Jackdaw&apos;s Nest of 2010 Is Up'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-1660989256940123618</id><published>2010-01-04T09:08:00.001-08:00</published><updated>2010-06-12T20:06:48.501-07:00</updated><title type='text'>Reading Log 2010</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;I have decided to attempt to keep a reading log of all the books I complete in 2010, just as an experiment.  I will list by title, author, type of work, writer's country of origin, original date of publication with date of translation if not originally in English, and date read. An entry preceded by an (&lt;b&gt;R&lt;/b&gt;) is a book that I am rereading, usually after many years.   An asterisk indicates a book I particularly enjoyed.  I will also from time to  time post short reviews of some of the works listed here; the titles of those works will be linked to the reviews.)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;January:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;(&lt;b&gt;R&lt;/b&gt;)1.  &lt;i&gt;The Last of the Mohicans &lt;/i&gt;by James Fenimore Cooper (novel, U. S., 1826; Jan. 1 - 4)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;2. &lt;i&gt;Euclid's Window:  The Story of Geometry from Parallel Lines to Hyperspace &lt;/i&gt;by Leonard Mlodinow (nonfiction -- mathematics/physics, U. S., 2001; Jan. 4 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;3. &lt;i&gt;The Red Carpet:  Bangalore Stories&lt;/i&gt; by Lavanya Sankaran (short stories, India, 2005; Jan. 7-8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*4. &lt;i&gt;The Wings of the Sphinx&lt;/i&gt; by Andrea Camilleri (novel -- Inspector Montalbano mystery series #11, Italy, 2006 in Sicily, translation 2009; Jan. 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;5. &lt;i&gt;A Madman Dreams of Turing Machines&lt;/i&gt; by Janna Levin (novel, U. S., 2006; Jan. 9 - 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;6.  &lt;i&gt;Slip&lt;/i&gt; by Sina Queyras (poetry, Canada, 2001; Jan. 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;7.  &lt;i&gt;Small Things Considered:  Why There Is No Perfect Design&lt;/i&gt; by Henry Petroski (nonfiction -- engineering/design, U. S., 2003; Jan. 11 - 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;8.  &lt;i&gt;A Personal Matter&lt;/i&gt; by Kenzaburo Oe (novel, Japan, 1964 in Japan, translation 1969; Jan. 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;(&lt;b&gt;R&lt;/b&gt;)9. &lt;i&gt;Dilvish, The Damned&lt;/i&gt; by Roger Zelazny (short stories -- Dilvish #1, U. S., 1982; Jan. 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;(&lt;b&gt;R&lt;/b&gt;)10. &lt;i&gt;The Changing Land&lt;/i&gt; by Roger Zelazny (novel -- Dilvish #2, U. S., 1981; Jan. 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;*11. &lt;a href="http://compost-hedgie.blogspot.com/2010/01/brief-review-river-sutra-by-gita-mehta.html"&gt;&lt;i&gt;A River Sutra&lt;/i&gt; by Gita Mehta&lt;/a&gt; (novel, India, 1993; Jan. 16)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;12.  &lt;i&gt;Benjamin Franklin&lt;/i&gt; by Edmund S. Morgan (nonfiction -- biography, U. S., 2002; Jan. 17 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*13.  &lt;a href="http://compost-hedgie.blogspot.com/2010/01/brief-review-everything-flows-by-vasily.html"&gt;&lt;i&gt;Everything Flows&lt;/i&gt; by Vasily Grossman&lt;/a&gt; (novel, Russia, 1989 in Russia, translation 2009; Jan. 20 - 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;14.  &lt;i&gt;School for Love&lt;/i&gt; by Olivia Manning (novel, England, 1951; Jan. 21 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;(&lt;b&gt;R&lt;/b&gt;)15. &lt;i&gt;Bad Blood at Black Range&lt;/i&gt; by John Callahan (novel, U. S., 1956; Jan. 23)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;16. &lt;i&gt;The Great Chain of Life&lt;/i&gt; by Joseph Wood Krutch (nonfiction -- biology/nature, U. S., 1956; Jan. 23 - 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;17. &lt;i&gt;Dew in the Morning&lt;/i&gt; by Shimmer Chinodya (novel, Zimbabwe, 1982; Jan. 24 - 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;18.  &lt;i&gt;The Summer Book&lt;/i&gt; by Tove Jansson (novel, Finland, 1972 in Finland, translation 1974; Jan. 25 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*19. &lt;a href="http://compost-hedgie.blogspot.com/2010/01/brief-review-pen-sword-camisole-by.html"&gt; &lt;i&gt;Pen, Sword, Camisole:  A Fable to Kindle a Hope&lt;/i&gt; by Jorge Amado&lt;/a&gt; (novel, Brazil, 1980 in Brazil, translation 1985; Jan. 26 - 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;20.  &lt;i&gt;The Zero Stone&lt;/i&gt; by Andre Norton (novel -- Murdoc Jern #1, U. S., 1968; Jan. 28 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*21. &lt;i&gt;Karma Cola:  Marketing The Mystic East&lt;/i&gt; by Gita Mehta (nonfiction -- travel/cultural studies, India, 1979; Jan. 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*22. &lt;i&gt;Kim&lt;/i&gt; by Rudyard Kipling (novel, India/England, 1901; Jan. 30 - 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;February:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;23&lt;b&gt;.  &lt;/b&gt;&lt;i&gt;Uncharted Stars&lt;/i&gt; by Andre Norton (novel -- Murdoc Jern #2, U. S., 1969; Feb. 1)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;24. &lt;i&gt;The Folded Leaf&lt;/i&gt; by William Maxwell (novel, U. S., 1945; Feb. 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*(&lt;b&gt;R&lt;/b&gt;)25. &lt;i&gt;As You Like It&lt;/i&gt; by William Shakespeare (drama -- comedy, England, 1599 or 1600; Feb. 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*26. &lt;a href="http://compost-hedgie.blogspot.com/2010/02/brief-review-bombay-time-by-thrity.html"&gt;&lt;i&gt;Bombay Time&lt;/i&gt; by Thrity Umrigar &lt;/a&gt;(novel, India, 2001; Feb. 3 - 5)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;27.  &lt;i&gt;The Bean Trees&lt;/i&gt; by Barbara Kingsolver (novel, U. S., 1988; Feb. 5 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*28. &lt;a href="http://compost-hedgie.blogspot.com/2010/02/brief-review-maps-by-nuruddin-farah.html"&gt;&lt;i&gt;Maps&lt;/i&gt; by Nuruddin Farah&lt;/a&gt; (novel -- &lt;b&gt;Blood in the Sun&lt;/b&gt; trilogy, Vol. I, Somalia, 1986; Feb. 7 - 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*(&lt;b&gt;R)&lt;/b&gt;29. &lt;i&gt;The Faerie Queene:  Book VI&lt;/i&gt; by Sir Edmund Spenser (Epic poem, England, 1596; Feb. 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;30.  &lt;i&gt;Buddhism Without Beliefs:  A Contemporary Guide to Awakening&lt;/i&gt; by Stephen Batchelor (nonfiction -- religion/meditation, Scotland, 1997; Feb. 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;31. &lt;i&gt;Desolation Road&lt;/i&gt; by Ian McDonald (novel, England, 1988; Feb. 12 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;32. &lt;i&gt;The Unbearable Lightness of Being&lt;/i&gt; by Milan Kundera (novel, Czechoslovakia, 1984 in English translation, first publication in Czech 1985 in Canada; Feb. 14 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;33. &lt;i&gt;The Yacoubian Building&lt;/i&gt; by Alaa Al Aswany (novel, Egypt, 2002 in Egypt, 2004 in English translation; Feb. 16) &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*34. &lt;a href="http://compost-hedgie.blogspot.com/2010/02/brief-review-auntie-mame.html"&gt;&lt;i&gt;Auntie Mame ( An Irreverent Escapade)&lt;/i&gt; by Patrick Dennis&lt;/a&gt; (novel, U. S., 1955; Feb. 17 - 18)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;35.  &lt;i&gt;In Other Rooms, Other Wonders&lt;/i&gt; by Daniyal Mueenuddin (short stories, Pakistan, 2009; Feb. 19 - 20)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*36.  &lt;i&gt;Sonnets&lt;/i&gt; by Camille Martin (poetry, Canada, 2010; Feb. 21)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;37.  &lt;i&gt;Rosemary And Rue&lt;/i&gt; by Seanan McGuire (novel -- October Daye #1, U. S., 2009; Feb. 21 - 23)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;38. &lt;i&gt;A Local Habitation&lt;/i&gt; by Seanan McGuire (novel -- October Daye #2, U. S. , 2010; Feb. 23)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*39. &lt;i&gt;The Manual of Detection&lt;/i&gt; by  Jedediah Berry (novel, U. S., 2009; Feb. 24 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;40.  &lt;i&gt;The Foundation Pit&lt;/i&gt; by Andrey Platonov (novel, Soviet Union, 2000 in Russia, translation 2009; Feb. 27 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;March&lt;/b&gt;:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;41.  &lt;i&gt;Diving into the Wreck&lt;/i&gt; by Kristine Kathryn Rusch (novel, U. S. , 2009; March 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*42.  &lt;i&gt;Of Mice and Men&lt;/i&gt; by John Steinbeck (novel, U. S., 1937; March 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;43.  &lt;i&gt;Redcoats and Rebels:  The American Revolution Through British Eyes&lt;/i&gt; by Christopher Hibbert (nonfiction -- U. S. history, Great Britain, 1990; March 4 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;44. &lt;i&gt;One Day on Mars&lt;/i&gt; by Travis S. Taylor (novel, U. S., 2007; March 8 - 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*45.  &lt;i&gt;Esther's Inheritance&lt;/i&gt; by Sandor Marai (novel, Hungary, 1939 in Hungary, translation 2008; March 10)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;46. &lt;i&gt;Wedding Song&lt;/i&gt; by Naguib Mahfouz (novel, Egypt, 1981 in Egypt,  translation 1984; March 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;47. &lt;i&gt;The Crime at Black Dudley&lt;/i&gt; by Margery Allingham (novel -- Albert Campion #1, England, 1929; March 12 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*48.  &lt;i&gt;Ordinary Genius:  A Guide for the Poet Within&lt;/i&gt; by Kim Addonizio (nonfiction -- creativity/poetrywriting, U. S., 2009; March 13 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;49.  &lt;i&gt;The Implacable Order of Things&lt;/i&gt; by Jose Luis Peixoto (novel, Portugal, 2000 in Portugal, translation 2007 in England, 2008 in the U. S.;  March 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*50.  &lt;i&gt;As They See 'Em:  A Fan's Travels in the Land of Umpires&lt;/i&gt; by Bruce Weber (nonfiction -- baseball, U. S., 2009; March 16 - 19)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;51.  &lt;i&gt;Mutineers' Moon&lt;/i&gt; by David Weber (novel -- &lt;i&gt;Dahak&lt;/i&gt; #1, U. S. , 1991; March 20 - 21) &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*52.  &lt;i&gt;The Infinities&lt;/i&gt; by John Banville (novel, Ireland, 2009; March 21 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;53.  &lt;i&gt;The High Crusade&lt;/i&gt; by Poul Anderson (novel, U. S., 1960; March 23)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*54.  &lt;i&gt;Tea Time for the Traditionally Built&lt;/i&gt; by Alexander McCall Smith (novel -- Precious Ramotswe #10, Zimbabwe, 2009; March 23 - 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;55. &lt;i&gt;Mystery Mile&lt;/i&gt; by Margery Allingham (novel -- Albert Campion #2, England, 1930; March 24 - 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;56.  &lt;i&gt;So Long A Letter&lt;/i&gt; by Mariama Ba (novel, Senegal, 1980 in Senegal, 1981 in English translation; March 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;57. &lt;i&gt;Shadow of the Silk Road&lt;/i&gt; by Colin Thubron (nonfiction -- travel/cultural studies, Scotland, 2006; March 27 - 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;58.  &lt;i&gt;The Baron in the Trees&lt;/i&gt; by Italo Calvino (fiction, Italy, 1957 in Italy, English translation  1959; March 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*59. &lt;i&gt;What We Carry&lt;/i&gt; by Dorianne Laux (poetry, U. S., 1994; March 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*60. &lt;i&gt;Smoke&lt;/i&gt; by Dorianne Laux (poetry, U. S., 2000; March 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*61. &lt;i&gt;Facts About The Moon&lt;/i&gt; by Dorianne Laux (poetry, U. S., 2006; March 31)  &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;April:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;62.  &lt;i&gt;Look for the Lady&lt;/i&gt; by Margery Allingham (novel -- Albert Campion #3, England, 1931; April 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*63. &lt;i&gt;The Matisse Stories&lt;/i&gt; by A. S. Byatt (short stories, England, 1993; April 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;64.  &lt;i&gt;Island of the Sequined Love Nun&lt;/i&gt; by Christopher Moore (novel, U. S., 1997; April 4 - 5)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;65.  &lt;i&gt;Siege of the Unseen&lt;/i&gt; by A. E. van Vogt (novel, Canada, 1959; April 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;66. &lt;i&gt;But Didn't We Have Fun?  An Informal History of Baseball's Pioneer Era, 1843 -1870&lt;/i&gt; by Peter Morris (nonfiction -- baseball history, U. S., 2008; April 6 - 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*67. &lt;i&gt;Slowness&lt;/i&gt; by Milan Kundera (novel, Czechoslovakia, 1995 in France, English translation 1996; April 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;68.  &lt;i&gt;Darker Than Amber&lt;/i&gt; by John D. MacDonald (novel -- Travis McGee #7, U. S., 1966; April 10 - 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;69. &lt;i&gt;Redemption Ark&lt;/i&gt; by Alastair Reynolds (novel -- &lt;b&gt;Revelation Space&lt;/b&gt; trilogy Vol. 2, England, 2002; April 12 - 18)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*70.&lt;b&gt;&lt;i&gt; &lt;span class="Apple-style-span" style="font-weight: normal;"&gt;For Love of the Game&lt;span class="Apple-style-span" style="font-style: normal;"&gt; by Michael Shaara (novel, U. S., 1991; April 19)&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;71, &lt;i&gt;Police at the Funeral&lt;/i&gt; by Margery Allingham (novel -- Albert Campion #4, England, 1931; April 20 - 22)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*72. &lt;i&gt;The Case of the Missing Servant&lt;/i&gt; by Tarquin Hall (novel -- Vish Puri #1, England, 2009; April 23 - 24)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;73. &lt;i&gt;Monster&lt;/i&gt; by A. Lee Martinez (novel, U. S., 2009; April 24 - 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*74.  &lt;i&gt;Lucy&lt;/i&gt; by Jamaica Kincaid (novel, Antigua, 1990; April 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*75.  &lt;i&gt;All-Night Lingo Tango&lt;/i&gt; by Barbara Hamby (poetry, U. S., 2009; April 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;76. &lt;i&gt;Do Androids Dream Of Electric Sheep?&lt;/i&gt; by Philip K. Dick (novel, U. S., 1968; April 27)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;77. &lt;i&gt;From Doon With Death&lt;/i&gt; by Ruth Rendell (novel -- Inspector Wexford #1, England, 1964: April 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*78. &lt;i&gt;Devil in a Blue Dress&lt;/i&gt; by Walter Mosley (novel -- Easy Rawlins #1, U. S., 1990; April 29)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;79.  &lt;i&gt;Jack of Shadows&lt;/i&gt; by Roger Zelazny (novel, U. S., 1971; April 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;May:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*80.  &lt;i&gt;Saturday Night and Sunday Morning&lt;/i&gt; by Alan Sillitoe (novel, England, 1958; May 1 - 2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*81.  &lt;i&gt;American Creation:  Triumphs and Tragedies at the Founding of the Republic&lt;/i&gt; by Joseph J. Ellis (nonfiction -- U. S. history, U. S., 2007; May 3 - 9)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;82.  &lt;i&gt;Sweet Danger&lt;/i&gt; by Margery Allingham (novel -- Albert Campion #5, England, 1933; May 10 - 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*83.  &lt;i&gt;Ignorance&lt;/i&gt; by Milan Kundera (novel,  Czechoslovakia, 2000 in France, English translation 2002; May 12 - 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*84. &lt;i&gt;Hotel Iris&lt;/i&gt; by Yoko Ogawa (novel, Japan, 1996 in Japan, English translation 2010; May 13 - 14)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*85. &lt;i&gt;Cry, The Beloved Country&lt;/i&gt; by Alan Paton (novel, South Africa, 1948; May 14 - 15)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;86. &lt;i&gt;The Armageddon Inheritance&lt;/i&gt; by David Weber (novel -- Dahak #2, U. S., 1994; May 16 - 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;87. &lt;i&gt;Damnation Alley&lt;/i&gt; by Roger Zelazny ( novel, U. S., 1969; May 17)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;88. &lt;i&gt;Revolutionary Characters:  What Made The Founders Different&lt;/i&gt; by Gordon S. Wood (nonfiction -- history/biography, U. S., 2006; May 18 - 25)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;89. &lt;i&gt;The Battle of Forever&lt;/i&gt; by A. E. van Vogt (novel, Canada, 1971; May 26)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;90. &lt;i&gt;The True Deceiver&lt;/i&gt; by Tove Jansson (novel, Finland, 1972 in Finland, translation 2009; May 27 - 28)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;91. &lt;i&gt;Death at La Fenice&lt;/i&gt; by Donna Leon (novel -- Commissario Brunetti #1, U. S., 1992; May 29 - 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;92. &lt;i&gt;Identity&lt;/i&gt; by Milan Kundera (novel, Czechoslovakia, 1997 in France, English translation 1998; May 30)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;(R)&lt;/b&gt;93. &lt;i&gt;The Nemesis from Terra&lt;/i&gt; by Leigh Brackett (novel, U. S., 1961; May 31)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;June:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;94.  &lt;i&gt;Bruno, Chief of Police&lt;/i&gt; by Martin Walker (novel -- Bruno #1, England, 2008; June 1 - 3)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;95.  &lt;i&gt;Three Farmers on Their Way to a Dance&lt;/i&gt; by Richard Powers (novel, U. S., 1985; June 3 - 6)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*96. &lt;i&gt;The Coroner's Lunch&lt;/i&gt; by Colin Cotterill (novel -- Dr. Siri Paiboun #1, England/U. S., 2004; June 6 - 7)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*97. &lt;i&gt;Thirty - Three Teeth&lt;/i&gt; by Colin Cotterill (novel -- Dr. Siri Paiboun #2, England/U. S., 2005; June 7 - 8)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;98.  &lt;i&gt;The Ornament of the World:  How Muslims, Jews, and Christians Created a Culture of Tolerance in Medieval Spain&lt;/i&gt; by Maria Rosa Menocal (nonfiction -- history, Cuba, 2002; June 9 - 11)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;*&lt;b&gt;(R)&lt;/b&gt;99. &lt;i&gt;The Tragedy of Coriolanus&lt;/i&gt; by William Shakespeare (drama -- tragedy, England, between 1607 and 1609; June 12)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-1660989256940123618?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/1660989256940123618/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=1660989256940123618' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/1660989256940123618'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/1660989256940123618'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/01/reading-log-2010.html' title='Reading Log 2010'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-8131325206649248336</id><published>2010-01-01T20:22:00.000-08:00</published><updated>2010-01-01T20:58:05.952-08:00</updated><title type='text'>My Favorite 15 Novels Read in 2009</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial, serif; "&gt;&lt;i&gt;The Housekeeper and the Professor&lt;/i&gt;  by Yoko Ogawa (2003 in Japan, translation 2009)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;A Short History of Tractors in Ukranian&lt;/i&gt; by Marina Lewycka (2005)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;A Lesson Before Dying&lt;/i&gt; by Earnest Gaines (1993)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Offshore&lt;/i&gt; by Penelope Fitzgerald (1979)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;A Month in the Country&lt;/i&gt; by J. L. Carr (1980)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;As She Climbed Across the Table&lt;/i&gt; by Jonathan Lethem (1997)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Death With Interruptions&lt;/i&gt; by Jose Saramago (2005 in Portugal, translation 2008)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Out Stealing Horses&lt;/i&gt; by Per Petterson (2003 in Norway, translation 2005)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;The Ox-Bow Incident&lt;/i&gt; by Walter Van Tillburg Clark (1940)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;A Woman in Jerusalem &lt;/i&gt;by A. B. Yehoshua (2004 in Israel, translation 2006)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Dance Night&lt;/i&gt; by Dawn Powell (1930)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Hullabaloo in the Guava Orchard&lt;/i&gt; by Kiran Desai (1998)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;My Antonia&lt;/i&gt; by Willa Cather (1918)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Dreamland&lt;/i&gt; by Kevin Baker (1999)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;The Good Fairies of New York&lt;/i&gt; by Martin Millar (2006)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-8131325206649248336?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/8131325206649248336/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=8131325206649248336' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8131325206649248336'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8131325206649248336'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2010/01/my-favorite-15-novels-read-in-2009.html' title='My Favorite 15 Novels Read in 2009'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-4928517601829465203</id><published>2009-12-06T14:41:00.000-08:00</published><updated>2009-12-06T14:42:57.706-08:00</updated><title type='text'>Over in "The Jackdaw's Nest"</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/12/if-winter-comes-twelve-spring-poems-zig.html"&gt;"If Winter Comes . . . .":  Twelve Spring Poems&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-4928517601829465203?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/4928517601829465203/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=4928517601829465203' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4928517601829465203'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4928517601829465203'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/12/over-in-jackdaws-nest.html' title='Over in &quot;The Jackdaw&apos;s Nest&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-5991215828371529407</id><published>2009-11-29T15:27:00.000-08:00</published><updated>2009-11-29T17:52:44.642-08:00</updated><title type='text'>OTC 10:  "A Lesson Before Dying" -- U. S.</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;This is my 10th novel for the &lt;i&gt;&lt;a href="http://orbisterrarumchallenge.blogspot.com/2009/01/rules-and-regulations.html"&gt;Orbis Terrarum 2009 Challenge.&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;A Lesson Before Dying&lt;/i&gt; by Ernest J. Gaines, 1993.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;This novel is set in rural Louisiana in 1948 and 1949; it tells the story of two young African American men, Grant Wiggins and Jefferson, whose lives become intertwined in the months prior to Jefferson's execution for a murder he did not commit. Grant the novel's narrator,  who in his late 20s, has been raised by his aunt and has been fortunate in having acquired a college education; he has returned to the plantation community of his birth to teach school, although he hates the work and wishes to leave but hasn't in part because he doesn't clearly know what he wishes to do with his life and partly because he's in love with Vivian, a mother of two small children who is also a teacher and who is in the process of trying to obtain a divorce from her estranged husband.  Jefferson, 21, is a young man of somewhat limited intellectual abilities who was unfortunately an innocent bystander during a shootout between a white liquor store owner and two young black thieves during an attempted robbery; as the sole survivor, he is put on trial for the murder of the store owner, although he had nothing to do with the robbery.  His white attorney "defends" him by claiming that, as a Negro, he lacked the mental ability to have planned such a robbery, that executing him for the murder would be nothing more than the killing of an innocent "hog" and that he should not be sentenced to death.   He is found guilty by the all-white jury and sentenced to death by eletrocution by the white judge.  His godmother, who raised him, asks Grant to visit Jefferson and to teach him what means to be a "man" so that he can show the white community that he is &lt;i&gt;not&lt;/i&gt; an animal, not a "hog," and so that he can die with dignity.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;Grant doesn't wish to accept this challenge but is more or less coerced into doing so by his aunt who had raised &lt;i&gt;him&lt;/i&gt;; the novel focuses on the many obstacles he faces, from the racist white community, from the jealous black preacher who  believes &lt;i&gt;he&lt;/i&gt; should be the one dealing exclusively with Jefferson, from his own doubts about himself and his desire to flee this community altogether, and not least from Jefferson himself who has accepted his attorney's view that he is nothing but a "hawg" and that his life and death are meaningless.  Both young men are forced to struggle mightily  before either is able to learn "a lesson before dying."&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;This is a powerful and affecting novel; it ranks as one of the best three works of fiction I've read in 2009, and I simply cannot recommend it highly enough.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-5991215828371529407?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/5991215828371529407/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=5991215828371529407' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5991215828371529407'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5991215828371529407'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/11/otc-10-lesson-before-dying-u-s.html' title='OTC 10:  &quot;A Lesson Before Dying&quot; -- U. S.'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3097318671620122748</id><published>2009-11-08T17:55:00.000-08:00</published><updated>2009-11-08T17:56:07.628-08:00</updated><title type='text'>"Twelve 6-Line Poems"</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;over in &lt;a href="http://hedgeguard.blogspot.com/2009/11/twelve-6-line-poems.html"&gt;Jackdaw's Nest&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3097318671620122748?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3097318671620122748/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3097318671620122748' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3097318671620122748'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3097318671620122748'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/11/twelve-6-line-poems.html' title='&quot;Twelve 6-Line Poems&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-4432835126494859777</id><published>2009-11-01T18:49:00.000-08:00</published><updated>2009-11-01T19:06:51.311-08:00</updated><title type='text'>OTC 9:  "A Woman in Jerusalem"  -- Israel</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;This is my 9th novel for the &lt;i&gt;&lt;a href="http://orbisterrarumchallenge.blogspot.com/2009/01/rules-and-regulations.html"&gt;Orbis Terrarum 2009 Challenge.&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;A Woman in Jerusalem&lt;/i&gt; by A. B. Yehoshua, originally published in Hebrew in 2004,  English translation by Hillel Halkin published in 2006.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;Following a terrorist bombing in a market in Jerusalem, the body of one victim -- a woman in her late 40s -- is not claimed by anyone, nor are there any identifying papers found on her except for the stub of a paycheck from a large bakery.  An article by a muckraking journalist takes the bakery to task for not having come forward to identify the victim nor to have assisted in locating her family nor even in burying her.  Stung by these accusations, the elderly head of the bakery assigns his director of human resources to identify the woman, to make whatever arrangements are necessary for her burial, and to locate and compensate her family.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;Although this introduction to the plot sounds as if it could easily lead to a grim, dark, pessimistic novel, in fact the work is much the opposite.  While not exactly a comedy, it is filled with wry, surprisingly gentle humor as the unnamed human resources director tracks down the identify of the woman and untangles her complicated story, becoming more and more involved in her life as he does, and gaining some much-needed perspective into his own life in the process.  There are pain and sorrow in the story as it unfolds, but there is also a deeply human compassion that serves to make the lives of the characters  -- particularly that of an anonymous cleaning woman -- moving and meaningful.  I highly recommend this book.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-4432835126494859777?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/4432835126494859777/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=4432835126494859777' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4432835126494859777'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4432835126494859777'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/11/otc-9-woman-in-jerusalem-israel.html' title='OTC 9:  &quot;A Woman in Jerusalem&quot;  -- Israel'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3156431740034108548</id><published>2009-10-19T11:19:00.000-07:00</published><updated>2009-10-19T11:20:50.924-07:00</updated><title type='text'>Just in Time for Halloween</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="  white-space: pre-wrap; font-family:'Lucida Grande';font-size:11px;"&gt;&lt;span class="Apple-style-span"  style="font-family:'lucida grande', serif;"&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;a href="http://hedgeguard.blogspot.com/2007/10/for-halloween-fungi-from-yuggoth-by-h-p.html"&gt;Fungi from Yuggoth&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'lucida grande', serif;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'lucida grande', serif;"&gt;&lt;i&gt;&lt;a href="http://hedgeguard.blogspot.com/2007/10/for-halloween-ii-sonnets-from-midnight.html"&gt;Sonnets of the Midnight Hours&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3156431740034108548?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3156431740034108548/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3156431740034108548' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3156431740034108548'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3156431740034108548'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/10/just-in-time-for-halloween.html' title='Just in Time for Halloween'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-869281078072547825</id><published>2009-10-06T22:14:00.000-07:00</published><updated>2009-10-06T22:17:04.963-07:00</updated><title type='text'>New in "Jackdaw's Nest"</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/10/twelve-short-canadian-poems.html"&gt;"Twelve Short Canadian Poems."&lt;/a&gt;&lt;/span&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/10/twelve-short-canadian-poems.htm"&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-869281078072547825?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/869281078072547825/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=869281078072547825' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/869281078072547825'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/869281078072547825'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/10/new-in-jackdaws-nest.html' title='New in &quot;Jackdaw&apos;s Nest&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-4687924602471063005</id><published>2009-10-01T06:57:00.000-07:00</published><updated>2009-10-01T07:31:54.971-07:00</updated><title type='text'>OTC 8:  "The Leopard" -- Italy</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;This is my 8th novel for the &lt;a href="http://orbisterrarumchallenge.blogspot.com/2009/01/rules-and-regulations.html"&gt;Orbis Terrarum 2009 Challenge&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The Leopard&lt;span class="Apple-style-span" style="font-style: normal;"&gt; by Giuseppe di Lampedusa, originally published in Italian in 1958, translation by Archibald Colquhoun published 1960.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;This novel is considered one of the most important 20th century Italian novels.  The story focuses on an aristocratic Sicilian family, the Salinas, which is in the process of decline during the mid-19th century, the period of the &lt;i&gt;Risorgimento.  &lt;/i&gt;During this time, Italy was emerging from its medieval form of numerous small, fragmented, and conflicting&lt;i&gt; &lt;/i&gt;states dominated by  feudal aristocracies  often governed by foreign nations and instead becoming a single republican nation with a unified government with strong democratic views which led to the eventual disappearance of the aristocracy.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;The central figure of the novel is Prince Fabrizio, head of the Salina family who thinks of himself as "The Leopard" which is the family crest.  Fabrizio, though he recognizes that the family wealth has declined, still conducts himself for the most part as a titled and &lt;i&gt;entitled&lt;/i&gt; member of the aristocracy and sees himself as just living up to the obligations of his position in society.  In truth, he fails to understand how society is changing and that his family and his social class are the last decaying vestiges of a vanished world.  He convinces himself that the only changes which are occurring are that older families are being replaced by newer, rising families and that the feudal class system itself will continue to exist, a view that brings him considerable comfort.  It also afflicts him with a sense of inertia that prevents him, for instance, from accepting a position in the newly-formed Senate, a position which would have allowed him a voice in the new government and new society which are emerging from the ruins of the old.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;In contrast to Fabrizio is his nephew Tancredi whose aristocratic inheritance is limited to a physically decayed palace and a title the value of which is disappearing.  Recognizing the bankruptcy of the aristocracy, Tancredi throws himself in the tide of political reform, accepting various positions allied with the leading reformers which makes him an important political figure and marrying into a wealthy merchant family providing him with the financial resources to pursue his ambitions.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;Over the course of the novel (which runs from 1860 through 1910), we watch the respective fortunes of the two men and their families.  Lampedusa doesn't particularly seem to approve more of one over the other, although he does appear to regret the loss to society of what Fabrizio and his family could have contributed had they been more perceptive and more adaptable, as Tancredi proves to be.  I would recommend this novel; it is a particularly good example of a novel which illustrates the kind of transformation that much of European society -- not just Italy -- underwent during the course of the 19th century, preparing the way for the even more drastic changes of brought about by the 20th century.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-4687924602471063005?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/4687924602471063005/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=4687924602471063005' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4687924602471063005'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4687924602471063005'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/10/otc-8-leopard-italy.html' title='OTC 8:  &quot;The Leopard&quot; -- Italy'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-9109258483963508103</id><published>2009-09-30T19:01:00.000-07:00</published><updated>2009-09-30T19:03:35.113-07:00</updated><title type='text'>October Is</title><content type='html'>&lt;span class="Apple-style-span"  style="color:#FF6666;"&gt;&lt;span class="Apple-style-span"  style="font-size:x-large;"&gt;&lt;a href="http://www.nbcam.org/"&gt;&lt;b&gt;&lt;i&gt;National Breast Cancer Awareness Month.&lt;/i&gt;&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-9109258483963508103?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/9109258483963508103/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=9109258483963508103' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/9109258483963508103'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/9109258483963508103'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/09/october-is_30.html' title='October Is'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-8204812955919258181</id><published>2009-09-29T18:49:00.000-07:00</published><updated>2009-09-30T09:52:36.515-07:00</updated><title type='text'>Some Non-Fiction I've Enjoyed Recently</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;i&gt;What I Talk About When I Talk About Running:  A Memoir&lt;/i&gt; by Haruki Murakami  (originally published in Japanese in 2007; english translation by Philip Gabriel published 2008) -- A journal Murakami kept while preparing to run in the 2005 New York Marathon.  Interesting in that it's both about running and writing, as he frequently talks about both similarities and interactions between his running and writing.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Serve It Forth&lt;/i&gt; by M. F. K. Fisher  (1937) --  Fisher was one of the finest writers about food and eating of the past century, and this was her first book, a collection of essays (as almost all of her books were) originally published in 1937.  Fascinating reading.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;The Gashouse Gang:  How Dizzy Dean, Leo Durocher, Branch Rickey, Pepper Martin, and their Colorful, Come-from-Behind Ball Club Won the World Series -- and America's Heart -- During the Great Depression &lt;/i&gt;by John Heidenry  (2007) -- The story of the 1934 St. Louis Cardinals team, focusing particularly, although not exclusively, on Dizzy Dean and the ups and downs of the '34 season  -- including Dean's two personal strikes against the Cardinals -- a season culminating with the Cardinals defeating the Detroit Tigers in a fight-to-the-last-minute  seven-game World Series.  I thoroughly enjoyed it.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Close Calls with Nonsense:  Reading New Poetry&lt;/i&gt; by Stephen Burt (2009) -- A collection of essays about over two dozen individual contemporary poets and how to approach their work, as well as more general introductory  essays on how to approach reading contemporary poetry.  I recommend it highly to anyone interested in current poetry.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;A Brilliant Solution:  Inventing the American Constitution&lt;/i&gt; by Carol Berkin  (2002) -- A good brief (~200 pages) introduction to the Constitutional Convention and the shaping of the Constitution.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Decision In Philadelphia:  The Constitutional  Convention of 1787&lt;/i&gt; (1986) by Christopher Collier and James Lincoln Collier -- A more detailed account of the convention and the process by which the Constitution was shaped.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;(NOTE:  I have also just obtained &lt;i&gt;Plain, Honest Men:  The Making of the American Constitution&lt;/i&gt; by Richard Beeman (2009), an even more detailed and quite scholarly account of the Constitutional Convention; and &lt;i&gt;Original Meanings:  Politics and Ideas in the Making of the Constitution&lt;/i&gt; by Jack Rakove (1996), a study of the intellectual bases of the Constitution; I'm looking forward to reading both in the near future.)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;James Madison and the Struggle for the Bill of Rights&lt;/i&gt; by Richard Labunski (2006)  -- The story of Madison's efforts to  insure the ratification of the Constitution despite serious opposition, especially that of Patrick Henry. Madison had originally opposed the idea of a Bill of Rights as part of the Constitution but came to realize that a promise to amend the Constitution with such a Bill would be the only way to secure the Constitution's ratification.  But he found himself confronting extreme opposition -- orchestrated by Henry -- in being elected to the First Congress and faced a series of uphill battles in order to gain election so he could propose such a bill.  I had no idea of the complex political situation that existed at the time, nor of the violent opposition to the Constitution as drafted that almost led to its failure to achieve ratification.  For me, the story was remarkable; I have a far greater appreciation of what Madison and his allies went through to gain ratification than I ever had before.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-8204812955919258181?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/8204812955919258181/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=8204812955919258181' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8204812955919258181'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8204812955919258181'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/09/some-non-fiction-ive-enjoyed-recently.html' title='Some Non-Fiction I&apos;ve Enjoyed Recently'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-4012580843857761932</id><published>2009-09-23T15:26:00.000-07:00</published><updated>2009-09-23T15:28:18.331-07:00</updated><title type='text'>Marking the Passage of the Equinox</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/09/fifteen-autumn-poems.html"&gt;Fifteen Autumn Poems&lt;/a&gt;&lt;/b&gt; over in The Jackdaw's Nest.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-4012580843857761932?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/4012580843857761932/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=4012580843857761932' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4012580843857761932'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4012580843857761932'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/09/marking-passage-of-equinox.html' title='Marking the Passage of the Equinox'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-2612558771028095112</id><published>2009-09-10T17:21:00.000-07:00</published><updated>2009-09-10T17:22:40.446-07:00</updated><title type='text'>Shiny Things Over in Jackdaw's Nest</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/09/twelve-12-line-poems-round-3.html"&gt;Twelve 12-Line Poems:  Round 3&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-2612558771028095112?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/2612558771028095112/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=2612558771028095112' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2612558771028095112'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2612558771028095112'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/09/shiny-things-over-in-jackdaws-nest.html' title='Shiny Things Over in Jackdaw&apos;s Nest'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-9127891558387399545</id><published>2009-09-08T08:50:00.000-07:00</published><updated>2009-09-08T08:56:39.022-07:00</updated><title type='text'>Something New</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;An experiment:  &lt;a href="http://hedgierecipebox.blogspot.com/"&gt;&lt;b&gt;The Recipe Box&lt;/b&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-9127891558387399545?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/9127891558387399545/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=9127891558387399545' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/9127891558387399545'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/9127891558387399545'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/09/something-new.html' title='Something New'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-8940409576699555987</id><published>2009-09-01T21:17:00.000-07:00</published><updated>2009-09-01T21:19:38.411-07:00</updated><title type='text'>In September's Jackdaw's Nest</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/09/twelve-nature-poems.html"&gt;Twelve Nature Poems&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-8940409576699555987?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/8940409576699555987/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=8940409576699555987' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8940409576699555987'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8940409576699555987'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/09/in-septembers-jackdaws-nest.html' title='In September&apos;s Jackdaw&apos;s Nest'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-4299299982347885005</id><published>2009-08-28T20:11:00.000-07:00</published><updated>2009-08-28T20:33:01.696-07:00</updated><title type='text'>OTC 7:  "Aunt Julia and the Scriptwriter" -- Peru</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;This is my 7th novel for the &lt;a href="http://orbisterrarumchallenge.blogspot.com/2009/01/rules-and-regulations.html"&gt;&lt;i&gt;Orbis Terrarum Challenge&lt;/i&gt;.&lt;/a&gt;&lt;/span&gt;&lt;a href="http://orbisterrarumchallenge.blogspot.com/2009/01/rules-and-regulations.html"&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;i&gt;Aunt Julia and the Scriptwriter&lt;/i&gt; by Mario Vargas Llosa, originally published 1977, translation  by Helen R. Lane from the Spanish, published 1982.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;The novel, set in Peru in the early 1950s,  focuses on a young law student named Marito who works part time drafting news reports for a local radio station but whose real ambition is to become a profession writer.  His life is suddenly complicated by the arrival of two unusual individuals:  his newly-divorced aunt-by-marriage Julia who is 14 years older than he is but with whom he develops a romantic (but largely chaste) relationship which has to be kept secret from his large family; and Pedro Camacho, a newly-hired writer of radio serials whose work attracts a large audience for the radio station and who accepts Marito as a kind of confidante even as his work becomes increasingly strange and downright bizarre as he begins to lose his grip on reality.  &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;The novel consists of alternating sections of 1st person narration by Marito and 3rd person sections which recount the various stories Pedro is creating for his serials, stories which become increasingly intertwined, odd, and downright confusing as his control over his creations gradually slips away from him.  Marito's own life is becoming strange, complicated, and confusing both because of his clandestine relationship with Julia as well as his attempts to help Pedro regain control of &lt;i&gt;his&lt;/i&gt; life and creations.  The book is richly comic but also at times, particularly with the character of Pedro, touching on the tragic, as well.  It's decidedly an unusual novel but one worth reading by the writer who is considered Peru's most important contemporary novelist.&lt;/span&gt;&lt;/div&gt;&lt;a href="http://orbisterrarumchallenge.blogspot.com/2009/01/rules-and-regulations.html"&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-4299299982347885005?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/4299299982347885005/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=4299299982347885005' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4299299982347885005'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4299299982347885005'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/08/otc-7-aunt-julia-and-scriptwriter-peru.html' title='OTC 7:  &quot;Aunt Julia and the Scriptwriter&quot; -- Peru'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3693459432839393241</id><published>2009-08-15T14:00:00.000-07:00</published><updated>2009-08-16T09:39:12.215-07:00</updated><title type='text'>Some Novels I've Enjoyed Recently</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The Housekeeper and the Professor&lt;span class="Apple-style-span" style="font-style: normal; font-weight: normal;"&gt; by Yoko Ogawa, translated from the Japanese by Stephen Snyder ( originally published 2003, translation published 2009)&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;This simple, elegant work tells the story of the relationship that develops between a young Japanese woman and her 10 year old son with an elderly mathematics professor for whom she is hired as a housekeeper.  The professor had suffered a serious brain trauma in an automobile accident in 1975 and consequently can retain memories for only 80 minutes; for him, it's still 1975 rather than 20 or so years later, but he has at least developed a unique method to help him overcome his loss of memories of the present.  There are no particularly dramatic fireworks in the novel; rather, it's simply the story of how these three people come to develop a close, emotionally important relationship despite the obstacles of age, background, and the professor's reiterated loss of the present.  It's also, interestingly, a book about mathematics and baseball (no background in either is required, I should mention), two of my favorite subjects.  I can sum up my feelings about this book very simply:  it's the best novel I've read so far in 2009.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;i&gt;The Ox-Bow Incident&lt;/i&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt; by Walter Van Tilburg Clark (1940)&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;This novel was recognized as a classic not long after its original publication 69 years ago.  It is, on the one hand, very much a typical Western novel featuring cowboys, poker games, barfights, ladies of ill repute, gunfights,  stagecoaches, rustlers, and a posse; at the same time, it is a profound philosophical and ethical meditation on the interrelationships that do exist and should exist (those two definitely&lt;i&gt; not&lt;/i&gt; necessarily being the same things) among the individual, society, justice, and the law.  While it perhaps moves a bit slowly at times, it is always fascinating and suspenseful.  I highly recommend it.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;i&gt;Desert&lt;/i&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt; by J. M G. Le Clezio, translated from the French by C. Dickson (originally published in French 1980, translation published 2009)&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;Le Clezio won the Nobel Prize for Literature in 2008, and &lt;i&gt;Desert&lt;/i&gt; was specifically mentioned as one of his most outstanding works by the Nobel Committee.  The novel tells two interrelated stories in alternating fashion:  the first set in 1910 deals with a tribe of North African desert nomads known as the Blue Men who are forced off their traditional lands by Europeans, their futile attempts to fight back against a technologically superior enemy, and their desperate flight in one final hope of finding safety and a home, as seen through the eyes of one young nomad Nour; the second story, set some 70 years or so later in the late 1970s deals with one young girl Lalla who is a descendent of Nour's family and her attempts to make a meaningful life for herself first in Morocco and then in France.  Both stories illustrate clearly the devastating, degrading consequences of colonialism in North Africa on those who were and in many ways continue to be its victims, but -- particularly in the character of Lalla -- it also offers hope for a dignified, meaningful life in terms of those oppressed cultures despite the ravages inflicted on them earlier in the 20th century.  This is not a comfortable book, but it is an important one I strongly recommend. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;b&gt;&lt;i&gt;Offshore&lt;/i&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt; by Penelope Fitzgerald (1979)&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;This short novel won the Booker Prize when it was first published.  The narrative deals with an oddly assorted group of individuals all of whom live in a small community of houseboats on the Thames in London.  The main focus is on Nenna, a wife who has been abandoned by her husband, and her two young daughters and how they are going to deal with their abandonment; they are assisted by their neighbors and in turn assist those same neighbors with &lt;i&gt;their&lt;/i&gt; problems, as well. The unfolding of the intertwined lives of the members of this community is by turns comic, serious, satiric, and touching; it is an extraordinarily well-written and insightful novel I recommend.  [&lt;b&gt;NOTE&lt;/b&gt;:  I've also read two other of Fitzgerald's novels, &lt;i&gt;The Gate of Angels&lt;/i&gt; (1990) and &lt;i&gt;The Bookshop&lt;/i&gt; (1978), both of which were shortlisted for the Booker Prize in the years in which they were published, and both of which I recommend equally with &lt;i&gt;Offshore&lt;/i&gt;.  Fitzgerald is a remarkable novelist, and I'm delighted to have discovered her work.)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3693459432839393241?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3693459432839393241/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3693459432839393241' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3693459432839393241'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3693459432839393241'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/08/some-novels-ive-enjoyed-recently.html' title='Some Novels I&apos;ve Enjoyed Recently'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-7562695552968572608</id><published>2009-08-12T17:46:00.000-07:00</published><updated>2009-08-12T17:48:33.028-07:00</updated><title type='text'>New in "The Jackdaw's Nest"</title><content type='html'>&lt;div&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/08/twelve-assorted-poems.htm"&gt;"Twelve Assorted Poems"&lt;/a&gt;.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-7562695552968572608?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/7562695552968572608/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=7562695552968572608' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7562695552968572608'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7562695552968572608'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/08/new-in-jackdaws-nest.html' title='New in &quot;The Jackdaw&apos;s Nest&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3482486090468445270</id><published>2009-08-01T20:19:00.000-07:00</published><updated>2009-08-01T20:43:14.138-07:00</updated><title type='text'>CRC 5:  "The Dew Breaker" -- Edwidge Danticat</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;T&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;h&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;i&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;s&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;i&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;s&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;m&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;y&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; fifth entry for the &lt;a href="http://scavella.wordpress.com/caribbean-reading-challenge/"&gt;Caribbean Reading Challenge&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;i&gt;The Dew Breaker&lt;/i&gt; by Edwidge Danticat, published 2004.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;This book is a collection of interrelated short stories dealing with Haitian immigrants to the U. S., whose lives are intertwined in various ways with that of one individual known as the "dew breaker," a term used to identify government torturers and executioners under the Duvalier regime.  In the course of the work, we see the dew breaker's story from his point of view and why he fled Haiti to become a barber in New York, his wife's view of their lives together both before and after she learned that he was responsible for the torture and death of her brother, their adult daughter's learning of her father's real identity, and the lives of some of  those who were his victims or the victims of other "dew breakers."  Danticat's emphasis is less on historical detail or even assigning of guilt than on portraying the emotional, psychological, and personal consequences to all of those involved, because in a very real sense &lt;i&gt;all&lt;/i&gt; of those portrayed are victims of the society of violence and oppression the Duvaliers created in Haiti.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;I found this to be a powerful and affecting work, even more so than Danticat's previous work dealing with the similar society of Trujillo's Dominican Republic in &lt;i&gt;The Farming of Bones&lt;/i&gt;.  I highly recommend it.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3482486090468445270?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3482486090468445270/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3482486090468445270' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3482486090468445270'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3482486090468445270'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/08/crc-5-dew-breaker-edwidge-danticat.html' title='CRC 5:  &quot;The Dew Breaker&quot; -- Edwidge Danticat'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-5731750966067176059</id><published>2009-07-30T21:17:00.000-07:00</published><updated>2009-07-30T21:43:16.167-07:00</updated><title type='text'>OTC 6:  "Mr. Muo's Travelling Couch" -- China</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;This is my sixth book for the &lt;a href="http://orbisterrarumchallenge.blogspot.com/2009/01/rules-and-regulations.html"&gt;Orbis Terrarum Challenge 2009&lt;/a&gt;.&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;i&gt;Mr. Muo's Travelling Couch&lt;/i&gt; by Dai Sijie, originally published in Paris in French in 2003, translation by Ina Rilke published in 2005.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;This novel is a picaresque satire of modern China, comic and at times farcical.  The protagonist Mr. Muo returns to China after 11 years spent in Paris supposedly working on his Ph. D. on Silk Road languages but actually absorbed in the study of Freudian dream analysis.  His goal in returning is to free the young woman (whose name translates roughly as "Volcano on the Old Moon") he fell in love with as an undergraduate in China; she has been imprisoned for having taken and provided photographs of the punishments meted out to Chinese dissidents to western journalists.  The corrupt judge who has sentenced her regularly frees those he's sentenced in return for hefty bribes; however, rather than being willing to accept money to free her, the aging judge wishes to restore his youth and potency by deflowering a virgin (according to traditional Chinese beliefs, at least)and demands that Muo provide him with one.  Muo sets out on a quest to find a willing virgin, intending to use his knowledge of Freudian dream interpretation to help him identify such a young woman.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;Unfortunately, what he discovers is that, not only is Chinese government corrupt, but that Chinese society has all-too-readily adopted western sexual values and, not to put too fine a point on it, there's a serious virgin shortage in China.  His search takes a number of bizarre turns, including Mr. Muo's deflowering of the first willing virgin he encounters (and himself at the same time) after the two of them are seriously frightened in a mortuary when the judge who has died suddenly returns to life.  From there, it's all downhill for the totally inept Mr. Muo as he pursues his quest through a society that's not at all what the Chinese authorities want the world -- &lt;i&gt;and&lt;/i&gt; the Chinese people -- to believe it is.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;Although at moments descending into perhaps a bit more silliness than is necessary, in general the novel presents an interesting view of Chinese society by one born and raised in China during the Cultural Revolution who left China and has lived in France since 1984.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-5731750966067176059?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/5731750966067176059/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=5731750966067176059' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5731750966067176059'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5731750966067176059'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/07/otc-6-mr-muos-travelling-couch-china.html' title='OTC 6:  &quot;Mr. Muo&apos;s Travelling Couch&quot; -- China'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3645818250275948281</id><published>2009-07-21T08:07:00.000-07:00</published><updated>2009-07-21T08:10:30.584-07:00</updated><title type='text'>Index to "The Jackdaw's Nest"</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;I&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;'ve created an index of all the posts so far in &lt;i&gt;The Jackdaw's Nest; &lt;/i&gt;it's available &lt;a href="http://hedgeguard.blogspot.com/2009/07/index-to-jackdaws-nest.html"&gt;here&lt;/a&gt; for anyone interested. &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3645818250275948281?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3645818250275948281/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3645818250275948281' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3645818250275948281'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3645818250275948281'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/07/index-to-jackdaws-nest.html' title='Index to &quot;The Jackdaw&apos;s Nest&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-2422573141174451252</id><published>2009-07-08T16:14:00.000-07:00</published><updated>2009-07-08T16:16:48.915-07:00</updated><title type='text'>Over In "The Jackdaw's Nest," Something You Can Count On</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/07/twenty-poems-with-numbers-in-them.html"&gt;"Twenty Poems with Numbers in Them"&lt;/a&gt;&lt;/span&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-2422573141174451252?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/2422573141174451252/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=2422573141174451252' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2422573141174451252'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2422573141174451252'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/07/over-in-jackdaws-nest-something-you-can.html' title='Over In &quot;The Jackdaw&apos;s Nest,&quot; Something You Can Count On'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-4205473162194046717</id><published>2009-07-04T18:28:00.000-07:00</published><updated>2009-07-05T17:15:52.532-07:00</updated><title type='text'>CRC 4:  "Abeng" -- Michelle Cliff</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;T&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;h&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;i&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;s&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;i&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;s&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;m&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;y&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;fourth entry for the &lt;a href="http://scavella.wordpress.com/caribbean-reading-challenge/"&gt;Caribbean Reading Challenge&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;i&gt;Abeng&lt;/i&gt; by Michelle Cliff, originally published in 1984.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;T&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;h&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;i&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;s&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;n&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;o&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;v&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;e&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;l&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;i&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;s&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;,&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;o&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;n&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;t&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;h&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;e&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;s&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;u&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;r&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;f&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;a&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;c&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;e&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;,&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;a&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;c&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;o&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;m&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;i&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;n&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;g&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;-&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;o&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;f&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;-&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;a&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;g&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;e&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;n&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;o&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;v&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;e&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;l&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;w&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;h&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;i&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;c&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;h&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;f&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;o&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;c&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;uses on a twelve-year-old Jamaican girl during the late 1950s.  That framework, however, simply serves to provide the narrative thread for what is actually a detailed examination of the complex multiracial history and sociology of Jamaican society, a subject that Cliff herself repeatedly assets through the novel that few Jamaicans really understand.  In the character of Clare Savage,  Cliff juxtaposes a series of dichotomies that she believes have fragmented Jamaican society.  &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Clare, for instance, is a light-skinned daughter of a light father and a dark mother; although Jamaica was praised at the time as a society with little or no color prejudices, we are shown throughout that few Jamaicans really understand.  Clare's father constantly emphasizes to her the importance of her white British heritage and downplays the role of Africans in their family's past (skimming over the fact, for instance, that Clare's great-great-grandfather burned over 100 of his slaves to death rather than free them when Britain imposed emancipation on Jamaica in 1834); her mother, although not stating her views to her daughter out of respect for her husband, clearly values the black African heritage far more than he does. (Cliff makes clear that &lt;i&gt;neither&lt;/i&gt; fully understands the complex heritage of the family).  Clare herself at times encounters differing views both from and towards those of differing skin colors and is puzzled by them. When an unfortunate series of events leads Clare to accidently kill her grandmother's prize bull, her father blames the inherited influence of the black forebears on her mother's side while her mother equally blames the effects of Clare's white ancestry through her father.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;Other dichotomies as they arefound specifically in Jamaican culture that Cliff explores and that puzzle Clare throughout the novel include those of male/female roles (it is partially Clare's desire to have some of the independence and respect young males receive that leads her into the events that causes the bull's death), citydwellers/countrypeople differences, young/old differences, and a whole range of religious differences (with five different religious viewpoints being explored to some extent).  &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;At the climax of the novel, none of these issues are really resolved for Clare (she is, still only twelve), but she clearly wants to go beyond her parents and acquaintances in terms of understanding.  The sequel, &lt;i&gt;No Telephone To Heaven&lt;/i&gt; (which I have yet to read), apparently carries Clare into early adulthood and perhaps provides her with answers of some sort.  &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;As an exploration of the cultural and historical legacies of colonialism in Jamaica (and I would suspect throughout the entire Caribbean to a great extent), &lt;i&gt;Abeng&lt;/i&gt; is a fascinating book that I found rewarding.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-4205473162194046717?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/4205473162194046717/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=4205473162194046717' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4205473162194046717'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/4205473162194046717'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/07/crc-4-abeng-michelle-cliff.html' title='CRC 4:  &quot;Abeng&quot; -- Michelle Cliff'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-848573798851232050</id><published>2009-06-29T19:18:00.000-07:00</published><updated>2009-06-29T19:56:37.549-07:00</updated><title type='text'>OTC 5:  "Spring Torrents" -- Russia</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;This is my fifth book for the &lt;a href="http://orbisterrarumchallenge.blogspot.com/2009/01/rules-and-regulations.html"&gt;Orbis Terrarum Challenge 2009&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;i&gt;Spring Torrents&lt;/i&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;b&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;y&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;I&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;v&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;a&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;n&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;T&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;u&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;r&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;g&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;e&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;n&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;e&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;v&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;,&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;p&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;u&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;b&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;l&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;i&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;s&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;h&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;e&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;d&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;1&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;8&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;7&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;2&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;t&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;r&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;a&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;n&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;s&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;l&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;a&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;t&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;e&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;d&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;b&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;y&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;L&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;e&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;o&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;n&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;a&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;r&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;d&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;S&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;c&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;h&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;a&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;p&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;i&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;r&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;o&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;,&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;1&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;9&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;7&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;2&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Di&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;m&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;i&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;t&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;r&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;y Sanin is a 23 year old Russian who has been touring Italy for several months in 1840, preparatory to settling down and assuming the responsibilities of  public service employment and management of the small estate he has inherited.  Passing through Germany on his way home, he has a chance encounter with the Rosellis, an Italian family which had settled in Frankfurt and runs a small bakery and sweet shop; taken with the beauty of the 19 year old Gemma, he remains in Frankfurt and spends time with the family, even though he knows she is engaged to an up-and-coming young merchant.  Complications arise which lead to Sanin's fighting a duel with a young German officer in defense of Gemma's honor, Gemma's breaking her engagement with the merchant, and Sanin and Gemma's becoming engaged.  However, in order to finance his marriage, Sanin decides to sell his Russian estate, and another chance encounter with Polozov, an old school acquaintance, provides him with the opportunity to do so, as Polozov's wife  is wealthy and owns the adjacent estate to Sanin's.  Sanin has a series of meetings with Maria Nikolaevna Polozov to negotiate the sale, and those encounters lead to a devastating conclusion that shatters Sanin's life.  The extent to which his life is altered is revealed in part by brief opening and closing passages which show us Sanin some 30 years later.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;The novel explores the nature of obsession and its consequences and is partially autobiographical, because Turgenev himself as a young man developed a lifelong attachment to Pauline Garcia - Viardot, a Spanish singer, and remained in close association with her and her husband for much of the rest of his life.  I recommend it.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, -webkit-fantasy;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-848573798851232050?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/848573798851232050/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=848573798851232050' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/848573798851232050'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/848573798851232050'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/06/otc-5-spring-torrents-russia.html' title='OTC 5:  &quot;Spring Torrents&quot; -- Russia'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-8953371803097157461</id><published>2009-06-24T16:32:00.000-07:00</published><updated>2009-06-24T16:38:48.869-07:00</updated><title type='text'>The Alternative to Skydiving</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;I mentioned, some time back, that I was considering &lt;a href="http://compost-hedgie.blogspot.com/2009/02/ten-things-about-me-which-may-or-may.html"&gt;celebrating my 65th birthday by going skydiving&lt;/a&gt;.  Well, it didn't quite work out that way.  Oh, I had an adventure, all right:  my very own &lt;a href="http://users.isp.com/keoni/turp/"&gt;TURP procedure&lt;/a&gt;.  In a word, &lt;span class="Apple-style-span" style="font-style: italic;"&gt;wheee&lt;/span&gt;.  Not at all the same thing.  But I haven't given up the skydiving idea yet, just postponed it until at least things have sort of healed; then we'll see.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-8953371803097157461?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/8953371803097157461/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=8953371803097157461' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8953371803097157461'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8953371803097157461'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/06/alternative-to-skydiving.html' title='The Alternative to Skydiving'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-483772117592724589</id><published>2009-06-23T07:40:00.000-07:00</published><updated>2009-06-23T07:44:56.641-07:00</updated><title type='text'>So What's New?</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;Montaigne discovers aromatherapy c. 1588:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;"The doctors might, I believe, derive more use from odors than they do; for I have often noticed that they make a change in me and work upon my spirits according to their properties; which makes me approve of the idea that the use of incense and perfumes in churches, so ancient and widespread in all nations and religions, was intended to delight us and arouse and purify our sense to make us more fit for contemplation."&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;-- &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Of smells&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-483772117592724589?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/483772117592724589/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=483772117592724589' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/483772117592724589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/483772117592724589'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/06/so-whats-new.html' title='So What&apos;s New?'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-7278290414714705483</id><published>2009-06-18T19:54:00.000-07:00</published><updated>2009-06-18T19:56:22.677-07:00</updated><title type='text'>"Twelve 3-Line Poems"</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;now available in &lt;a href="http://hedgeguard.blogspot.com/2009/06/twelve-3-line-poems.html"&gt;"The Jackdaw's Nest."&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-7278290414714705483?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/7278290414714705483/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=7278290414714705483' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7278290414714705483'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7278290414714705483'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/06/twelve-3-line-poems.html' title='&quot;Twelve 3-Line Poems&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-6887206010930850288</id><published>2009-06-06T13:46:00.000-07:00</published><updated>2009-06-06T15:01:03.113-07:00</updated><title type='text'>OTC 4:  "Iceland's Bell" -- Iceland</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;This review is of my fourth book for the &lt;a href="http://orbisterrarumchallenge.blogspot.com/2009/01/rules-and-regulations.html"&gt;Orbis Terrarum Challenge 2009&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Iceland's Bell&lt;/span&gt; by Haldor Laxness, originally published in 1943, translated from the Icelandic by Philip Roughton in 2003.  Laxness won the Noble Prize for Literature in 1955.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Iceland's Bell&lt;/span&gt; is an historical novel set primarily in Iceland and, secondarily, Denmark during the late 17th and early 18th centuries, a period when Iceland was under total, harsh, and often oppressive Danish control.  Icelanders were permitted by law to trade &lt;span class="Apple-style-span" style="font-style: italic;"&gt;only&lt;/span&gt; with a Danish trading consortium, a monopoly which allowed them to be exploited unmercifully; further, the Danish crown -- a typical absolute monarchy in much of Europe at the time, could literally seize property and possessions virtually at will.  In consequence, most of the population was reduced to crushing poverty while a small fraction of Icelanders who cooperated to some extent with the Danes became vastly wealthy.  In addition, Iceland had a very complex system of law and even that was interfered with by the Danish crown from time to time.  The thriving, vital, literate, and prosperous Icelandic civilization of the 12th through the 15th centuries has seriously declined in consequence of these conditions.  It is against this background that the events of the novel take place.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The plot of the novel, depending as it does on the twists and turns of the Icelandic legal process as well as Danish royal interferences, is too complex to summarize briefly.  Instead, I will provide sketches of the three main characters involved in the action.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;First is Jon Hreggvidsson, a typical Icelandic farmer who has stolen a length of cord (an item rigorously controlled and exorbitantly priced by the Danish merchants) in order to fish for his family during a time of famine.  His punishment is that he is required to provide the labor to tear down "Iceland's Bell," the bell on the main Icelandic courthouse; the bell is one of many that is being confiscated because of its bronze and shipped back to Denmark, and its removal at the novel's beginning is symbolic of Danish power over Iceland and the corruption to the legal system.  In the process of removing the bell, Hreggvidsson insults the Danish monarch and is whipped for his insolence.  When the King's Hangman, who carried out Hreggvidsson's punishments, is found dead with Hreggvidsson drunk and unconscious nearby, the Icelander is accused of the murder and sentenced to death.  The novel revolves around this death sentence and the complicated legal machinations associated with it over the next 25 or so years.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Second of the major characters is Arnas Arnaeus, an educated Icelander who has won the friendship and patronage of the Danish monarch.  Initially, he is visiting Iceland at the novel's beginning because he is searching for and collecting the few remaining pieces of Icelandic manuscripts recording the written works of Icelandic scholars and poets of the medieval period, the period of Iceland's intellectual glory.    He hopes by doing so to establish that Iceland has a great past and to ameliorate the contempt in which Danes hold his countrymen.  When he leaves, he hopes to return shortly to continue his search as well as a romance he has begun, but it's 17 years before he is able to do so.  This time he is appointed by the monarch as the royal commissary with the responsibility of investigating, among other things, the fairness of the conduct of the Icelandic magistrates and the justice of their legal decisions; this role is tied in with Hreggvidsson's conviction.  He corrects some injustices inflicted by the Danish merchants on the Icelanders, but, ironically, the results actually add to the Icelanders' sufferings. He reverses a number of decisions and strips the chief magistrate of his position, but, returning to Denmark, he himself is stripped of his position and a new royal delegation will investigate Arnaeus's own actions as commissary;  worst of all, he loses his lifetime's work when the fragmentary manuscripts he has collected are destroyed by a fire.  The Danish monarch offers Iceland for purchase to the Germans who ask him to assume the position of head of the Icelandic government and offer him a free hand in reforming the Icelandic government if they decide to purchase the rights to Iceland.  He sees this as one final chance he has to help his homeland, but at the last moment the Danish crown withdraws the offer.  (In fact, the Danish trade monopoly continued with oppressive consequence until the 1850s).&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Third of the major characters is Snaefridur, a young woman known for her great beauty as "Iceland's Sun."  For reasons of her own, she frees Jon Hreggvidsson the night before he is to be executed, allowing him to escape, eventually to Denmark.  She is the daughter of the chief magistrate, and as a young girl of 17 falls in love with Arnas Arnaeus during his manuscript-collecting expedition, a love he returns.  It is to her that he hopes to return, but when, after a number of years he fails to do so, she marries another, a man of comparatively low status and an alcoholic; she does so deliberately because she says if she can't marry the best of men, she will marry only the worst.  When Arnaeus returns 17 years later, she leaves her husband and moves to her sister's household where Arnaeus is staying; rumors arise concerning their conduct, the rumors that will cost him his position later.  Before he leaves Iceland, he strips her father of his position as chief magistrate.  When the investigation into Arnaeus's conduct are opened, she tells her father she will publicly admit to having committed adultery with him in order to discredit him and allow her father's position and property to be restored, but her father refuses to permit it; Arnaeus's actions are reversed anyway, and her family restored to its prominent position.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;These character sketches barely hint at the complex twists and turns of the plot or the various ways the lives of these characters (and others as well) are intertwined.  The novel is dense, both in terms of plots and style, as is characteristic of Laxness's writing.  Though much of the novel portrays in great details the poverty , the suffering, and the harsh conditions of the lives of the Icelanders, the novel is also shot through with a considerable amount of rather grim, ironic humor.  &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Iceland's Bell&lt;/span&gt; is not the easiest of books to read, but it &lt;span class="Apple-style-span" style="font-style: italic;"&gt;is&lt;/span&gt; very rewarding.  Works such as &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Iceland's Bell&lt;/span&gt; and Laxness's best-known work &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Independent People&lt;/span&gt; make clear why he deserved the Nobel Prize for Literature.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-6887206010930850288?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/6887206010930850288/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=6887206010930850288' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/6887206010930850288'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/6887206010930850288'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/06/otc-4-icelands-bell-iceland.html' title='OTC 4:  &quot;Iceland&apos;s Bell&quot; -- Iceland'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3352335584739890672</id><published>2009-06-02T22:09:00.000-07:00</published><updated>2009-06-02T22:11:37.632-07:00</updated><title type='text'>Just Alighted in "The Jackdaw's Nest"</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/06/fourteen-sonnets.html"&gt;Fourteen Sonnets&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3352335584739890672?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3352335584739890672/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3352335584739890672' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3352335584739890672'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3352335584739890672'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/06/just-alighted-in-jackdaws-nest.html' title='Just Alighted in &quot;The Jackdaw&apos;s Nest&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-1861510547130149147</id><published>2009-06-01T13:07:00.000-07:00</published><updated>2009-06-01T13:10:28.858-07:00</updated><title type='text'>Birdie Car Rides</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;My ex, who's just started her own blog, has just made a &lt;a href="http://roghblog.wordpress.com/2009/06/01/rollin-rollin-rollin-car-ride/"&gt;post -- complete with photos -- about our car-riding parrot&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-1861510547130149147?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/1861510547130149147/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=1861510547130149147' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/1861510547130149147'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/1861510547130149147'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/06/birdie-car-rides.html' title='Birdie Car Rides'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-8159697992893563447</id><published>2009-05-31T11:05:00.000-07:00</published><updated>2009-05-31T11:07:41.791-07:00</updated><title type='text'>Avatar Review 11 Is Now Online</title><content type='html'>&lt;span class="Apple-style-span"  style="font-style: italic; font-family:arial;"&gt;&lt;a href="http://www.avatarreview.net/AV11/"&gt;Avatar Review 11&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-8159697992893563447?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/8159697992893563447/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=8159697992893563447' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8159697992893563447'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8159697992893563447'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/05/avatar-review-11-is-now-online.html' title='Avatar Review 11 Is Now Online'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-7321278055590687233</id><published>2009-05-20T18:42:00.000-07:00</published><updated>2009-05-20T18:45:03.299-07:00</updated><title type='text'>I Have a Poem</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;"Freckles" in &lt;a href="http://www.cleansheets.com/"&gt;the latest edition of &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Clean Sheets&lt;/span&gt;&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-7321278055590687233?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/7321278055590687233/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=7321278055590687233' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7321278055590687233'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7321278055590687233'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/05/i-have-poem.html' title='I Have a Poem'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-7326230275338639274</id><published>2009-05-15T22:09:00.001-07:00</published><updated>2009-05-15T22:12:14.155-07:00</updated><title type='text'>In "The Jackdaw's Nest"</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/05/more-poems-by-caribbean-poets.html"&gt;"More Poems by Caribbean Poets."&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-7326230275338639274?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/7326230275338639274/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=7326230275338639274' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7326230275338639274'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7326230275338639274'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/05/in-jackdaws-nest.html' title='In &quot;The Jackdaw&apos;s Nest&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-5098331792196903005</id><published>2009-05-08T20:58:00.000-07:00</published><updated>2009-05-08T21:13:57.784-07:00</updated><title type='text'>For Mother's Day</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-weight: bold; font-family:arial;"&gt;"Clearing the Garden"&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;In memory of my mother&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Irene F. Miller, 1918 - 2002&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;There's nothing left of summer but the stakes&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;that held tomato vines and pole beans clear&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;of earth, though I have pulled and tossed their bounty&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;unharvested onto the compost heap.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Just rows of empty soil and weathered poles&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;remain behind, and faded ties of cloth&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;which once sustained fecundity.  When I&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;have gathered those, the garden will be bare.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The pantry shelves still hold a few sealed jars&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;from last year's crop that shimmer in the light&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;the swinging bare bulb casts; bell peppers gleam,&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;string beans in vinegar reflect the light,&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;tomatoes, okra, squash, and sugar peas&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;burn with the very last of vanished light.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" font-style: italic;font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-5098331792196903005?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/5098331792196903005/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=5098331792196903005' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5098331792196903005'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5098331792196903005'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/05/for-mothers-day.html' title='For Mother&apos;s Day'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-7856385749937314720</id><published>2009-05-07T21:31:00.000-07:00</published><updated>2009-05-07T21:34:03.754-07:00</updated><title type='text'>There Are Now</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/05/some-short-poems.html"&gt;"Some Short Poems"&lt;/a&gt; available in &lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Jackdaw's Nest&lt;/span&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-7856385749937314720?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/7856385749937314720/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=7856385749937314720' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7856385749937314720'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7856385749937314720'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/05/there-are-now.html' title='There Are Now'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-5314452370622618928</id><published>2009-05-05T10:10:00.000-07:00</published><updated>2009-05-05T21:00:19.671-07:00</updated><title type='text'>CRC 3:  "In the Castle of My Skin"</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial;"&gt;This is my third book for the &lt;a href="http://scavella.wordpress.com/caribbean-reading-challenge/"&gt;Caribbean Reading Challenge&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;In The Castle of My Skin&lt;/span&gt; by George Lamming, originally published 1953.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;This novel is a somewhat fictionalized autobiography which covers the life of the young boy "G." on Barbados from the age of 9 until he leaves the island for Trinidad at the age of 17.  Unlike most autobiographical or semi-autobiographical works, this one does not focus exclusively on the character of G. but moves about freely in its point of view and allows the reader to see the life of Creighton's Village from the perspectives of a number of the village's inhabitants.  Lamming himself describes his narrative intention in an "Introduction" added to the work in 1983:  &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The book is crowded with names and people, and although each character is accorded a most vivid presence and force of personality, we are rarely concerned with a prolonged exploration of an individual consciousness.  It is the collective human substance of the Village itself which commands our attention.  The Village, you might say, is the central character.  &lt;/span&gt;(p. xxxvi)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Lamming develops a number of themes throughout the novel.  Most obvious, of course, is the childhood and adolescence of G. whom we see at various points during the eight-year span of the work.  We see him (and the other characters, as well) primarily in terms of his relationships with others -- his mother, his close friends, and his teachers and to some extent the other adults of the Village.  We watch, for instance,  as his friendships undergo changes as he and his associates mature and begin to move apart as they pursue different interests and goals; G. himself is one of very few boys chosen to move on into High School and receive much more education than any of his close friends.   Eventually, it is his education which enables him to leave Barbados for Trinidad at the end of the book.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Another major theme in the novel is the nature of the society that exists within the Village; this is a society firmly based on the concept of colonialism.  The village is named after the English "landlord" who owes the property and who has the responsibility for caring for the Village in a variety of ways, and the villagers depend upon and largely trust him to do what he can for them.  But, over the course of the novel (which covers the period roughly from the late 1930s into the mid-1940s), the social and economic situation begins to change.  There are labor movements which spring up that oppose the colonial basis of local society, and there develops a certain amount of hostility on the part of some of the local residents toward the landlord.  A movement begins based on the idea that the residents should own their own land.  By the end of the novel, the situation has drastically changed: the English landlord no longer owns the local land, and the majority of the village's residents discover that they are being defrauded out of the land that was supposed to have become theirs.  Lamming demonstrates that colonialism is a system capable of much evil, but  he also shows that the end of this system can just as easily lead to new evils as some Barbadans turn predator and prey upon their fellows. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Closely related is the theme of the economic life of the village.  Initially, the villagers are almost entirely dependent on the landlord's plantation for their livelihoods.  As the novel progresses, however, this situation gradually alters as the landlord is unable to maintain the full level of productivity of his holdings.  One clear indicator of this through the course of the work is the decreasing frequency with which local freight trains come to the village to load products from the plantation.  Eventually, the train disappears altogether and the tracks are ripped up and sold for scrap.  Life becomes increasingly harsh and difficult for the villagers.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Another theme of the novel is the connection between the villagers and the natural world.  Their lives are closely bound up with the course of nature; the very beginning of the novel reveals this through the flood that sweeps through the village on G.'s ninth birthday, during considerable damage to the villagers' homes and to some extent to their lives.  It is through G. particularly that we see a constant, pervasive awareness of the natural world in all its multiple manifestations -- beauty, destruction, productivity, and life itself.  This contact with the natural world on the part of the villagers is something else which is lost during the course of the novel.  There is a rich forest filled with mahogany trees adjacent to the town at the beginning of the novel; by the end, the forest is gone, clear-cut and sold off, apparently by the former landlord.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;By the end of the novel, it has become apparent &lt;span class="Apple-style-span" style="font-style: italic;"&gt;why&lt;/span&gt; G. feels he has to leave Barbados, not simply because there's no real way he can make much use of his education locally, but because he has become isolated from the world of the Village as that world has itself largely disappeared.  By and large, &lt;span class="Apple-style-span" style="font-style: italic;"&gt;all&lt;/span&gt; of the villagers are experiencing this loss of the life they had known for decades; G. is lucky in that he is one of the few who will be able to escape into a life with greater promise than the Village now holds for its residents.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;* * *&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;A Brief Personal Note:  I initially found this book to be fairly tough going.  It's stylistically dense, and Lamming sometimes carries on single passages to what can only be described as exhausting lengths.  I thought I'd made a mistake in choosing it to read for the Caribbean Reading Challenge.  By the time I'd finished, I'd completely changed my mind.  Make no mistake:  This is &lt;span class="Apple-style-span" style="font-style: italic;"&gt;not&lt;/span&gt; a light or casual reading experience.  But it's more than worth it.  I now understand why this is considered one of the most important books by a Caribbean writer of the 20th century, and I would not have missed the experience of reading it for anything.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-5314452370622618928?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/5314452370622618928/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=5314452370622618928' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5314452370622618928'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5314452370622618928'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/05/crc-3-in-castle-of-my-skin.html' title='CRC 3:  &quot;In the Castle of My Skin&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-2509919297081732498</id><published>2009-05-01T13:51:00.000-07:00</published><updated>2009-05-01T20:14:49.271-07:00</updated><title type='text'>OTC 3:  "Akhenaten:  Dweller in Truth" -- Egypt</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;My third book for the &lt;a href="http://orbisterrarumchallenge.blogspot.com/2009/01/rules-and-regulations.html"&gt;Orbis Terrarum Challenge 2009&lt;/a&gt; is &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Akhenaten:  Dweller in Truth&lt;/span&gt; by Naguib Mahfouz, translated by Tagreid Abu-Hassabo, and originally published in 1985.  Naguib Mahfouz won the Nobel Prize for Literature in 1988. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The historical Akhenaten (originally Amenhotep IV but he changed his name), who was pharoah for about 17 years during the 1340s and 1330s B. C., challenged the authority of the existing religion of Egypt, the worship first and foremost of Amun but of other gods, as well, and created a new religion which centered on the worship of a single god; he eventually outlawed the older religion and moved the capital of Egypt from Memphis to a city he ordered built, Akhetaten.  After his reign, the older religion was restored, his religion was banned, his city largely abandoned, and all public records were defaced to remove any trace of his existence or that of his religion.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Mafhouz's novel takes place after Akhenaten's death, when the removal of his recorded existence is already underway.  Meriamun, a young Egyptian of noble family who was only a child during the latter part of Akhenaten's reign, becomes curious about this individual whose very existence is being expunged from the records, and decides to learn and to record the truth about Akhenaten so that later generations will know who he was and why he has been deleted from official history.  So, with the blessing of his father (and his father's assistance in the form of letters of introduction to important political and religious figures), Meriamun sets out to learn the truth by interviewing all those who are still alive who knew and were associated with Akhenaten.  The novel itself  consists of his interviews, faithfully and accurately recorded.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;What Meriamun comes to learn during this process is that there isn't one clear truth; there are as many truths as there are individuals with whom he speaks.  He talks to friends, companions, relatives, servants, opponents, and outright enemies, culminating with his interview of Nefertiti, Akhenaten's beloved wife who had mysteriously abandoned him toward the end of his life; in the process, he learns not only about many different Akhenatens but also a great deal about those he interviews, often as much about &lt;span class="Apple-style-span" style="font-style: italic;"&gt;why&lt;/span&gt; they believe what they do as &lt;span class="Apple-style-span" style="font-style: italic;"&gt;what&lt;/span&gt; they believe.  In the end, Meriamun leaves it largely to the reader to draw his own conclusions about just who Akhenaten was and what were his accomplishments, but does give us in the closing lines some indication of what he has come to think.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Because the novel was written in the early 1980s, some of the historical information in the novel  has been outdated by more recent archeological findings and is no longer entirely reliable.  But that's not particularly important; the novel is really about the &lt;span class="Apple-style-span" style="font-style: italic;"&gt;kind of person&lt;/span&gt; Akhenaten was (at least as Mahfouz imagines him), and the book (which is short, only 168 pages) does an excellent job of presenting the reader with a fascinating portrait from multiple perspectives of the title character.  I highly recommend &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Akhenaten:  Dweller in Truth&lt;/span&gt;. &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-2509919297081732498?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/2509919297081732498/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=2509919297081732498' title='12 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2509919297081732498'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2509919297081732498'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/05/otc-3-akhenaten-dweller-in-truth-egypt.html' title='OTC 3:  &quot;Akhenaten:  Dweller in Truth&quot; -- Egypt'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>12</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-2899374653519655545</id><published>2009-04-17T18:14:00.000-07:00</published><updated>2009-04-17T18:16:23.595-07:00</updated><title type='text'>"Twelve Poems With Stars In Them"</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/04/twelve-poems-with-stars-in-them.html"&gt;now viewable over in "The Jackdaw's Nest."&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-2899374653519655545?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/2899374653519655545/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=2899374653519655545' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2899374653519655545'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2899374653519655545'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/04/twelve-poems-with-stars-in-them.html' title='&quot;Twelve Poems With Stars In Them&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-5928499884720722116</id><published>2009-04-11T12:40:00.000-07:00</published><updated>2009-04-11T13:45:17.190-07:00</updated><title type='text'>"Thirty Meditations on Cod"</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;can be found  &lt;a href="http://www.everypoet.org/pffa/showpost.php?p=467093&amp;amp;postcount=50"&gt;here&lt;/a&gt; if you're into codfish and highly questionable poetry.  And it's all &lt;a href="http://robmack.blogspot.com/2009/04/thirty-poems-in-thirty-minutes.html"&gt;Rob's fault&lt;/a&gt;.  Really.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-5928499884720722116?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/5928499884720722116/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=5928499884720722116' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5928499884720722116'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/5928499884720722116'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/04/thirty-meditations-on-cod.html' title='&quot;Thirty Meditations on Cod&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-8010788494951776674</id><published>2009-04-05T09:01:00.000-07:00</published><updated>2009-04-05T09:03:57.294-07:00</updated><title type='text'>The One and Only Word That Counts Today</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial; font-style: italic; font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span"  style="font-weight: bold; font-style: italic; font-family:arial;"&gt;&lt;a href="http://mlb.mlb.com/news/article.jsp?ymd=20090405&amp;amp;content_id=4130970&amp;amp;vkey=news_mlb&amp;amp;fext=.jsp&amp;amp;c_id=mlb"&gt;Baseball!&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-8010788494951776674?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/8010788494951776674/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=8010788494951776674' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8010788494951776674'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8010788494951776674'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/04/one-and-only-word-that-counts-today.html' title='The One and Only Word That Counts Today'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-8642265725372902338</id><published>2009-04-01T18:01:00.000-07:00</published><updated>2009-04-04T04:55:14.399-07:00</updated><title type='text'>OTC 2.5:  Three Mini-Reviews of Novels from Algeria</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;Another unscheduled extra post for the &lt;a href="http://orbisterrarumchallenge.blogspot.com/2009/01/rules-and-regulations.html"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Orbis Terrarum Challenge&lt;/span&gt;&lt;/a&gt;.&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Swallows of Kabul&lt;/span&gt; by Yasmina Khadra, published in French 2002, English translation by John Cullen published 2004.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Attack&lt;/span&gt; by Yasmina Khadra, published in French 2005, English translation by John Cullen published 2006.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Sirens of Baghdad&lt;/span&gt; by Yasmina Khadra, published in French 2006, English translation by John Cullen published 2007.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Yasmina Khadra is the pen name used by Mohammed Moulessehoul, a former Algerian army officer who used the female nom de plume to avoid having his work subjected to military censorship.  Now retired, he lives in France but continues to use the feminine name as it has become identified with his published works.  &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The three novels form a trilogy connected purely thematically, rather than by characters or plots, by their focus on Islamic fundamentalism.    Khadra has indicated that his purpose is to help the West to understand the real complexity of the various views that coexist under the umbrella of this fundamentalism.  The novels illustrate a variety of these views.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Swallows of Kabul&lt;/span&gt; takes place in Afghanistan during the ascendancy of the Taliban and shows what life was like under the Taliban's strict control of every aspect of Afghan life.  The story focuses on two couples living in Kabul.  The first is an upper-middle class couple Mohsen and Zunaira who have lost their wealth and positions within society; Zunaira, particularly, was educated as a lawyer and held a position as a magistrate until the Taliban came into power and stripped her of her position, sending her, like all other Afghan women, home, unable to participate in public life.  The other couple consists of Atiq, a man of lower-class background who had fought against the Soviets in the mujahideen until he was seriously wounded, and Musarrat, the peasant woman who nursed him back to health; Atiq holds a position as the jailer at a tiny facility which temporarily holds women condemned to death for violations of Muslim law, while Musarrat is dying slowly of what appears to be leukemia.  The stresses and brutality of life under the Taliban eventually cause the lives of these individuals to intersect with disastrous results.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Attack&lt;/span&gt; takes place in Israel and focuses on Amin Jaafari, an brilliant Arab doctor who has been granted Israeli citizenship because of his abilities and service to the nation; he and his wife Sihem are accepted in Israeli society and treated as equals by their Jewish friends and colleagues.  When a suicide bomber attacks a restaurant where a children's party is being held, Jaafari is called to the hospital to identify the body of Sihem who was killed in the attack.  He cannot understand how this is possible as she was supposed to be out of town visiting her family, until he is told by the authorities that Sihem was actually the bomber, an accusation for which they have conclusive evidence.  Jaafari then has to face the fact that his wife had a life and a whole body of beliefs about which he knew nothing and with which he totally disagrees; devastated, he sets out to try to learn who his wife really was, who her associates were, and how she came to believe that becoming a suicide bomber murdering children was of value.  In the process, he comes to face a great deal about Arab society that he had ignored or disregarded in his concentration on his profession, particularly the views of fundamentalists such as his wife had secretly been all along. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Sirens of Baghdad&lt;/span&gt; takes place primarily in Iraq, with sections at the beginning and end set in Lebanon.  The unnamed young male protagonist had been a college student in Baghdad at the time of the invasion of Iraq, but has returned home to his small, remote village as all educational activity has ended for the time being.  Over a period of time, the violence that has engulfed so much of Iraq extends to his village in the form of intrusions by American soldiers whose acts of brutality (killing a mentally disabled boy, bombing a wedding party, and raiding his home and humiliating his family) transforms him from one who has avoided any form of political involvement to a man who is willing to die to avenge the dishonor to his family and his people inflicted by the Americans who are almost totally unaware of their violations of basic Arab and Muslim beliefs.  He goes to Baghdad to join the activists and become a suicide bomber in order to give expression of his hatred.  Ultimately, his involvement leads to the death of an innocent friend;  then,  he is given the opportunity he has been working towards only to  find that he still has to make a choice.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Individually and collectively, these novels do succeed in presenting  multiple viewpoints that go to make up what constitutes "Islamic fundamentalism"; Khadra makes clear that there is no single such view, but rather a spectrum of views which need  to be understood better in the West.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-8642265725372902338?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/8642265725372902338/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=8642265725372902338' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8642265725372902338'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8642265725372902338'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/04/otc-25-three-mini-reviews-of-novels.html' title='OTC 2.5:  Three Mini-Reviews of Novels from Algeria'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3265328218295462697</id><published>2009-04-01T08:14:00.000-07:00</published><updated>2009-04-01T08:36:40.526-07:00</updated><title type='text'>OTC 2:  "A Month in the Country" -- England</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;My second book for the &lt;a href="http://orbisterrarumchallenge.blogspot.com/2009/01/rules-and-regulations.html"&gt;Orbis Terrarum Challenge&lt;/a&gt; is &lt;span class="Apple-style-span" style="font-style: italic;"&gt;A Month in the Country&lt;/span&gt; by J. L. Carr (England) published in 1980.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;In the late summer of 1920, Tom Birkin has come to the small Yorkshire village of Oxgodby in order to restore a recently discovered 500 year old mural in the local parish church.  Suffering from the aftereffects of combat in World War I (what today would be called "Post Traumatic Stress Disorder") as well as from his wife's desertion (she's run off with someone else), Birkin surprisingly finds that his state of depression is being lifted by what he encounters there:  the beautiful late-summer countryside, the various people he gets to know, and most of all by the remarkable masterpiece he is gradually uncovering and by the unknown medieval artist who created it.  When, after a few weeks, his work is completed, his attitude has dramatically changed, and he looks on this experience as one of the most profoundly moving of his life. As the story is narrated by Birkin himself some 50 years after the experience, we come to realize just how precious but also how fragile such moments are in life.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;This short novel (it's only 135 pages long) is a beautifully-written evocation of one of those rare moments in a person's life that stand out as among the most deeply moving and memorable of one's experiences.  I cannot recommend this work too highly.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3265328218295462697?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3265328218295462697/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3265328218295462697' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3265328218295462697'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3265328218295462697'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/04/otc-2-month-in-country-england.html' title='OTC 2:  &quot;A Month in the Country&quot; -- England'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-2239388213592914690</id><published>2009-03-31T20:34:00.000-07:00</published><updated>2009-03-31T20:36:23.469-07:00</updated><title type='text'>NaPoWriMo '09</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;a href="http://www.everypoet.org/pffa/showthread.php?t=65831"&gt;Here's where I'll be for much of April.&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-2239388213592914690?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/2239388213592914690/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=2239388213592914690' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2239388213592914690'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/2239388213592914690'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/03/napowrimo-09.html' title='NaPoWriMo &apos;09'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-7947541082046460146</id><published>2009-03-25T18:40:00.000-07:00</published><updated>2009-03-25T18:44:11.256-07:00</updated><title type='text'>Due to Apparent Demand</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/03/twelve-more-12-line-poems.html"&gt;"Twelve More 12-Line Poems"&lt;/a&gt; over in &lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Jackdaw's Nest&lt;/span&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-7947541082046460146?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/7947541082046460146/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=7947541082046460146' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7947541082046460146'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7947541082046460146'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/03/due-to-apparent-demand.html' title='Due to Apparent Demand'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-1975835819505057989</id><published>2009-03-22T20:30:00.000-07:00</published><updated>2009-03-22T21:05:18.521-07:00</updated><title type='text'>Some New Additions to the Prose Shelves</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial; font-weight: bold; "&gt;Fiction:&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;Spain:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Shadow of the Wind&lt;/span&gt; by Carlos Ruiz Zafon, translated by Lucia Graves&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;Hungary:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Metropole&lt;/span&gt; by Ferenc Karinthy, translated by George Szirtes&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Casanova in Bolzano&lt;/span&gt; by Sandor Marai, translated by George Szirtes&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;Algeria:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Swallows of Kabul&lt;/span&gt; by Yasmina Khadra, translated by John Cullen&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;Lebanon:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Balthasar's Odyssey&lt;/span&gt; by Amin Maalouf, translated by Barbara Bray&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Samarkind&lt;/span&gt; by Amin Maalouf, translated by Russell Harris&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;Israel:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;A Journey to the End of the Millennium:  A Novel of the Middle Ages&lt;/span&gt; by A. B. Yehoshua, translated by Nicholas de Lange&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;Antigua:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Autobiography of My Mother&lt;/span&gt; by Jamaica Kincaid&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;Norway:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Out Stealing Horses&lt;/span&gt; by Per Petterson, translated by Anne Born&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;England:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Small Island&lt;/span&gt; by Andrea Levy&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Last Orders&lt;/span&gt; by Graham Swift&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;U. S.:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Brooklyn Novels:  Summer in Williamsburg, Homage to Blenholt, &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Low Company&lt;/span&gt; by Daniel Fuchs&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Bombingham&lt;/span&gt; by Anthony Grooms&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Stoner&lt;/span&gt; by John Williams&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Postman Always Rings Twice&lt;/span&gt; by James M. Cain&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Nonfiction:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Cod:  A Biography of the Fish That Changed the World&lt;/span&gt; by Mark Kurlansky&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Secret Life of Lobsters:  How Fishermen and Scientists Are Unraveling the Mysteries of Our Favorite Crustacean&lt;/span&gt; by Trevor Corson&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Pencil:  A History of Design and Circumstance&lt;/span&gt; by Henry Petroski&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Middle East:  A Brief History of the Last 2,000 Years&lt;/span&gt; by Bernard Lewis&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Lost History:  The Enduring Legacy of Muslim Scientists, Thinkers, and Artists&lt;/span&gt; by Michael Hamilton Morgan&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;In the Name of Identity:  Violence and the Need to Belong&lt;/span&gt; by Amin Maalouf, translated by Barbara Bray&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-1975835819505057989?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/1975835819505057989/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=1975835819505057989' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/1975835819505057989'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/1975835819505057989'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/03/some-new-additions-to-prose-shelves.html' title='Some New Additions to the Prose Shelves'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-7290244503650792012</id><published>2009-03-20T21:53:00.000-07:00</published><updated>2009-03-20T21:58:02.345-07:00</updated><title type='text'>New Jackdaw's Nest</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/03/some-poems-with-titles-beginning-with.html"&gt;Some Poems with Titles Beginning with the Letter "P."&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-7290244503650792012?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/7290244503650792012/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=7290244503650792012' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7290244503650792012'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/7290244503650792012'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/03/new-jackdaws-nest.html' title='New Jackdaw&apos;s Nest'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-8063284336110938985</id><published>2009-03-17T20:13:00.000-07:00</published><updated>2009-03-17T21:02:12.420-07:00</updated><title type='text'>OTC 1.5:  Two Mini-Reviews of Novels from Hungary and Pakistan</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;This is actually an unscheduled extra contribution to the &lt;a href="http://orbisterrarumchallenge.blogspot.com/2009/01/rules-and-regulations.html"&gt;Orbis Terrarum Challenge&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;(1)  &lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Rebels&lt;/span&gt; by Sandor Marai, originally published in 1930, translated from the Hungarian by  George Szirtes, 2007.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The novel, set in Hungary in the spring of 1918, deals with a group of young boys who are graduating from school and facing the inevitable draft which will sent them into the front lines of World War I.  Confronted with this inescapable situation, the boys rebel against adults, adulthood, and the whole adult world, attempting to hold on to the innocence -- and ultimately safety -- of childhood; they begin to steal various valuable objects and money from their own families and secretly reveling in their thefts and defiance of the adult world.  They are joined by a mysterious actor who intrigues them and who ultimately leads them into a bizarre "performance" with unexpected and devastating consequences that shatter any illusions they have about remaining in a safe childhood world.  Although the novel is a dark one, it is also fascinating with some individually powerful scenes; it is definitely worth reading.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;(2)  &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Cracking India&lt;/span&gt; by Bapsi Sidhwa, 1991 (originally published in 1988 in Britain as &lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Ice Candy Man&lt;/span&gt;).&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;This novel, narrated by a young girl whose family belongs to a very small religious group, the Parsees, deals with the extreme religious, racial, and ethnic violence that accompanied the Partition of India into India and Pakistan in 1947.  We watch through her eyes as a peaceful multiethnic community of Hindus, Muslims, and Sikhs  disintegrates into distrust, growing hostility, and finally horrendous and unrestrained brutality, and the effects on Lenny, her family, servants, and friends, and their attempts to salvage something of value out of the maelstrom of violence that engulfs the city of Lahore as it does much of  India and Pakistan during this time.  Another novel I recommend.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-8063284336110938985?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/8063284336110938985/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=8063284336110938985' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8063284336110938985'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/8063284336110938985'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/03/otc-15-two-mini-reviews-of-novels-from.html' title='OTC 1.5:  Two Mini-Reviews of Novels from Hungary and Pakistan'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-3406942654033192315</id><published>2009-03-13T16:41:00.000-07:00</published><updated>2009-03-13T16:50:39.421-07:00</updated><title type='text'>Braja</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;One of the most remarkable things about the internet is that it allows us to get to know people in all parts of the world.  One such person is Braja who blogs regularly at &lt;a href="http://lostandfoundinindia.blogspot.com/"&gt;"Lost and Found in India."&lt;/a&gt;   Today (or yesterday, depending on your time zone), she and her husband were &lt;a href="http://ladyfi.wordpress.com/2009/03/13/lost-and-found-in-india/"&gt; seriously injured in a car accident.&lt;/a&gt;  Tomorrow (or today), internet friends are holding &lt;a href="http://sweetpeasurry.blogspot.com/2009/03/braja.html"&gt;a moment of silence, prayer, and well-wishing for them and theirk driver&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-3406942654033192315?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/3406942654033192315/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=3406942654033192315' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3406942654033192315'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/3406942654033192315'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/03/braja.html' title='Braja'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-1834614682291154867</id><published>2009-03-09T15:30:00.000-07:00</published><updated>2009-03-09T15:32:57.997-07:00</updated><title type='text'>New in "The Jackdaw's Nest"</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://hedgeguard.blogspot.com/2009/03/some-poems-by-poets-of-diverse-origins.html"&gt;"Some Poems by Poets of Diverse Origins"&lt;/a&gt;&lt;/span&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-1834614682291154867?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/1834614682291154867/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=1834614682291154867' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/1834614682291154867'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/1834614682291154867'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/03/new-in-jackdaws-nest.html' title='New in &quot;The Jackdaw&apos;s Nest&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-6123256409411569950</id><published>2009-03-05T12:04:00.000-08:00</published><updated>2009-03-05T14:21:40.126-08:00</updated><title type='text'>CRC 2:  "Annie John"</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" ;font-family:arial;"&gt;&lt;a href="http://scavella.wordpress.com/caribbean-reading-challenge/"&gt;My second book for the Caribbean Reading Challenge&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Annie John&lt;/span&gt; by Jamaica Kincaid, published 1985.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Annie John&lt;/span&gt; is a short novel (I believe the individual chapters were originally published as short stories in &lt;span class="Apple-style-span" style="font-style: italic;"&gt;The New Yorker&lt;/span&gt;) that traces the coming-of-age of a young Antiguan girl from the age of 10 to the age of 17, narrated in first person by Annie herself.  However, the focus seems rather different than that of most coming-of-age novels with which I'm familiar, as much of the work concentrates on Annie's growing alienation from her mother, a central thematic core which embodies the idea of developing adolescence as a loss of paradise.  At the beginning of the novel, Annie's mother treats Annie as the focus of her life, the person on whom she lavishes almost constant attention.  However, as Annie grows older, her mother's attitude changes, and she treats Annie as a person who is maturing and is no longer the child she was earlier; the reader recognizes that this change is an inevitable and necessary one, but Annie sees it only as a betrayal, an emotional abandonment, and becomes angry and resentful in consequence.  She begins to attempt to punish her mother by refusing to do things her mother praises her for and giving vent to outbursts of anger in which she abuses her mother; not surprisingly, her mother reacts with disappointment and hurt, which in turn only make Annie feel guilty and increases her anger.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;At the same time, of course, Annie is going through other difficult and trying changes in her life; she enters a more advanced school where she often excels academically but frequently disappoints her teachers by her unruly conduct behind their backs; she makes new friends but finds after a while that she has outgrown them. She particularly cannot understand their growing interest in boys; whether this element of the novel is intended to suggest that she is not heterosexual (a couple of brief articles and reviews I looked at indicate this is a distinct possibility) is never entirely clear; in any event, she certainly differs from her peers in regard to their interest in boys, marriage, homemaking, and raising families  -- things she indicates she will never pursue.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Additionally, her life is further complicated by an illness of several months' duration which leaves her for a time bed-ridden and subject to apparent hallucinations.  The doctor assures her parents that there is no detectable physical cause for her illness; the suggestion seems to be that she is possibly suffering from an attack of clinical depression.  &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The novel ends with Annie's conflicts with her mother unresolved.  Having graduated, Annie is leaving Antigua for England where she is to undergo training as a nurse; her real desire, however, is simply to escape from what she views as a claustrophobic  environment, and she vows to herself never to return, even though her mother's parting words to her are "It doesn't matter what you do or where you go, I'll always be your mother and this will always be your home."  For Annie, the paradise she knew as a child has vanished, and she no longer feels she has a place in or ties to Antigua.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;I have recently read a number of coming-of-age novels which focus on young girls entering into maturity -- &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Purple Hibiscus&lt;/span&gt; by Chimamanda Ngozi Adichie, &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Breath, Eyes, Memory&lt;/span&gt; by Edwidge Danticat, &lt;span class="Apple-style-span" style="font-style: italic;"&gt;The House on Mango Street&lt;/span&gt; by Sandra Cisneros, and &lt;span class="Apple-style-span" style="font-style: italic;"&gt;How The Garcia Girls Lost Their Accents&lt;/span&gt; by Julia Alvarez, among others -- but &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Annie John&lt;/span&gt; is by far the most interesting of them all, I feel, primarily because of the focus on the conflict with her mother.  There are no simple or easy answers for Annie John, and she carries with her into her future the conflict she's experienced during her adolescence, a conflict completely unresolved.  One can only wonder what her future is going to be.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-6123256409411569950?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://compost-hedgie.blogspot.com/feeds/6123256409411569950/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=27377859&amp;postID=6123256409411569950' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/6123256409411569950'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27377859/posts/default/6123256409411569950'/><link rel='alternate' type='text/html' href='http://compost-hedgie.blogspot.com/2009/03/crc-2-annie-john.html' title='CRC 2:  &quot;Annie John&quot;'/><author><name>Hedgie</name><uri>http://www.blogger.com/profile/03073063597585826524</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-27377859.post-6290837606833818277</id><published>2009-03-04T13:08:00.000-08:00</published><updated>2009-03-04T13:14:10.555-08:00</updated><title type='text'>Things That Weren't Mentioned On Setting Out:  A Small Senior Citizen's Rant</title><content type='html'>&lt;div&gt;In the past 36 hours, I've learned:&lt;br /&gt;&lt;br /&gt;(1) that my accountant for the past dozen years or so has become so seriously ill that he's retiring and will no longer be doing taxes;&lt;br /&gt;(2) that the absolutely trustworthy and reliable mechanic who's kept our cars going for almost 25 years has just closed up shop permanently;&lt;br /&gt;and&lt;br /&gt;(3) that the guy who owns the barber shop I've been going to for 10 years up and died yesterday.&lt;br /&gt;&lt;br /&gt;I'm getting the very uncomfortable feeling that whatever powers may be are trying to tell me something, and I don't think I'm going to much like what it is.&lt;br /&gt;_&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27377859-6290837606833818277?l=compost-hedgie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link 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